"Hitchcock had an artificial story and an artificial society to deal with here, but his treatment of them is not that of a director who matches artificiality of substance with artificiality of form, but of a man who has in himself so little reaction to flesh-and-blood truth that he is almost incapable of knowing the living from the dead. Hitchcock's blindness to the things that people do in expression of their real emotions is not a mannerism but a fact. In his work he thinks, and cannot feel. No director in England, and very few in America, can tell a screen story as cleverly as he—can narrate so subtly and simply to the eye, without a word written, using all the tricks of the camera and all the loquacity of silent things to carry his audience from point to point in perfect understanding and ease. But he will have to learn to know men as well as he knows the camera or, not knowing men, to turn his talents from the intimate to the impersonal kinema before he can become one of the great directors of the screen."
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Women authors from EnglandWomen born in the 19th centuryFilm criticsPeople from ManchesterWomen journalists from England
Original Language: English
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https://en.wikiquote.org/wiki/C._A._Lejeune
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C. A. Lejeune
Caroline Alice Lejeune (27 March 1897 – 31 March 1973) was a British writer remembered as The Observers film critic from 1928 to 1960. She was among the earliest newspaper film critics in Britain, and one of the first British women in the profession. She formed a friendship early in her career with Alfred Hitchcock, "when he was writing and ornamenting sub-titles for silent pictures," as she later wrote.
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