First Quote Added
April 10, 2026
Latest Quote Added
"If you're not familiar with this kind of music you might be blown back by the apocalyptic screech of frontman Jacob Bannon's vocals. It's clear with each gritty blast that the guy is screaming out his lungs for you. Naturally, you can't follow a single word but the vox bleed into the furious guitars and it's all acidic corrosion."
"Jacob Bannon sounds like a rabid animal as some of the most challenging yet endlessly addictive music blares from Converge’s instruments."
"I joined [Fugazi] in a staggered way. I joined after the band had already been playing together and writing songs for a few months. I'd always been a guitar player - I was in five bands before Fugazi and I played guitar in all of them - but I didn't see room for another guitar in Fugazi with the way the songs were. So my concept was I'd be like Flavor Flav or something; a guy who sang occasionally and played a different role, offsetting things. When we started playing shows, I was so used to having a guitar, I had to struggle to find a way to occupy myself."
"When I was young, I was always over the top because I was so fucked up. Not "fucked up" as in "wasted" but more mentally "fucked up". And I was really jacked up. So [the emotive nature of my bands] came out of that. I mean, before I was in Rites of Spring, I was in a band called Insurrection with Brendan, the Fugazi drummer who I've played with in every band I've been in.. And our music was like Motorhead and Discharge and Venom - shit like that. That was what the band sounded like. And we weren't very good! But nobody was calling THAT "emo." Then when we started Rites of Spring, I guess we got more serious about what we were trying to do. But I didn't actually sing in Insurrection. In Rites of Spring, I decided to sing and that's what came out. Because when I was young, I was nuts."
"I've never recognized 'emo' as a genre of music. I always thought it was the most retarded term ever. I know there is this generic commonplace that every band that gets labeled with that term hates it. They feel scandalized by it. But honestly, I just thought that all the bands I played in were punk rock bands. The reason I think it's so stupid is that – what, like the Bad Brains weren't emotional? What – they were robots or something? It just doesn't make any sense to me."
"But the only thing that's ending on Saturday night is your five-hundred-day title reign when I become the Raw Women's Champion."
"It doesn’t matter if radio thinks it’s a dying genre, or if there are people who thinks it sounds like ‘this or this or that’. If you write a good song, and it’s pop-punk, people will like it; because pop-punk doesn’t really mean a whole lot: it just means that it’s got that pop catchiness to it, but it’s got that punk energy and speed, and stuff that makes you want to jump up and down or drive a car real fast; and that’s something that will never get old. So, I love having that direction, and just being able to say, “let’s focus on writing some good songs,” and we produce them the way Simple Plan should and would; and that’s our target."
"I think a lot of times in our adult lives, we either block out or straight-up forget about the challenges of being a kid. We know it's all going to work out, but when you're a kid in that moment, it feels like the whole world is coming down on you. I'm going to try to look back and remember that when my kids get in those situations."
"He was just there, looking fantastic... the bastard."
"I'm all lost in the supermarket I can no longer shop happily I came in here for that special offer A guaranteed personality"
"The more I got educated about cruelty and inhumane treatment, then it was really a no-brainer [to become a vegetarian]. No one would barbecue their family dog. Why is a cow or a pig different or a chicken different? They're just as much of a gentle animal as a dog or a cat. I just feel stronger, faster, cleaner, healthier."
"You know, in a way touring is the most grounding thing you can do."
"I think taking the stage is one of the most unnatural things anyone can do. In a way, just walking on stage actually creates an altered state–it's not right, no one's meant to do that, unless you're a priest or a magician, or something like that. To put somebody who's very incapable in many ways in to that position creates a combustion reaction inside me. I know that, and I take the stage knowing that."
"I think drugs can be a bit of a lazy way for creativity anyway, you're better off in the cold light of day in the mirror."
"Who's to say there'll be anyone here to remember me?"
"I strain my voice doing bad work, [but] sometimes the impulse is too huge [and] I just have to."
"I get accused of many things, promoting pedophilia and stuff like that. I find that extraordinary. I dress myself like I would paint a picture. I try to use that to project how I feel inside. I'm a complete romantic as well, but within traditional romantic images you have so much blatant sexism. So it's all those contradiction mixed up. But that's OK. We should embrace all that instead of tearing each other apart for it. That's what I'm admitting to."
"That was such a perfect childhood. Up until recently I thought I saw too much too young. But now I feel truly lucky. It showed me how nice life could be and how it should be better for every person."
"I'm always trying to understand myself, but it's like there's a point in the centre of the room, and there's a hundred windows to look at the same point from. All I can do is give you different angles on the same thing. God, you know, if I could find one conclusive thing in anything I would probably have something to put an anchor down on. But I can't, and I haven't met anyone that can. You can pick out anything you like in my lyrics, I don't seek to be cryptic. I love words for the sake of words, for me they're kind of free standing, and they don't really need to be explained. I think every word has its own character and colour and picture and the result you get with lyrics just depends how you put them together."
"There isn't anyone you meet that isn't absolutely peculiar. Everyone you meet is absolutely extraordinary. I've never met a human being that isn't, that doesn't have a fantastic story and is completely valid in their...you know, madness, really."
