"The temple of Dwarica, the most celebrated of all the shrines raised to Crishna [Krishna], is built upon an eminence rising from the sea-shore, and surrounded by a fortified wall, which likewise encircles the town, from which it is, however, separated by a lofty partition-wall, through which it is necessary to pass to see it to advantage. The architectural character of this temple is that to which we are accustomed to give the name of pagoda. It may be said to consist of three parts: the munduff, or hall of congregation; the devachna, or penetralia (also termed gabarra); and the sikra, or spire…the chisel of Islam had been also at work, and defaced every graven image, nor is there enough remaining to disclose the original design: nevertheless, this obliteration has been done with care, so as not to injure the edifice. The basement, or square portion of the temple, from which springs the sikra, was the sanctum in former ages, when Budha-trivicrama was the object of adoration, anterior to the heresy of Crishna, who was himself a worshipper of Budha, whose miniature shrine is still the sanctum-sanctorum of Dwarica, while Crishna is installed in a cella beyond. The sikra, or spire, constructed in the most ancient style, consists of a series of pyramids, each representing a miniature temple, and each diminishing with the contracting spire, which terminates at one hundred and forty feet from the ground. There are seven distinct stories before this pyramidal spire greatly diminishes in diameter; each face of each story is ornamented with open porches, surmounted by a pediment supported by small columns. Each of these stories internally consists of column placed on column, whose enormous architraves increase in bulk in the decreasing ratio of the superimposed mass, and although the majority at the summit are actually broken by their own weight, yet they are retained in their position by the aggregate unity. The capitals of these columns are quite plain, having four cross projections for the architraves to rest on; and by an obtuseness in the Silpi not to be accounted for, several of these architraves do not rest on the columns, but on the projections; and, strange to say, the lapse of centuries has proved their efficiency, though Vitruvius might have regarded the innovation with astonishment. The entire fabric, whose internal dimensions are seventy-eight feet by sixty-six, is built from the rock, which is a sand-stone of various degrees of texture, forming the substratum of the island; – it has a greenish hue, either from its native bed, or from imbibing the saline atmosphere, which, when a strong light strikes upon it, gives the mass a vitreous transparent lustre. Internally it has a curious conker-like appearance. The architraves are, however, an exception, being of the same calcareous marine conglomerate, not unlike travertine, as already described in the temple of Somnat’h."