"My guess is that it won't flop, because it delivers precisely what it promises. It's a big-budget extravaganza with a lot of stunts and visual effects, starring Stallone as a professional mountain climber and rescue expert, who gets roped into a scheme masterminded by criminal skyjackers. True, there's not a moment in the plot that I could believe. That didn't bother me for an instant. "Cliffhanger" is a device to entertain us, and it works, especially during those moments when Stallone is hanging by his fingernails over a three-mile fall, and the bad guys are stomping on him. The movie begins with a clever mid-air theft and crash-landing: sort of a cross between "The Pursuit of D. B. cooper" and "Alive!" A gang of expert criminals, led by John Lithgow, hijacks a U.S. Treasury plane carrying millions of dollars in large bills."

"Craig Fairbrass as Delmar"

"Leon Robinson as Kynette"

"John Lithgow as Eric Qualen"

"IGNFF: What was the development process for Cliffhanger? It wasn't written with Stallone in mind, was it?"

"Trey Brownell as Brett"

"Until it takes a turn toward nasty sadism in its later stages—one character is impaled on an icicle, for instance -- "Cliffhanger" remains relatively bloodless and crisp, preferring to concentrate on sheer gamesmanship and clever effects."

"Max Perlich as Evan"

"Ralph Waite as Frank"

"Dennis Forest as Heldon"

"Sylvester Stallone as Gabriel "Gabe" Walker"

"Someday they'll make an action picture that manages to do without a plot. Someday they'll figure out how to squeeze so much mayhem into two hours that it won't matter who is doing what to whom. But for now, no matter how spectacular the stunts are, they still have to be connected to a scenario, and as long as that's the case, films like "Cliffhanger" (citywide) are going to continue to fall short. Make no mistake, the high-flying stunts in director Renny Harlin's film are definitely state of the art, and while they're going on, the film works up a serious level of excitement. But as soon as the action stops and the inevitable talking begins, "Cliffhanger" falls to earth with a considerable thud."

""CLIFFHANGER," the new high-altitude thriller starring Sylvester Stallone, wastes no time in establishing its first priority, that of sending its audience into a cold sweat. This effect is achieved spectacularly well with a long, death-defying credit sequence set somewhere near the ozone layer. Mr. Stallone, playing a pumped-up Rocky Mountain rescue worker with an incongruously Presidential haircut, does his best to save a young woman who hangs precariously from a rope across a terrifyingly deep abyss. You will be in no hurry to mountain-climb after watching this scene. At such moments, and "Cliffhanger" has many of them, thoughts about life insurance come to mind. Was Sylvester Stallone really filmed atop the dizzyingly high, needle-shaped peak that figures prominently in the film's opening? Did he really scale the kinds of cliffs and mountainsides that are seen here? Did he hang in midair from a fraying rope, cross great chasms via rickety bridges or battle over a helicopter about to plunge into oblivion? Obviously, a great deal of credit goes to stunt doubles and optical tricks, but the illusion is still astonishingly effective. "Cliffhanger" really seems to be set somewhere up in the sky."

"If you can survive those beatings and the exposition doesn't excessively bore you, the beauty of the Italian Alps' Dolomite range (which doubled for Colorado in Alex Thomson's crisp photography) and those action sequences (including dizzying climbing and some exceptional midair antics, which are not sadistic) all function as advertised. "Cliffhanger" no doubt makes for a great coming attraction, but as a two-hour movie its claims are much more problematic."

"The credits mention a lot of stunt persons, who deserve any credit they can get, because many of the most hazardous stunts in this movie were obviously not faked. That stuntman who makes the mid-air transfer between two planes deserves a gold medal. And at one point, we can clearly see that Stallone himself is dangling over a nightmarish fall. Movies like this are machines for involving us and thrilling us. "Cliffhanger" is a fairly good machine."

"Another problem for Stallone, as well as "Cliffhanger's" most offensive aspect, is the way he insists on playing average guy Gabe as if he's more invulnerable than the Terminator. Both Gabe and Hal receive horrendous beatings from the bad guys that are extended well beyond the point of sadism, beatings of a ferocity that would kill almost anyone, yet they survive with hardly a noticeable aftereffect. It is not a pretty picture and, if there was any sense in the ratings system, it would earn this picture an NC-17 instead of its timid R (for violence and language)."

"Dialogue is the only real drawback, since the screenplay by Michael France and Mr. Stallone tends to be as drab as the mountains are beautiful."

"Caroline Goodall as Kristel"

"Rex Linn as Richard Travers"

"Gregory Scott Cummins as Ryan"

"Paul Winfield as Walter Wright"

"John Finn as Agent Michaels"

"Bruce McGillas Treasury Agent"

"Wolfgang Gullich as Gabe Walker (stunt double)"

"Michael Rooker as Hal Tucker"

"Jeff McCarthy as Pilot"

"Michael Joyner as Sarah"

"Vyto Rugins as Matheson"

"...the director's cut was met with a lot of disapproval at the screening and received some alarmingly low scores. Mainly because the stunts were absurdly overblown. For example, the average man can jump maybe twelve feet across a gorge, and the stunts had me leaping maybe three hundred feet or more, so situations like that had to be pared down and still then were fairly extreme… so you’re probably better off with this cut. By the way, the 2nd unit crew that filmed the majority of the action was extraordinary."

"Don't bother to buckle up - you may not want to survive this."

"HARLIN: Actually, it was first a movie called Gale Force, which was a hurricane movie. That script never came together, and then the same deal was replaced with Cliffhanger."

"Kill a few people, they call you a murderer. Kill a million and you're a conqueror."

"Julia Nickson-Soul - Cindy Jameson"

"David Cubitt - Peter"

"Hiroshi Fujioka - Takane Shimuzu"

"Patricia Charbonneau - Jackie Metcalf"

"Matt Craven - Harold Jameson"

"Raymond J. Barry - Phillip Claiborne"

"Jamal Shah - Malik"

"Luca Bercovici - Dallas Woolf"

"[to Harold] H! Fuck the rules! [starts climbing a building]"

"Kehli O'Byrne - Pam Perkins"

"Michael Biehn - Taylor Brooks"

"Elizabeth Debicki - Dr. Caroline Mackenzie"

"Naoko Mori - Yasuko Namba"

"Martin Henderson - Andy "Harold" Harris"

"Emily Watson - Helen Wilton"

"Doug Hansen: I'm climbing Mount Everest... because I can... because to be able to climb that high and see that kind of beauty that nobody ever sees, it'd be a crime not to."

"Thomas Wright - Michael Groom"