"I layer myself in dirt because I want to be a child; I want to scream. Sometimes I'm unhappy with myself, so I want to look aesthetically unpleasing. At the end of tours I feel completely beaten and destroyed. I kick and scream and destroy myself. I cut myself—my legs are cut to shreds—and my chest. I get up and I shout. I truly feel it's like a purge."
"There are no answers."
"I know what turns me on, and it's that fine line, that point where you're falling off the edge of a cliff, where your stomach turns, [and] I'm always trying to find that point in music. You rarely hit it, and again, that's the joy of playing live, because there you can be just at that point where you've lost balance. I'm always walking between polarities, trying to find the opposing sides."
"I hope no one thinks we really sniff glue. I stopped when I was eight."
"I got tired of the Ramones around the time I quit and I really got into rap. I thought it was the new punk rock."
""Our faith should be expressed in working toward a better planet for our children and not the selfish, juvenile hope for a better afterlife for ourselves. I don't think anyone is going to Hell, because it only exists in the minds of people who wish ill will on others." {{cite web"
""If God is everything and everywhere, then what purpose does the word serve? If it explains everything, then it explains nothing. But if it describes something important, then it should be observable by everyone, examined, and shared with other people" (Ch 8., pp.213)."
"/—/ This attitude embodies a pursuit of clarity and integrity while demanding a certain readiness to make sacrifices (cf. “Sacrifice Theory”). Many of his works show that Havok sees no other way to achieve peace of mind than by living a life coined by fight and sacrifice."
"Q: You never heard about it again? A: No. There was no Face-Space or Twitter at the time, so they would have had to put it in a ’zine. Now it’s just folklore. Except it’s not folklore because I’ve just confirmed it."
"No stranger to adopting changes in sound or appearance, singer Davey Havok threw fans for a loop (and caused them to question his sexuality) when he began rocking not only eyeliner but metallic eyeshadow, blonde highlights and false eyelashes, and pursuing a sideline in fashion. In the band’s latest incarnation, Havok has ditched some of the makeup, thus provoking a slew of “Is he straight again?” questions. Is it that simple? Who knows; because like all good gender benders, Havok keeps mum on his personal life — and as a result, the rumors keep swirling."
"One of my many favorite tattoos I’ve seen of myself is from a photo shoot I did for the cover of a compilation called Punk Fiction that came out in the 90s. And my friend who was putting it together asked me to re-create the movie poster for Pulp Fiction with me in place of Uma Thurman as Mia Wallace on the bed smoking a cigarette with the wig on and everything. So I went in and did that and it was the cover of the record and posters were made. Since then I’ve seen a portrait tattoo of me as Mia Wallace. That’s my favorite. And that was years before I was publicly dressing as a woman, which I’ve been doing for years now onstage and off. I think Mia Wallace was just one of my earlier excuses to strut around in women’s clothing."
"It’s not a matter of imaging, despite what a lot of people would feel that it is. I’ve never presented myself in a way that I don’t feel comfortable with; I’ve never presented myself in a way to appeal to anybody. For the most part the way I’ve always looked to not appeal to most people. Really, my aesthetic was really more of a terrorism or violence than it was something to attract; more of a representation of my detachment than anything else — though it’s not always a very conscious thing."
"I miss having to wonder about any aspect of an artist’s life. [This] was a luxury we don’t have anymore. Whether it’s the people surrounding them revealing things about their process or their personal lives, or the artists themselves going on Twitter and telling you what they’re doing in the middle of the night with their girlfriend — it’s like, ‘Wow, um... I really liked you better before you told me that. I really would like to go back to imagining the person that I was imagining.’"
"The front man, Davey Havok, comes straight out of the Velvet Goldmine school of glam rock. Wearing more make-up than Carol Channing at the Tony Awards, Havok emerged with his band, all wearing white, a shocking change of pace for a group known for an approach to fashion blacker than Saddam's mustache. Havok brought the Civic crowd to a frenzy with his brash and messianic front-man antics. At one point, he stepped out into the undulating, adrenaline-mad masses, literally walking on the shoulders of fans like You Know Who walking on water."
"It's not that everything needs to have substance, but when nothing does then you know we’re living in a bankrupt society, an artistically bankrupt society, and that’s not okay. I think there’s room for forms of entertainment that are very light and frivolous and fun, but when those forms of entertainment, forms of "art" if you will, become presented as something more than that, and are believed to be something more than that, then we’ve got a lot of problems."
"As far as vocal preparation goes, it’s really an interesting thing for such a fragile instrument and using it properly is like walking a tightrope. I have learned not to do extensive warm-ups. It’s really more of a cerebral mind-body connection Zen hippy thing, just knowing your body and figuring out if I do that then I will be able to speak tomorrow."
"One thing I will say is the education was good — even religion classes. I appreciate the knowledge I have — the imagery still appeals to me. But otherwise, it's pretty fucked up. I remember in the eighth grade, during a parent/teacher conference, a nun came down and spoke to my parents. It's funny because I had great grades, did very well on tests, and got along well with others but she told my parents she was "very concerned". My parents were like "what for?" She told them "I think your son might worship the devil...""
