"Respecting fandangos, I will observe that this term, as it is used in New Mexico, is never applied to any particular dance, but is the usual designation for those ordinary assemblies where dancing and frolicking are carried on; baile (or ball) being generally applied to those of a higher grade. The former especially are very frequent; for nothing is more general, throughout the country, and with all classes than dancing. From the gravest priest to the buffoon — from the richest nabob to the beggar — from the governor to the ranchero — from the soberest matron to the flippant belle — from the grandest señora to the cocinera — all partake of this exhilarating amusement. To judge from the quantity of tuned instruments which salute the ear almost every night in the week, one would suppose that a perpetual carnival prevailed everywhere. The musical instruments used at the bailes and fandangos are usually the fiddle and bandolin, or guitarra, accompanied in some villages by the tombé or little Indian drum. The musicians occasionally acquire considerable proficiency in the use of these instruments. But what most oddly greets, and really outrages most Protestant ears, is the accompaniment of divine service with the very same instruments, and often with the same tunes."