Debbie Harry

"I think we all have issues of self-esteem and I’m not clear of that…I also think that because it’s my occupation – to be a performer and to attract attention and to appeal to sexuality – it’s sort of a given in showbiz."

"Yes, but, you know, in a way it was good because I can sneak up on them unawares. I think times have changed in that respect. Women are serious wage-earners, and we create great things, and it seems clear to me that we can be supportive of one another regardless of what sex [we are]."

"I was working as a team and in a relationship. I wouldn’t have felt comfortable being a solo artist and I’m sure that those girls have a lot more to say about that than I do. I never went into meetings trying to get a record deal by myself, so it’s a little bit different."

"Not at this point in my life because I’m an adult. I think we all have a little area of clutter that’s nagging sometimes and it’s often hard to get rid of. Maybe this is my purge."

"I sort of thought: ‘Gee, maybe it wouldn’t have been so bad to have kids.’ But I don’t know if I could have done it while I was working so much…My natural inclination is to really throw myself into things. It wouldn’t be like I could hand over the baby. I would really want to be involved."

"I don’t actually regret taking it, but I do regret the amount of time … it’s a time-consumer. But I think at that point it was a necessary evil. To some degree, it was self-medicating. It was a rough, depressing time of life and it seemed to suit the purpose, but then it outlived its benefits."

"I mean, I was angry and I felt victimised. I wasn’t beaten or harmed physically, it was all emotional or mental. Being raped – or fucked – by some stranger against my will at knifepoint, you know…It wasn’t a happy moment in my life, but I really, seriously, empathise with women who are beaten. That would be something that [would lead to] emotional ramifications for the rest of my life. But this doesn’t."

"I did in the beginning. It helped me to cultivate some kind of female persona. I took a lot of different aspects of my character from my childhood or young-womanhood and elaborated on them. The guys were also writing songs, and I felt like I had to portray what they were writing and appreciate the male point of view as well as the female point of view."

"With lyrics, I have a basic idea, and then I write little phrases that fit with the music and encapsulate a feeling. I start with a theme and then try to adjust it to the music. I like the music to come first. For the book, I would sit down and tell the story, and then go back and edit myself. It’s probably a similar process to what you do with your photography. You shoot it, and then go back to it."

"I’ve never been a diarist… I wish I had done that. Selfishly, I wanted to have all these moments in my life shape me, but I didn’t necessarily want to share them. And I guess that makes me a nasty bitch."

"In order to survive, I could never put myself in the position of whining about being a woman. I just got on with it. As much as it was possible, I found a way to do what I wanted to do."

"And I always felt that since all my life, I was always called ‘Debbie’ or ‘Harry’ – so I embodied this myself and it’s just the way it was. It probably still is!...Yeah, so I don’t know – I never really had any problems with that and I’m always surprised when people have a fear or frustration about their combination of sexualities – I think we do better recognising both within ourselves."