"I really think for the good of this world that, if I could have it my way, the whole world would be vegan and straightedge. So that’s why I feel it’s important to create an awareness of this lifestyle, create an awareness of the choices people make. To bring awareness about those lifestyles can bring a positive change, if only on the level of an individual."
"Someone gave me a pig heart in a mason jar. It was in the context of art, I believe. It was chained to a gourd and spattered with the expected colors of paint. And it was indeed, really and truly, a pig’s heart. I’m vegan and so it was kind of upsetting and pretty ironic, really, because it was the type of person I would want to guess was infatuated or obsessed."
"I've found that at times that question and the dubiousness that I seem to exude has given people something — not simply gossip or whether God is going to smite them for liking our band, but actually they've found strength and become more comfortable with who they are as a person. It's pansexual, that sort of reach. It's a wonderful side effect of what we're doing, to give someone the strength to come out of the closet to their family, or simply present themselves aesthetically in a way they feel happy with, whether or not their friends are going to be allowed to like them anymore. So it's actually a really cool side effect to all the rumors."
"Well I think that my main concern is that there is a market lack of desire for quote-unquote art that people are creating and appreciating. I think because there’s a lack of desire for that, which translates to the creation and elevation of art that then thereby lack substance because there’s no desire for it, there’s no appreciation for it. It self-perpetuates a world in which the hollow, the vapid and the greedy are elevated and revered. That bothers me because art is so important whether it’s design, fine art, film, fashion, things that are important to the world. It’s what makes me want to wake up in the morning, it drives me."
"More often than not, even the people and even the moments and even the circumstances that you feel you can go to for stability, for that piece of happiness, can all of a sudden shift, and can all of a sudden become tainted. And everything that you believe, or even that small moment of connection that you can feel can sometimes be destroyed. And I’m not a negative person — shockingly. I’m somewhat of a realist. And I’m a very passionate person, so I don’t like to expect that shift, I don’t like to expect for things that I love to become malignant or to become a great disappointment. But it happens. And it’s devastating. Every time."
"Q: Especially starting off in punk and hardcore like you did, you’re taking a huge risk by constantly expanding your sound, and it’s something you’ve gotten a lot of flack for. Have you reconciled yourselves to that? A: Absolutely. It’s something that we accepted very early on. It really comes from the ethos of being a punk and hardcore band. It was really because we just didn’t give a fuck. In the same way that we were playing punk and hardcore and didn’t give a fuck that anybody liked it, we continued to write and play what we liked and didn’t give a fuck if anybody liked it. Our hope is that people do like it, but if they have an issue with it, it doesn’t matter because we’re doing what makes us happy."
"Q: You seem relatively upbeat and sociable. It’s funny, because I’ve always had this idea of you, like, always crying in the dark. A: Most people do. Q: Do you care about that? A: Oh, no. It doesn’t bother me. Whatever people think of me is fine, however they want to envision me. I find it curious. I’m always intrigued by who people think I am and the persona they have created for me, what they think I’m into, what they think I’m not into. But I certainly understand that consideration, that I would be a bleak and miserable person, because a lot of my lyrics are very despondent. Luckily, I have the music to use as catharsis. If I didn’t, I might spend more time sitting and crying in a corner than I need to. Also, I think manners are very important. To be a sullen rain cloud when conversing with someone, be they your friends or a journalist, I think is inappropriate."
"I’ve gotten kicked in the face, got my nose broken, I’m constantly chipping teeth and there’s been a lot of very close calls with Hunter [the band’s bassist]. In a recent show, if our movement had’ve been inches different, I might be dead. I almost caught his bass to my head at full velocity. You laugh but it’s really scary."
"I just heard a story from someone the other day where somebody was beaten up by Christians for wearing one of our shirts. Of course, that's a very Christian thing to do."
"Look at who people are elevating and deifying in the public eye, and ask yourself what those people have done to receive such lauding and what it is they haven’t. When you look at that you say, okay, are these people being revered for something of merit, or are they completely hallow? Or even worse, are they being revered for something that is actually destructive?"
"It’d be great if the record industry wasn’t completely falling apart and people’s interest in music wasn’t totally disappearing. It’s sad on a cultural level. Not even from the perspective of being in a band, just as a fan. It’s heartbreaking to see how little music means to people in modern times. And people say, “No, no, no — music means more than ever before! People are consuming music at a greater rate!” Well, that doesn’t mean anything, that’s just a statistic. All that’s saying is that people are downloading music more than before. That doesn’t mean that they’re listening to it, that they know anything about it, or that they’re going to see it."
"Usually, old ladies tell me to find Jesus. Look, I'm just trying to find some chai and a good vegan muffin."
"He’s a man of both immovable conviction and incorruptible beliefs; who unabashedly holds true to the virtues of his heart. /—/ Though always outspoken, opinionated, outrageous, and passionate, Havok has never been one to willfully impart the mystery surrounding him."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.