"Mention has been made of the Genoese cult of the dead, which sometimes reveals a grandiose concept of class. A visit to Staglieno, the most famous cemetery in Italy, shows how that concept was handed down from the aristocracy to the philanthropic bourgeoisie. Not even the Monumental Cemetery of Milan offers such an anthology of self-celebrations through the tomb. Here you see the financier in a white marble waistcoat, taking leave of his weeping wife; but he takes his leave in a palace; And to die is to go beyond a brocade curtain with rich folds. Another deceased appears in the guise of an angel pouring a shower of gold coins from a bowl; and another, says the epigraph, "ceased to live but not to benefit – by binding to pious institutes – a non-humble part of his rich census". (pp. 227-228)"
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