"So we now average 4.2 attacks a day. We must distinguish between attacks on individuals and bombings. As usual, the problem involves first, the adversary, and second, the means to destroy him. There are 400,000 Arabs in Algiers. Are they all our enemies? We know they're not. But a small minority holds sway by means of terror and violence. We must deal with this minority in order to isolate and destroy it. It's a dangerous enemy that works in the open and underground, using tried-and-true revolutionary methods as well as original tactics."

"FLN Official: Remember, we are at war against colonialism. A strong army has occupied our country for 130 years. This is why the FLN has to make decisions concerning the civil life of the Algerian people. With this marriage we fulfill our duty, a duty of resistance."

"Any of you ever suffer from tapeworm? It's a worm that can grow infinitely. You can destroy its thousands of segments, but as long as the head remains, it rebuilds and proliferates. The FLN is similarly organized. The head is the Executive Bureau. Several persons. As long as they're not eliminated, we're back to zero."

"We need to have the Kasbah at our disposal. We have to sift through it and interrogate everyone. And that's where we find ourselves hindered by a conspiracy of laws and regulations that continue to operate as if Algiers were a holiday resort and not a battleground. We've requested a carte blanche, but that's very difficult to obtain. Therefore, it's necessary to find an excuse to legitimize our intervention and make it possible. It's necessary to create this for ourselves, this excuse. Unless our adversaries think of it themselves, which seems to be what they're doing."

"[distributing the bomb baskets to female FLN fighters] Air France, Rue Mauritania. The café, Rue Michelet. The milk bar, Rue d'Isly. The bomb timers are short. They'll be set outside the Casbah. Taleb is waiting for you at the fish market. But then you must hurry. You only have 30 minutes to place them. Good luck. Good luck. God be with you."

"We aren't madmen or sadists, gentlemen. Those who call us Fascists today, forget the contribution that many of us made to the Resistance. Those who call us Nazis, don't know that among us there are survivors of Dachau and Buchenwald. We are soldiers and our only duty is to win."

"To know them is to eliminate them. Consequently, the purely military aspect of the problem is secondary. More important is the policing aspect. I know you dislike that word. But it's the only one that describes the work at hand."

"Political Prisoner: [handcuffed, walking to the guillotine] God is great! God is great! Long Live Algeria! Long Live Algeria! Long Live Algeria! Long Live Algeria! Long Live Algeria! Long Live Algeria!"

"Okay, I'll explain. First, we need to get organized and secure our hideouts. Then we can take action. The organization's getting stronger, but there are still too many drunks, whores, junkies, people who talk too much, people ready to sell us out. We must win them over or eliminate them. We need to clean house first, organize the country. Only then can we take on our real enemy."

"The basis of our job is intelligence. The method interrogation. Conducted in such a way as to ensure we always get an answer. In our situation, humane consideration can only lead to despair and confusion. I'm sure all units will understand and act accordingly. Unfortunately, success doesn't depend only on us."

"Samia Kerbash - Fathia"

"Mohamed Ben Kassen - Little Omar"

"Brahim Hadjadj - Ali La Pointe"

"Should we remain in Algeria? If you answer "yes," then you must accept all the necessary consequences."

"It's a faceless enemy, unrecognizable, blending in with hundreds of others. It is everywhere. In cafés, in the alleys of the Casbah, or in the very streets of the European quarter."

"The word "torture" doesn't appear in our orders. We've always spoken of interrogation as the only valid method in a police operation directed against unknown enemies. As for the NLF, they request that their members, in the event of capture, should maintain silence for twenty-four hours, and then they may talk. So, the organization has already had the time it needs to render any information useless. What type of interrogation should we choose, the one the courts use for a murder case, that drags on for months?"

"We have to start from scratch. The only information we have concerns the organization's structure. Let's start from there. It's a pyramid organization made up of a series of sections. These sections, in turn, are made up of triangles. At the apex is the Executive Bureau. The military head of the Executive Bureau finds a competent person and names him section head: No. 1. No. 1 finds two others: Nos. 2 and 3. This makes up the first triangle. Now Nos. 2 and 3 each select two men: Nos. 4, 5, 6 and 7. The reason for these geometrics is that each organization member knows only three other members. The one who chose him and the two he himself chose. Contact is made only in writing. That's why we don't know our adversaries. Because, in point of fact, they don't know each other."

"Gentlemen, believe me, it's a vicious circle. We could talk for hours to no avail, because that isn't the problem. The problem is this: The FLN wants to throw us out of Algeria and we want to stay. Even with slight shades of opinion, you all agree that we must stay. When the FLN rebellion began, there were no shades at all. Every paper, the communist press included, wanted it crushed. We're here for that reason alone."

"Like rabbits in a cage. Just as I hoped."

"French Interrogator: Couldn't you have talked sooner? It would've gone easier for you."

"The first section's dead. There's no one left. We lost contact with the second. The third is reorganizing. All that's left is the fourth. It's enough to start over with."

"It's hard to start a revolution. Even harder to continue it. And hardest of all to win it. But, it's only afterwards, when we have won, that the true difficulties begin. In short, Ali, there's still much to do."

"Saadi Yacef - El-Hadi Jafar"

"Si Mohamed Baghdadi - Larbi Ben M'hidi"

"Tommaso Neri - Captain Dubois"

"Fusia El Kader - Hassiba Ben Bouali"

"Franco Moruzzi - Mahmoud"

"Jean Martin - Colonel Philippe Mathieu"

"My father is a traitor. A slave to the Indians. I hate my father."

