Gertrude Stein

"Clarity is of no importance because nobody listens and nobody knows what you mean no matter what you mean, nor how clearly you mean what you mean. But if you have vitality enough of knowing enough of what you mean, somebody and sometime and sometimes a great many will have to realize that you know what you mean and so they will agree that you mean what you know, what you know you mean, which is as near as anybody can come to understanding any one."

"When I said. "A rose is a rose is a rose." And then later made that into a ring I made poetry and what did I do? I caressed completely caressed and addressed a noun."

"I like a view but I like to sit with my back turned to it."

"A real failure does not need an excuse. It is an end in itself."

"Remarks are not literature."

"Poetry is I say essentially a vocabulary just as prose is essentially not. And what is the vocabulary of which poetry absolutely is. It is a vocabulary based on the noun as prose is essentially and determinately and vigorously not based on the noun. Poetry is concerned with using with abusing, with losing with wanting with denying with avoiding with adoring with replacing the noun. It is doing that always doing that, doing that doing nothing but that. Poetry is doing nothing but using losing refusing and pleasing and betraying and caressing nouns. That is what poetry does, that is what poetry has to do no matter what kind of poetry it is. And there are a great many kinds of poetry. So that is poetry really loving the name of anything and that is not prose."

"A writer must always try to have a philosophy and he should also have a psychology and a philology and many other things. Without a philosophy and a psychology and all these various other things he is not really worthy of being called a writer. I agree with Kant and Schopenhauer and Plato and Spinoza and that is quite enough to be called a philosophy. But then of course a philosophy is not the same thing as a style."

"From the very nature of progress, all ages must be transitional. If they were not, the world would be at a stand-still and death would speedily ensue. It is one of the tamest of platitudes but it is always introduced by a flourish of trumpets."

"Argument is to me the air I breathe. Given any proposition, I cannot help believing the other side and defending it."

"The whole duty of man consists in being reasonable and just... I am reasonable because I know the difference between understanding and not understanding and I am just because I have no opinion about things I don’t understand."

"A beauty is not suddenly in a circle. It comes with rapture. A great deal of beauty is rapture. A circle is a necessity. Otherwise you would see no one. We each have our circle."

"It is always a mistake to be plain-spoken."

"No sense in no sense innocence of what of not and what of delight. In no sense innocence in no sense and what in delight and not, in no sense innocence in no sense no sense what, in no sense and delight, and in no sense and delight and not in no sense and delight and not, no sense in no sense innocence and delight."

"Let me recite what history teaches. History teaches."

"One does not get better but different and older and that is always a pleasure."

"Before the flowers of friendship faded friendship faded."

"All of you young people who served in the war. You are a lost generation... You have no respect for anything. You drink yourselves to death."

"When I sleep I sleep and do not dream because it is as well that I am what I seem when I am in my bed and dream."

"Grammar little by little is not a thing. Which may gain. There. Make twenty-five be a woman. The meaning of that does not interest me. It is a complexion that interests that makes ridiculous because that does not make it something else. But it does make them which is again me. Make twenty-five be a woman. I do not lose it. The color is there. Do you see. Dependent entirely upon how one word follows another. Who knows how Howard likes hearing. I can do it so easily it always makes grammar but is it grammar. Forget grammar and think about potatoes. Grammar after all has to do with why they were presented."

"Let me listen to me and not to them May I be very well and happy May I be whichever they can thrive Or just may they not. They do not think not only only But always with prefer And therefore I like what is mine For which not only willing but willingly Because which it matters. They find it one in union. In union there is strength."

"It is awfully important to know what is and what is not your business."

"The deepest thing in any one is the conviction of the bad luck that follows boasting."

"All the world knows how to cry but not all the world knows how to sigh. Sighing is extra."

"I just tell you and though I dont sound like it I've got plenty of sense, there aint any answer, there aint going to be any answer, there never has been any answer, that’s the answer."

"Everybody gets so much information all day long that they lose their common sense."

"We are always the same age inside."

"Do you know because I tell you so, or do you know, do you know."

