"And in truth, he who has humility and courage enough to let himself be esthetically transformed, he who feels himself present as a character in a drama the deity is writing, in which the poet and prompter are not different persons, in which the individual, as the experienced actor who has lived into his character and his lines is not disturbed by the prompter but feels that he himself becomes a question whether he is putting the words in the prompter’s mouth or the prompter in his, he who in the most profound sense feels himself creating and created, who in the moment he feels himself creating has the original pathos of the lines and the moment he feels himself created has the erotic ear that picks up every sound-he and he alone has brought into actual existence the highest in esthetics. But this history that proves to be incommensurable even for poetry is the inner history. This has the idea within itself and precisely therefore is the esthetic. Therefore it begins, as I expressed it with the possession, and its progress is the acquiring of this possession. It is an eternity in which the temporal has not disappeared as an ideal element, but in which it is continually present as a real element. Thus, when patience acquires itself in patience, it is inner history."