People From Beijing

"No matter how blonde you dye your hair, how sharp you shape your nose, you can never become a European or American, you can never become a Westerner, We must know where our roots lie."

"Taiwan has no other way forward other than reunification with the mainland."

"I've been thinking a lot lately of how I keep going when things get hard. I think it goes back to something I learned when I was a kid. When I was growing up in China, my Dad and I used to play this game. We would memorise classic Chinese poems and texts, and we would recite them together and try to finish each other's sentences."

"There's one that I remember so dearly, it's called the Three Character Classics. The first phrase goes... 'People at birth are inherently good.' Those six letters had such a great impact on me when I was a kid, and I still truly believe them today."

"You could watch her script adapt to the personalities and stories that came from those conversations. You could see her listening to these individuals telling their stories, and then collaborating with them to fold their own narratives into the script. Chloé really allows people to choose how they want to represent themselves. The safety of fiction filmmaking, in my opinion, actually pulls out a level of honesty and authenticity that I think would be impossible if this was a documentary purporting to truth."

"I want to give a serious message in the pop music. Right now, I think most of the rock and roll music - they just don't want touch this. You know, they think this is not fashion anymore. And that the young people will think this not cool. I think this a part of rock and roll music - good melody, good energy, and good message."

"Someone I really respect and have been working with recently said to me, “You have to know that you have power. Know that you don’t have to fight so hard that you’re just on survival mode all the time. People around you are there to help you and they will be there when you fail. It’s okay to ask for help.”"

"If you’re singing and writing lyrics in Chinese, then you’re making Chinese music. You have your own story and you try to tell your own feelings, which are different from older generations’—different from the revolution. We were the first generation to try and express our own feelings. You can say this is Western, but I would say it’s human. Anyways, it doesn’t matter. I’m playing rock music and I’m singing in Chinese. That’s it."

"But the truth is, you can never really be happy, because happiness is not an ultimate thing. Happiness is when your expectations are met with reality. If your expectation is constantly fed by the capitalist economy for its own survival, that you always need more, then you can never be as satisfied as the medieval farmer was satisfied with his piece of bread."

"Films directed by Chloé Zhao"

"People at birth, are inherently good. Their natures are similar, it’s the sensitive characters in their names that make them different. Congratulations to director Chloé Zhao!"

"This year, a female ethnic Chinese director got the awards, but even keywords related to her cannot be seen on social media. This is extremely lame."

"We were constantly testing to see how far we could go, testing the aesthetic limits of society, and those of the old cadres too. We felt that if we couldn’t upset them, we weren’t doing it right. We’d be like, really? You’re upset at such a little thing? On the other hand. Every so often, we didn’t get a reaction and we’d be surprised at our luck."

"When I'm holding a guitar, I got a little more confident. You know, actually, before that, I would say I was a shy guy. You know, I was trying to looking for some better way. And then finally, I found a guitar and I really can sing. And people give more attention on me and I thought, "OK, this is the thing I will do forever"."

"My generation was born in the early 60s or a few years earlier. My parents’ generation carried guns and gained control of the country. We’re the first generation under them, so we call ourselves the revolution’s generation."

"Talking about capitalism and communism isn’t really important or relevant anymore. Money isn’t proof that capitalism is right — money is money. Nobody really cares about these concepts, not even the government. They’re all just tools. I do think people of this generation talk more about control, education, the environment. Nobody talks about capitalism or socialism anymore though. It’s all mixed up together."

"I have gone through ups and downs in my relatively short career. And one thing I’ve learned is a bit of a cliché, but everything does happen for a reason."

"I love movies that don’t necessarily tell me how I should feel or how I should think but give me this canvas that I can go away and have a conversation with myself and people around me."

"Sometimes life drives you to a place… the road allows you to rediscover yourself."

"I’m not the kind of filmmaker who just makes films. I have to be in love with my subject matter and want to learn more about it. Someone once said to me that passion doesn’t sustain, but curiosity does. I have to be excited by little things I discover along the way."

"Sometimes people feel like they are not important enough to be in a movie. Once they meet Chloé, they open up. She makes people feel special. Chloé truly wants to hear their story and she wants them to tell it."

"Instead of celebrating Chloé Zhao's wins at the Oscar and making the Chinese public feeling proud, Beijing is busy censoring her -- all for a criticism she made in 2013. For as long as I've been writing about Chinese censorship and propaganda, I still can't wrap my mind around it."

"I don't really want to talk about the old stuff - I really don't think it's important any more. I have a lot of new songs, which are more important to me"

"I think the biggest enemy in this country is the corruption. I think everybody will - now they learn it."

"I had a lot of friends who worked in foreign embassies so I had the chance to exchange music tapes. That's the way I listened to a lot of rock music at that time"

"I don't even want people to say I'm the godfather of Chinese rock music. I would like to say I'm the grandson of Chinese rock music. I want to keep doing something, I don't want to sit there and tell people what you should do. I don't like that."

"Some Chinese are slaves to Western culture, others look East. I say fuck all of them and be yourself. That’s what I like about rock ‘n’ roll. You can talk straight."

"To be the person stand behind the camera observing other people is really interesting, it gives me a great sense of freedom."

"I think rock music is more personal for me. I have more freedom. I can show more of my personal emotions in rock and roll music. With classical music, I can only play something that is written already."