"Ladies there is no neutral position for us to assume."

"Communists are people who fancied that they had an unhappy childhood."

"What is the answer?" [ I was silent ] "In that case, what is the question?"

"It bothers a lot of people, but like you said, it's nobody's business, it came from the Judeo-Christian ethos, especially Saint Paul the bastard, but he was complaining about youngsters who were not really that way, they did it for money, everybody suspects us or knows but nobody says anything about it."

"Human nature, human nature acts as it acts when it is identified when there is an identity but it is not human nature that has anything to do with that it is that anybody is there where they are, it is that that has to do with identity, with government and propaganda with history with individualism and with communism but it has nothing nothing to do with the human mind … because the human mind writes what there is and what has identity go to do with that … nothing at all."

"I've been rich and I've been poor. It's better to be rich."

"When General Osborne came to see me just after the victory, he asked me what I thought should be done to educate the Germans. I said there is only one thing to be done and that is to teach them disobedience, as long as they are obedient so long sooner or later they will be ordered about by a bad man and there will be trouble. Teach them disobedience, I said, make every German child know that it is its duty at least once a day to do its good deed and not believe something its father or its teacher tells them, confuse their minds, get their minds confused and perhaps then they will be disobedient and the world will be at peace. The obedient peoples go to war, disobedient people like peace, that is the reason that Italy did not really become a good Axis, the people were not obedient enough, the Japs and the Germans are the only really obedient people on earth and see what happens, teach them disobedience, confuse their minds, teach them disobedience, and the world can be peaceful. General Osborne shook his head sadly, you'll never make the heads of an army understand that."

"They were regular in being gay, they learned little things that are things in being gay, they learned many little things that are things in being gay, they were gay every day, they were regular, they were gay, they were gay the same length of time every day, they were gay, they were quite regularly gay."

"Rose is a rose is a rose is a rose."

"I am writing for myself and strangers. This is the only way that I can do it. Everybody is a real one to me, everybody is like some one else too to me. No one of them that I know can want to know it and so I write for myself and strangers."

"There are many that I know and I know it. They are many that I know and they know it. They are all of them themselves and they repeat it and I hear it. Always I listen to it. Slowly I come to understand it. Many years I listened and did not know it. I heard it, I understood it some, I did not know I heard it. They repeat themselves now and I listen to it. Every way that they do it now I hear it. Now each time very slowly I come to understand it. Always it comes very slowly the completed understanding of it, the repeating each one does to tell it the whole history of the being in each one, always now I hear it. Always now slowly I understand it."

"Disillusionment in living is finding that no one can really ever be agreeing with you completely in anything."

"Repeating then is in every one, in every one their being and their feeling and their way of realizing everything and every one comes out of them in repeating. More and more then every one comes to be clear to some one."

"It is hard living down the tempers we are born with. We all begin well, for in our youth there is nothing we are more intolerant of than our own sins writ large in others and we fight them fiercely in ourselves; but we grow old and we see that these our sins are of all sins the really harmless ones to own, nay that they give a charm to any character, and so our struggle with them dies away."

"The creator of the new composition in the arts is an outlaw until he is a classic."

"No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling."

"Romance is everything."

"Suppose no one asked a question, what would be the answer."

"To know to know to love her so. Four saints prepare for saints."

"A saint is one to be for two when three and you make five and two and cover. A at most. Saint saint a saint."

"Pigeons on the grass alas. Pigeons on the grass alas. Short longer grass short longer longer shorter yellow grass. Pigeons large pigeons on the shorter longer yellow grass alas pigeons on the grass."

"Gertrude Stein, in her work, has always been possessed by the intellectual passion for exactitude in the description of the inner and outer reality. She has reproduced simplification by this concentration, and as a result the destruction of associational emotion in poetry and prose. She knows that beauty, music, decoration, the result of emotion should never be the cause, even events should never be the cause of emotion nor should they be the material of poetry or prose. Nor should emotion itself be the cause of poetry and prose. They should consist of an exact reproduction of either an outer or inner reality."

"A master-piece … may be unwelcome but it is never dull."