"Those who don't follow our religion must be killed."

"One mission, one desire. One obsession. Freedom."

"All of Kashmir, was, is and will forever be a part of India."

"How can you even say that? Do you not consider PoK and Aksai Chin as a part of India? How can you even say that?"

"How can you even say that? We will lay down our lives for it."

"Kahmir has seen a lot of torment. We will not leave it in this condition."

"We will abrogate Article 370."

"But, what kind of a different law have you made that it cannot be talked about? It is repeated time and again that terrorism has no religion, and then suddenly they start talking about targeting religion. We are clear from the beginning that we are only talking about terrorism, you watch the film and react to it. ... This film is about the country’s interests. There is a national problem, it has been talked about."

"As soon as it came to be released, the threats started. My wife didn’t know much about the film in detail. Now when threats are coming, it is natural to have trouble, there is always concern."

"That afternoon, the censor board sent us a letter saying we will pass it on to you, but you have to cut off these scenes (like a scene with a corpse’s foot and the Quranic words)."

"You need a strong stomach to absorb this one… A gut-wrenching story of two terrorists/suicide bombers from across the border, it focuses on their dilemmas and inner conflicts."

"Labeling the decision as being regressive, Ashoke Pandit, the movie's co-producer, said: "We are extremely hurt and disturbed because of the CBFC's unfair decision of rejecting the trailer without any reason. This action raises a big concern about creativity, freedom and realistic filmmaking. We will not take this lightly and will knock on the doors of the high court, if needed.""

"The depiction of the Quran in this movie is wrong. Quran does not teach to take anyone’s life. If the director or producer of 72 Hoorain had read the Quran, then, they would not have used such dialogues... After The Kerala Story became a hit, people started to encash this trend. Hatred is being spread either through politics or films. What do you want to achieve by showcasing such hateful films to the new generation? Where does Quran say to kill people? Can you show it to me? A wrong message is being sent (to the society). This is part of the agenda to spread hate... I am a Muslim. But will you call me and my family members, a terrorist? The Kerala Files (sic) showed that girls are being forcibly converted to Islam. In the South, people are being converted to Christianity. But none wants to talk about it. You are making an anti-Muslim film. Given the current situation, 72 Hoorain is likely to do well. But who will compensate for the hate that you will spread in this process?"

"We started work on ’72 Hoorain’ long ago, much before 2014. But, it took us time. Our struggle continued unabated, lasting more than a decade. After 2014, there has been a slight difference, which benefited ‘The Kashmir Files’ or ‘The Kerala Story’. It also made a difference that people showed enthusiasm, people started going to see such a film. Conventional production houses or studios do not back such films by calling them non-commercial, nor do they want to make films on these issues. However, people said that if you show the truth, we will come to see your film. This has given us distributors and they also have confidence that people will come to see this film."

"The strategy of the Sangh Parivar administration led by Modi is to create division within secular society by screening the film ‘The Kerala Story’, which is a collection of untruth. Understanding that the politics of division cannot be used in Kerala, Sangh Pariwar using Doordarshan, a central government institution, for political gain cannot be accepted.” He further called the move “a flagrant violation of the election code of conduct.”"

"“The Producers Guild of India is distressed by, and would like to record its strong objection to, state-enforced bans on ‘The Kerala Story.’ As emphasized by us on several occasions in the past, film releases are regulated by CBFC [Central Board of Film Certification] and any film that complies with this statutory requirement should face no further hurdles in having the paying public decide on its fate,” the Guild said in a statement shared with Variety. “Of course, the audience can choose to watch or ignore any film but that is a choice that should be theirs to make, not one that is imposed on them by any party other than CBFC. We call upon all the relevant authorities to urgently address this all-too-frequent phenomenon of films being denied their right to unfettered, nation-wide exhibition despite having duly complied with regulatory requirements,” the Guild added."

"What these people don’t realise is that what they are doing is very harmful. In fact, films like Kerala Story and Gadar 2, I haven’t seen them but I know what they are about, it’s disturbing that films like Kashmir Files are so massively popular…"

"“The messages are becoming more intimidating and threatening and when staff were approached personally, we decided enough was enough,” the spokesman said... messages via email and social media are "just on the edge", but are experienced as intimidating. According to him, it was said, among other things, "we wouldn't want any hassle or violence at your doorstep, would we?"... After the film was shown in Utrecht, the Utrecht faction of the political party Denk aan asked the college to ensure that no more "hate-mongering and provocative films" are shown in Utrecht cinemas in the future... LAB-1 shows Indian films almost every week and wanted to show the film despite all the fuss. "We do this because of the international character of our audience." The cinema says it will now remove the film from its programming for safety reasons. We stand for a cultural diversity in which we are guided by artistic and creative expression. "Art and culture sometimes lead to controversial dilemmas. That is also part of culture and should be a reason for dialogue and discussion. Not for threats and intimidation.""

"Sir / Madam: Mcine will be destroyed tomorrow as we are planting some bombs in your bloody cinema, you want to see the cinema, ok tomorrow you will see a very good cinema. Mark our words, Tomorrow Friday. Planting Bombs for The Kerala Story in Mcine."

"KCBC spokesperson Father Jacob Palackappilly said, “The film exposes the atrocities committed by the Islamic State. It cannot be so evaluated on the lines of communalism.”"