"In the most positive sense [the impact of Jackson Pollock on Helen] I think it was a sense of being as open and free and surprised as possible, with a magic sense of -.. ..being able to know when to stop, when to labor, when to be puzzled, when to be satisfied, when to recognize beautiful or strange or ugly or clumsy, and to be free with what you are making that comes out of you.. ..I didn't paint new long canvases until I had seen his [Pollock] and I'm sure that Pollock's ambiance affected me tremendously. I was much more drawn to Pollock's painting on the raw canvas than I was to de Kooning's easel cuisine and there it's a matter of sensibility. Aesthetically, socially, in every way the de Kooning thing seemed to be much more productive, planned, admirable at the time [early 1950's]. But I didn't think so. I thought that Pollock was really the one living in nature much more than Bill [de Kooning]."
Quote Details
Added by wikiquote-import-bot
Unverified quote
0 likes
Original Language: English
Available Languages (1)
Sources
Clem [= Clement Greenberg, her friend then] really recognized and appreciated Pollock's pictures and was one of the first artistic figures in New York to read them for their real value [c. 1950]. And Jackson appreciated, needed, and relied on this. I mean there were very few people around, very few dealers who were around, very few critics around, not very much that was positive.
https://en.wikiquote.org/wiki/Jackson_Pollock
Revision History
No revisions have been submitted for this quote.
Categories
Jackson Pollock
1912 – 1956
US-amerikanischer Maler
51 quotes on TrueQuotesView all quotes by Jackson Pollock →
Related Quotes
"I accept the fact that the important painting of the last hundred years was done in France. American painters have ge…"
"As to what I would like to be. It is difficult to say. An Artist of some kind. If nothing else I shall always study t…"
"I believe easel painting to be a dying form, and the tendency of modern feeling is toward the wall picture or mural.."
"It came into existence because I had to paint it. Any attempt on my part to say something about it, to attempt explan…"
"My painting does not come from the easel. I hardly ever stretch my canvas before painting. I prefer to tack the unstr…"
"When I am in my painting, I am not aware of what I'm doing. It is only after a short of 'get acquainted' period that …"
"Technic is the result of a need new needs demand new technics total control denial of the accident States of order or…"
"I can control the flow of paint; there is no accident.."
"My work with Benton was important as something against which to react very strongly, later on; in this, it was better…"
"The idea of an isolated American painting, so popular in this country during the thirties, seems absurd to me, just a…"