Bengal Sultanate

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"“Kalapahar, by successive and numerous fightings, vanquished the Rajah's forces, and brought to his subjection the entire dominion of Odîsah (Orissa), so much so that he carried off the Rani together with all household goods and chattels. Notwithstanding all this, from fear of being killed, no one was bold to wake up this drunkard of the sleep of negligence, so that Kalapahar had his hands free. After completing the subjugation of the entire country, and investing the Fort of Barahbati, which was his (the Rajah’s) place of sleep, Kalapahar engaged in fighting… The firm Muhammadan religion and the enlightened laws of Islam were introduced into that country. Before this, the Musalman Sovereigns exercised no authority over this country. Of the miracles of Kalapahar, one was this, that wherever in that country, the sound of his drum reached, the hands and the feet, the ears and the noses of the idols, worshipped by the Hindus, fell off their stone-figures, so that even now stone-idols, with hands and feet broken, and noses and ears cut off, are lying at several places in that country. And the Hindus pursuing the false, from blindness of their hearts, with full sense and knowledge, devote themselves to their worship! It is known what grows out of stone: From its worship what is gained, except shame? “It is said at the time of return, Kalapahar left a drum in the jungle of Kaonjhar, which is lying in an upset state. No one there from fear of life dares to set it up; so it is related.”"

- Bengal Sultanate

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"“…During the Husain Shahi period the stone cutter’s art was thoroughly practised and perfected, as walls of gates and mosques were adorned with stone, either quarried from Rajmahal hills or obtained from some existing buildings… “…The British Museum, London, has in its collection two sculptured pieces from Bengal, namely, the seated Buddha figure (Pl. XLIIa) and the image of Brahmani. Both these images have on their obverse exquisitely carved diaper work of unmistakable Muslim workmanship. The Indian Museum, Calcutta, has a stone slab carved on the one side with the image of Durga, destroying Mahisha or Buffalow-demon, and on the reverse arabesque. The panel consisting of a scalloped arch with a lotus rosette on each of its sides, surrounded by richly foliated devices, is undoubtedly a Muslim work...“The Muslim calligraphers did not feel any scruple to utilize fragments of Hindu or Jaina sculpture in carving out beautiful inscriptions in elegant Naskh, Thulth and Tughra, keeping the images inside the wall…”“The famous Mosque of Baba Adam, the patron saint of the locality in the ancient Hindu site of Rampal where Raja Ballal Sena built his palace in the district of Dacca is an impressive architectural monument of pre-Mughal Bengal. “…Measuring 43 feet by 36 feet externally and 34 feet by 22 feet internally, the Mosque incorporated a number of beautifully carved stone pillars of unmistakable Hindu workmanship… “In the construction of this 6-domed mosque, measuring 36 feet by 24 feet, considerable amount of locally available materials from dilapidated Hindu monuments were employed as evident in the black carved basalts of the pillars, mihrabs, epigraphic slabs, etc… Sadipur (Bengal).“…A.K. Bhattacharya points out that an inscription in Arabic, carved in Tughra is found on the reverse of an image of Adinath, which is recovered from a ruined Dargah in the village Sadipur, P.S. Kaliachak, Malda.”"

- Bengal Sultanate

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