Tanzanian Poets

"I tell every 18-year old who wants to rap that if they spend just one hour understanding what music publishing is, what IP is, what royalties are, and what their rights are, they will do more for their music than the three hours they spend on YouTube figuring out how to mix a new drum pattern. The entry barrier to music is virtually nonexistent now because of technology. That makes musicians vulnerable and means they need to be IP savvy."

"These days, as an artist, you can tour and if you prove to a brand that your free download attracted thousands of eyeballs, then brand endorsements become an option. These channels open up new income streams. Then you look at streaming platforms and you realize they're not really paying anybody and won't ever be your main revenue source. Streaming is like a business card; it's a way to get people familiar with your music while you take advantage of other channels to make money."

"The problem I have with streaming it is that it doesn't take account of different audiences and markets. It doesn't distinguish between a popular musician whose (millions of) fans are willing to only pay two cents for a stream and a jazz artist whose smaller fan base is willing to pay two dollars to listen to their work. As things stand, the jazz artist can't take advantage of it."