Juilliard School Faculty

"I’m not particularly fond of watching myself act. I think because my roots are in the stage that the joy for me is the act of doing it. The joy for me is not sitting down and watching me do it. I’m so critical of myself. I’d sit and watch myself in a scene, maybe one in which I’m just in the background, and think, “What are you doing back there, Rene? Why are you doing that? Why didn’t you just stand still? Shut up. What’s the matter with you?”"

"A composer's awareness of the plurality of functions of his own tools forms the basis for his responsibility just as, in everyday life, every man's responsibility begins with the recognition of the multiplicity of human races, conditions, needs, and ideals. I would go as far as to say (as my anger comes back) that any attempt to codify musical reality into a kind of imitation grammar (I refer mainly to the efforts associated with the Twelve-Tone System) is a brand of fetishism which shares with Fascism and racism the tendency to reduce live processes to immobile, labeled objects, the tendency to deal with formalities rather than substance. Claude Lévi-Strauss describes (though to illustrate a different point) a captain at sea, his ship reduced to a frail raft without sails, who, by enforcing a meticulous protocol on his crew, is able to distract them from nostalgia for a safe harbor and from the desire for a destination."

"Alas, this industrialized twelve-tone horse, dull on the outside and empty inside, constantly being perfected and dragged to a new Troy in shadow of an ideological war long since fought and won by responsible minds like Schoenberg, with neither systems nor scholarship for armor!"

"Music is everything that one listens to with the intention of listening to music."