Eddie Van Halen

"Practice. I used to sit on the edge of my bed with a six-pack of Schlitz Malt talls. My brother would go out at 7pm to party and get laid, and when he'd come back at 3am, I would still be sitting in the same place, playing guitar. I did that for years — I still do that."

"I don't like doing interviews, I don't like doing what I'm doing right now. I'd rather be at home playing my guitar."

"Playing together without having to compromise our sound was a dream come true."

"In 1971, a young Eddie witnessed Page’s one-handed solo for Heartbreaker, “took the idea and ran with it”. And then some."

"Eddie could play his borrowed Clapton licks at four times their original speed. But describing EVH’s guitar playing as “fast” undervalues it, like describing the Great Pyramid of Giza as “large”. Not just the best soloist on the planet, Eddie was possibly even better at rhythm – effortlessly grooving, extremely dynamic, and with the best swing in the game. Debates about whether he invented tapping (answer: no) are beside the point. Eddie Van Halen also did not invent harmonics, divebombs, palm muting, legato, or high gain tones, but no one had combined them seamlessly into one coherent guitar style, let alone perfected it on their debut album. [...] Where he hits a wrong note, he styles it out and keeps on wailing. Like the gymnast Simone Biles, no matter what acrobatics happen in the air, he always sticks the landing."

"[Eddie's solos are] short, concise and brilliantly crafted. They’re not just about speed. He can do a bit of something that’s quite gentle, and then throw in something that just blows you away because of the sheer pace of it for a second—and then he goes back to something else."

"Like Jimi Hendrix a decade earlier, Van Halen caused guitarists to look at their instruments in an entirely new way, and, arguably, no single guitarist has had such universal impact since."

"It’s an incredible technique for what he does. I can’t do it. I can’t smile like him either."

"Eddie’s smile reflects the sheer exuberance bursting from the grooves on the first Van Halen album. [...] Eddie’s licks had soul, even when he was showing off. Then there was the tone. It’s doubtful the electric guitar has ever sounded better. Guitarists have devoted their lives to trying to discover how it was done. [...] The 23-year-old Eddie didn’t just invent 80s rock guitar; he did it in a way that no one would ever surpass. A generation of shredders took his technique to new heights, but no one had the tone or the vibe, and no one else looked like they were having nearly as much fun."

"In 1978, Edward Van Halen redefined virtuosity on the electric guitar."

""Eruption" changed everything. Sure, it clocked in at less than two minutes and never came close to being a hit. As presented on the first Van Halen album in 1978, it seemed like an instrumental introduction to "You Really Got Me", the band’s debut single. But it was obvious to anyone who heard the Eddie Van Halen masterpiece that the world of rock guitar had changed dramatically. [...] Before Van Halen, guitar heroes were known mainly for their mastery of the blues and ability to pull a rich, vocal tone from their axes. [...] With Eruption, Eddie Van Halen set new standards on both fronts. He not only ripped through demisemiquavers with a speed and clarity that made McLaughlin seem splay-fingered; his mastery of feedback, tremolo and pinged harmonics made his guitar sound as fluid as a synthesizer."

"The incredible speed and consistency of his take on [the tremolo picking] technique has been a source of fascination for 35 years. In Van Halen’s approach, the picking hand hangs suspended in mid-air, with no anchoring or muting at all, and uses a middle-index pick grip to generate positively giant picking movements. It really seems to break all the rules."

"As unpredictable and flamboyant as Hendrix, Van Halen has had an unmeasurable impact on the guitar community. By the mid Eighties, his self-described “brown” sound, over-the-top techniques (including two-handed tapping), and revolutionary trem-bar effects inspired a generation of aspiring guitarists who bought the one-pickup, one-volume-knob, Floyd Rose–equipped Strat-style guitars that Van Halen made famous."