T. E. Lawrence

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"The Bedouin could not look for God within him: he was too sure that he was within God. He could not conceive anything which was or was not God, Who alone was great; yet there was a homeliness, an everyday-ness of this climatic Arab God, who was their eating and their fighting and their lusting, the commonest of their thoughts, their familiar resource and companion, in a way impossible to those whose God is so wistfully veiled from them by despair of their carnal unworthiness of Him and by the decorum of formal worship. Arabs felt no incongruity in bringing God into the weaknesses and appetites of their least creditable causes. He was the most familiar of their words; and indeed we lost much eloquence when making Him the shortest and ugliest of our monosyllables. This creed of the desert seemed inexpressible in words, and indeed in thought. It was easily felt as an influence, and those who went into the desert long enough to forget its open spaces and its emptiness were inevitably thrust upon God as the only refuge and rhythm of being. The Bedawi might be a nominal Sunni, or a nominal Wahabi, or anything else in the Semitic compass, and he would take it very lightly, a little in the manner of the watchmen at Zion's gate who drank beer and laughed in Zion because they were Zionists. Each individual nomad had his revealed religion, not oral or traditional or expressed, but instinctive in himself; and so we got all the Semitic creeds with (in character and essence) a stress on the emptiness of the world and the fullness of God; and according to the power and opportunity of the believer was the expression of them."

- T. E. Lawrence

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"The common base of all the Semitic creeds, winners or losers, was the ever present idea of world-worthlessness. Their profound reaction from matter led them to preach bareness, renunciation, poverty; and the atmosphere of this invention stifled the minds of the desert pitilessly. A first knowledge of their sense of the purity of rarefaction was given me in early years, when we had ridden far out over the rolling plains of North Syria to a ruin of the Roman period which the Arabs believed was made by a prince of the border as a desert-palace for his queen. The clay of its building was said to have been kneaded for greater richness, not with water, but with the precious essential oils of flowers. My guides, sniffing the air like dogs, led me from crumbling room to room, saying, 'This is jessamine, this violet, this rose'. But at last Dahoum drew me: 'Come and smell the very sweetest scent of all', and we went into the main lodging, to the gaping window sockets of its eastern face, and there drank with open mouths of the effortless, empty, eddyless wind of the desert, throbbing past. That slow breath had been born somewhere beyond the distant Euphrates and had dragged its way across many days and nights of dead grass, to its first obstacle, the man-made walls of our broken palace. About them it seemed to fret and linger, murmuring in baby-speech. 'This,' they told me, 'is the best: it has no taste.' My Arabs were turning their backs on perfumes and luxuries to choose the things in which mankind had had no share or part."

- T. E. Lawrence

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"With hindsight, it is easy to see why a slim, self-effacing Englishman named Thomas Edward Lawrence became one of this century's most ballyhooed celebrities. Out of the appalling carnage of World War I — the mud-caked anonymity of the trenches, the hail of mechanized death that spewed from machine guns and fell from airplanes — there emerged a lone Romantic, framed heroically against the clean desert sands of Arabia. U.S. journalist Lowell Thomas was the first to recognize that Lawrence's wartime work — organizing disparate Arab tribes into armed revolt against the occupying Turks, allies of Germany — had pop-myth possibilities. Thomas' publicity essentially created the figure known as Lawrence of Arabia, but others contributed to the saga. Robert Graves wrote a life of Lawrence that appeared in 1927, when its subject was only 39. Lawrence told his own story in Seven Pillars of Wisdom, which was published shortly after his death from a motorcycle accident in 1935. Since then, the Lawrence legend has thrived through a steady stream of biographies and memoirs. … He would be easier to understand if he were simply larger than life or what his detractors claimed: a self-aggrandizing charlatan. But he took no pleasure in his notoriety; he ran from it. The Selected Letters adds another interpretation to an already overwrought tale. The age demanded a hero, Lawrence qualified, and the 20th century then got what it deserved: a loner, an ascetic, a man who might have been happier as a medieval monk than as the public cynosure he became. No paragon in his own eyes, Lawrence nonetheless remains a haunting presence in the contemporary consciousness, an indissoluble mixture of weaknesses and strength."

- T. E. Lawrence

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