"However, among all [the painters who came to Rome to study ancient models] Vincenzo Camuccini, born there in C.E.1775, stood out. He followed David's ideas, but also took care of the study of the Italian Renaissance masters or, rather, of Raphael, with little advantage of his complexion. He was an easy designer and a quick executor, but of little inspiration and no originality. Therefore, perhaps, his portraits are more appreciated today than his great compositions on Roman subjects or from the heroic period of Christianity. In all of them he piled up reminiscences of ancient sculptures and sixteenth-century paintings, with so little fusion, that Pierre Guérin said: «He fed on Raphael and of the ancients, but he did not digest them!...". (p. 338)"
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