"I think that music festivals, clubs, and record companies can really change the Chinese music scene, but I believe there is no festival or record company doing a good job in China. I think the Chinese listening culture is more viewing-like. Everybody takes care of how he/she looks like. They don't care about what they sound like. It could be pretty bad, but there is hope."

"The one thing that I learned really early on is that you’ve got to surround yourself with the right people. Because you can’t change how people think — you can’t control how they’re going to think, how they’re going to behave. But what you can do is make sure the people that are around you not only protect you but want to be with you because of who you are as an individual. I’ve been lucky in my whole career so far. Every single film we’ve made, I’m surrounded by people like that."

"I’ve been thinking about this a lot lately. I don’t think I can pinpoint why my upbringing or experiences have made me that way, but I have always been an outsider myself; it doesn’t matter where I went. I’m attracted to people who are on the periphery of society. I’ve been like this since high school. I liked mangas growing up and the ones I was drawn to were not about mainstream characters."

"I like Hip-Hop music. I like electronic music. I like, you know - I can get a lot of energies from the young people."

"For the young people now, the going to the concert or the going to follow some big stars - unfortunately, now, you know, they don't want message anymore. They want be a part of economic developing. They don't care about message now."

"I can't think of someone who has ever been more worthy than Cui Jian for induction into the Rock and Roll Hall of Fame. He's Woody Guthrie or Bruce Springsteen, whose songs made people suddenly realize that there are things going on about which we don't know and ought to, and singing with the voice of the people not often represented in popular culture."

"Fear is part of the culture of this country and has been for the past 50 years. But in America everyone is fearful too, just for different reasons. Maybe now it’s the same everywhere. Anyways, I may be afraid, but I usually try to answer questions without putting myself in danger. I just don’t want to lie. Journalists always expect me to answer that black is black or white is white, but if you get to know China you’ll understand that no one answer is ever right. It’s all gray."

"His lyrics evoked alienation, a craving for personal freedom and sexual desire. His voice was a deep bass growl, the likes of which few outside the tiny, nascent Beijing rock scene had ever heard."

"It goes back to when I was a teenager in China, being in a place where there are lies everywhere. You felt like you were never going to be able to get out. A lot of info I received when I was younger was not true, and I became very rebellious toward my family and my background. I went to England suddenly and relearned my history. Studying political science in a liberal arts college was a way for me to figure out what is real. Arm yourself with information, and then challenge that too."

"Even though sometimes it might seem like the opposite is true, I have always found goodness in the people I met, everywhere I went in the world. So this is for anyone who had the faith, and the courage to hold on to the goodness in themselves, and to hold on to the goodness in each other, no matter how difficult is to do that. And this is for you. You inspire me to keep going."

"But just by pointing the camera at something, you’re already making a statement of some kind. It’s inevitable, because you’re adding a perspective to it. I find that sometimes when I go into a community that’s not my own, or a community that has a lot of issues attached to it, I have to resist wanting to say something about how I think they could be better, or how I think the government has wronged them. A lot of times, they tell me what they think I want to hear because they’ve been interviewed many times by journalists. And usually, there’s something that these people who are interviewing them want them to say, because people go in with an agenda. I hear them saying things to me almost like they’re programmed to do it. You have to wait for that to be finished, and then you can ask, “What football team do you support?” or, “Tell me about your high school sweetheart.”"

"I don’t make films so that people can agree with me more. I make them to portray a character, a people or a way of life that people don’t know but that anyone can get to know. Then they can experience those things through their own conditioning and walk away with their own opinions and we can have a conversation about it. That’s the power of cinema. But if you stop me on the street to talk about politics, I’ll argue with you all day."

"Making films is about communicating, and I am terrified that I will end up making films for people who already agree with me, which just keeps enforcing our own ideas. I’d rather have one person who disagrees with my politics watch my film, and then somehow see themselves in it without putting up a shield, than a whole room of people who already agree with me give me a standing ovation."

"To live on and to strive regardless of the burdens of suffering, to kindle that precious flame even in the stygian depths of night and prepare to greet the dawn."

"Totalitarianism will come to no good end and that true freedom will finally visit our land. The Will of Heaven and the Hearts of Humanity, like the luminosity of Sun and Moon light the way!"

"As long as I draw breath I will strive to be heard. This is incumbent upon me, just as it is my fate."

"Now the leaders are more deadlocked. If they can’t decide, nothing happens. In America, if you’re corrupt you have to resign. Look at Nixon. He had Watergate and had to resign. In China does that happen? No. Why? Because everyone is in one boat. If that boat turns over, everyone ends up in the water. When I say “everyone” of course I mean the people in power. So in China everyone helps each other out. If you are in trouble, I’ll help you out and if I’m in trouble you help me out. So only in an extreme case like Bo Xilai can someone be pushed out."

"Feelings are better with a bit of depth. Many revolutionary leaps and achievements are accompanied by the colors of romance. Being able to remember the past with sentimentality is therefore a type of virtue. Regarding melancholy, I don’t like this emotion."

"We should not be immeasurably satisfied with the qualities of a mediocre person, but we should also avoid artificial modesty."

"On the other hand, one ought to have the moral character and tolerance to forgive people’s weaknesses."

"In interactions with friends, we all care about examining each others’ images, and we carefully emphasize the images that we present to our friends. The closer one is with someone, the more we care about this. People never want to feel insignificant in the eyes of someone else, unless we despise this person and want them to quickly forget us."