"Deputy Solicitor General of India OM Shalina told the Kerala High Court that the name Janaki, being another name for goddess Sita, could hurt religious sentiments. However, Justice N Nagaresh disagreed, stating, “She is the victim? If the rapist’s name was Ram, Krishna or Janaki, then it would have been understandable. Here she is the heroine, who is fighting for justice.”"

"The judge strongly asserted that it is not for the censor board to dictate the creative choices of filmmakers, including the names of characters. “What is wrong with the name Janaki? How is this an insult to religion? This is the freedom of the artist,” Justice Nagaresh asked pointedly."

"Will Greenberg - Robert"

"[to AJ] You cannot get it upset."

"Zach Cregger - Everett (unseen cameo)"

"Brooke Dillman - AJ's mother"

"[to skeptical cops] Look, I'm not a Crackhead! I'm someone who's escaped being captured! What do you want me to say?"

"Jaymes Butler - Andre"

"Matthew Patrick Davis - "The Mother""

"J.R. Esposito - Jeff"

"Kate Bosworth - Melissa (voice cameo)"

"Sara Paxton - nursing video narration / assistant / Megan (voice cameo)"

"Bill Skarsgård - Keith"

"[to Tess] I can get away, but you're gonna have to slow her down. [to The Mother] Hey, come get your baby! [throws Tess off the side of the water tower. The Mother dives off the water tower after Tess, and lands underneath her on the ground]"

"Richard Brake - Frank"

"[to Frank, after watching him do something horrific on a video tape] What is wrong with you? The fuck is wrong with you? Hey! Hey, I'm talking to you, you fuck! [Frank pulls a gun out of his drawer] Hey, hey, hey, whoa. [Frank points the gun at his own head] No, no, no, wait! [Bang!]"

"[leaving a drunken message] Hi, Megan. This is AJ. Uh... I'm guessing you probably don't wanna talk to me, but I, um... I just wanna say I'm really, really sorry if I did anything that night that might've like... Offended you or... 'Cause you know, people can have different versions of the same thing. And... I'm actually not even mad at you about it. And I hope you're not mad at me 'cause I really... I really am sorry. And if you call me back, I'll apologize to you again. So... Please call me back, and I'll apologize to you again. Okay."

"Georgina Campbell - Tess"

"Andre: You make a Copy of a Copy of a Copy, you get that."

"Kurt Braunohler - Doug"

"Justin Long - AJ"

"Sophie Sörensen - Bonnie"

"Kate Nichols - Catherine"

"We tolerate you."

"My uncle is, above all, a principled artist. His lifelong ambition was not only to define an epoch but to transcend all time. In his memoirs, he described his designs as machines with no superfluous parts, that at their best, at his best, possessed an immoveable core; a "Hard Core of Beauty." A way of directing their inhabitant's perception to the world as it is. The inherent laws of concrete things such as mountains and rock define them. They indicate nothing. They tell nothing. They simply are. Born in 1911 in a small fishing village in Austria-Hungary, László Toth looked out upon the Adriatic Sea. He was a boy with eyes wide open, full of yearning. New borders would eventually rip this expanse of sea away from him but never did he cease to try and fill its void. Forty years later, he survived the camps at Buchenwald, as did his late wife, and myself, in Dachau. His first American masterpiece, the Van Buren institute outside of Philadelphia, remained unfinished until 1973. The building referenced his time at Buchenwald as well as the deeply felt absence of his wife, my Aunt Erzsébet. For this project, he re-imagined the camp's claustrophobic interior cells with precisely the same dimensions as his own place of imprisonment, save for one electrifying exception; when visitors looked 20 meters upwards, the dramatic heights of the glass above them invited free thought; freedom of identity. He further re-imagined Buchenwald and his wife's venue of imprisonment in Dachau on the same grounds, connected by a myriad of secret corridors re-writing their history and transcending space and time so that he and Erzsébet would never be apart again. Uncle, you and Aunt Erzsébet once spoke for me, I speak for you now, and I am honored. "Don't let anyone fool you, Zsófia" he would say to me as a struggling young mother raising my daughter during our first years in Jerusalem, "no matter what the others try and sell you, it is the destination, not the journey." Thank you."

"When dogs get sick, they often bite the hand of those who fed them, until someone mercifully puts them down."

"I've found our conversation persuasive and intellectually stimulating."

"This is why I never do business with Italians. The spics of Europe."

"What have you done to yourself? It's a shame seeing how your people treat themselves. If you resent your persecution, why then do you make of yourself such an easy target? If you act as a loafer living off handouts, a societal leech, how can you rightfully expect a different result?"

"Adrien Brody - László Tóth"

"I will follow you until I die."

"This place is rotten. The landscape, the food we eat. This whole country is rotten."

"Last night I met God. He gave me permission to call Him by His name."

"Peter Polycarpou - Michael Hoffman"

"Jonathan Hyde - Leslie Woodrow"

"Maria Sand - Michelle Hoffman"

"Isaach de Bankolé - Gordon"

"Losing a mother, it's an unfathomable loss. To lose one's birth mother is to lose the very foundation on which we stand. The mind may not know its loss, but the heart does."

"Michael Epp - Jim Simpson"

"Salvatore Sansone - Orazio"

"Stacy Martin - Maggie Van Buren"

"Raffey Cassidy - Zsófia"

"Alessandro Nivola - Attila Miller"

"Guy Pearce - Harrison Lee Van Buren"

"Felicity Jones - Erzsébet Tóth"

"Joe Alwyn - Harry Lee Van Buren"

"Emma Laird - Audrey Miller"

"We have been preyed upon like animals. Maybe we should respond like animals."

"Leaving is how we demonstrate our faith. We are leaving because our faith is stronger than the rules. Bigger than our life."