"You're familiar with the phrase "Man's reach exceeds his grasp"? It's a lie. Man's grasp exceeds his nerve. The only limits on scientific progress are those imposed by society. The first time I changed the world, I was hailed as a visionary. The second time I was asked politely to retire. The world only tolerates one change at a time. And so here I am. Enjoying my "retirement". Nothing is impossible, Mr. Angier, what you want is simply expensive."

"Don't forget your hat."

"I hope you enjoy the mountain air, this will take some time."

"Every great magic trick consists of three parts or acts. The first part is called "The Pledge". The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But of course...it probably isn't. The second act is called "The Turn". The magician takes the ordinary something and makes it do something extraordinary. Now you're looking for the secret... but you won't find it, because of course you're not really looking. You don't really want to know. You want to be fooled. But you wouldn't clap yet. Because making something disappear isn't enough; you have to bring it back. That's why every magic trick has a third act, the hardest part, the part we call "The Prestige"."

"Every magic trick consists of three parts, or acts. The first part is called the pledge, the magician shows you something ordinary. The second act is called the turn, the magician takes the ordinary something and makes it into something extraordinary. But you wouldn't clap yet, because making something disappear isn't enough. You have to bring it BACK. Now you're looking for the secret. But you won't find it because of course, you're not really looking. You don't really want to work it out. You want to be fooled."

"The pledge of Nolan's The Prestige is that the film, having been metaphorically sawed in two, will be restored; it fails when it cheats, as, for example, if the whole woman produced on the stage were not the same one so unfortunately cut in two. Other than that fundamental flaw, which leads to some impenetrable revelations toward the end, it's quite a movie — atmospheric, obsessive, almost satanic."

"Hugh Jackman - Robert Angier"

"Christian Bale - Alfred Borden"

"Michael Caine - Cutter"

"Piper Perabo - Julia McCullough"

"Memory can change the shape of a room; it can change the color of a car. And memories can be distorted. They're just an interpretation, they're not a record, and they're irrelevant if you have the facts."

"Callum Keith Rennie – Dodd"

"Joe Pantoliano – Teddy Gammell"

"Carrie-Anne Moss – Natalie"

"Guy Pearce – Leonard Shelby"

"Your life is over. You're a dead man. The only thing the doctors are hoping to do is teach you to be less of a burden to the orderlies. And they'll probably never let you go home, wherever that would be. So the question is not "to be or not to be," because you aren't. The question is whether you want to do something about it."

"So you lie to yourself to be happy."

"Am I chasing this guy? [gunshot] No, he's chasing me."

"I don't even know how long she's been gone. It's like I've woken up in bed and she's not here … because she's gone to the bathroom or something. But somehow, I know she's never gonna come back to bed. If I could just … reach over and touch … her side of the bed, I would know that it was cold, but I can't. I know I can't have her back … but I don't want to wake up in the morning, thinking she's still here. I lie here not knowing … how long I've been alone. So how … how can I heal? How am I supposed to heal if I can't … feel time?"

"I have to believe in a world outside my own mind. I have to believe that my actions still have meaning, even if I can't remember them. I have to believe that when my eyes are closed, the world's still there. Do I believe the world's still there? Is it still out there? … Yeah. We all need mirrors to remind ourselves who we are. I'm no different … now … where was I?"