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"Our deeds disguise us. People need endless time to try on their deeds, until each knows the proper deeds for him to do. But every day, every hour, rushes by. There is no time."

"I am no theologian. I am a layman. I am among those who are preached to, and who listen. It is not for me to preach. I should not willingly forego being a listener, a man who reads the Gospels and then listens to what others say that our Lord meant. But sometimes a listener speaks out, and listens to his own voice."

"So much of what is best in us is bound up in our love of family, that it remains the measure of our stability because it measures our sense of loyalty. All other pacts of love or fear derive from it and are modeled upon it."

"Our forefathers were pioneers. So are we."

"When people discuss religion, it is a pity that they often become excited and argue. We should merely listen, as one does on a dark night; we should merely gaze at the stars."

"A man's motive in the small actions of daily life, like resting a moment on his pitchfork in the sun and listening intently, may be the most important thing about that man."

"Has a man any fault a woman cannot weave with and try to change into something better, if the god her man prays to is a mother holding a baby?"

"All poets and story-tellers alive today make a single brotherhood; they are engaged in a single work, picturing our human life. Whoever pictures life as he sees it, re-assembles in his own way the details of existence which affect him deeply, and so creates a spiritual world of his own."

"Each of us is a being in himself and a being in society, each of us needs to understand himself and understand others, take care of others and be taken care of himself."

"Certainly there are great men whose age circumscribes them so completely that we lose interest."

"I do not believe that we can stop perfecting new ways of dying until we have found new ways of living. Every new life-way ought to prevent a new death-way."

"To strip a man of all loyalties but those to the state, makes him not only a worm but a monster, without a shred of humanity."

"Free people make the only milieu possible in society for the full gift of one's self to church, state, and family. Free people enjoy and sustain and feel with one another because they live for one another. The paths of life are intermingled lives."

"A gang is the same as a wolf pack; gang members do not use their energies in friendship with one another, for they do not know what friendship is. If they are united, it is by the common bond of a desire to attack their world."

"When I meet a new person, I am on the lookout for signs of what he or she is loyal to. It is a preliminary clue to the sense of belonging, and hence of his or her humanity."

"And who is any of us, that without starvation he can go through the kingdoms of starvation?"

"The most frightening pages of history are those which reveal how easily conditions making a desert of the human spirit may come into existence, with the oozings away of incentive and kindliness in our natural social structure."

"It is hard to think of any group of seven words that have aroused more newspaper controversy."

"All the News That's Fit to Print."

"That’s the dilemma the group of friends in The Indelible Heart had to face. And, as in our larger society, their opinions ran the gamut from indifference to merciful release to let him rot in hell. As I wrote, I found myself weighing and evaluating my own belief. As it turns out, I find myself leaning closer to Sharon’s ‘let him rot’ opinion, with a gentle nudge to force justice to take the hand of forgiveness."

"One of the reoccurring challenges I incur is that my stories don’t fit neatly into one category – there is too much social commentary for the romance genre and too much romance for general fiction. It makes marketing a challenge, as well as award nominations."

"That balance has been a real struggle for me. And, balance truly is the key, I believe. It’s a fluid thing, something that changes as our lives change. There were times when I could expend time and energy on marches and rallies and petitions, and there were times when I needed to secure my personal place in the world. The truth, I’ve realized, is that it takes a community, recognizing its fluidity and maintaining its focus. It takes leaders. It takes everyone doing what they can. For me, for now, it means writing stories of palatable consciousness."

"Without the test of heat, no metal proves its strength; without the test of life, no love can prove its worth. Rare is the love that survives the tests of the life she knew, but the pain from loves that failed those tests could fill more than one lifetime.”"

"It seems as though I was always writing something – little stories, poems. All through school, whenever there was a choice between a written or oral assignment, I always chose the written. Later, writing became affordable therapy. I taught in the public school system for 25 years, as closeted a profession as there is, except possibly the religious sector. Expressing and exploring who I was as an individual, as a whole person, had to be done secretly and during those times when I wasn’t teaching, coaching, or losing my mind. It is the need to express beliefs and thoughts and feelings that had been suppressed for so long."

"I believe there are a number of similarities, common struggles to change social attitude. But, unlike the racial struggle, the LGBT community, for the most part, has had the option of the closet – to stay hidden, to live the lie. And, I think in the long run, that has lengthened our struggle. Without that option, we would have had to fight harder and sooner."

"For me, a story must be relatable and believable. As a writer, I want to immerse the reader in the lives of my characters, in hopes and dreams that may be lofty but reachable, and in struggles that are realistic and frustrating, and even frightening. If I can do that, the reader will be able to live the story with my characters."

"I have a great amount of respect and admiration for a number of authors. It’s difficult to single out one as a favorite. Each offers me something special, unique to their style and presentation. Alice Walker offers introspection and a raw, yet palatable honesty. Harper Lee gave us an unrivaled one-time shot to the gut challenge to our humanity. Sarah Waters masterfully weaves her fictitious characters through places and time in history. And, I have yet to find an author whose craft is more impeccable, or plotting more effective, than Val McDermid."

"The hate crimes described in Love in the Balance are based on the hate crime murders of Susan Pittmann and Christine Puckett, committed in Huron Township in Michigan. I was honored to have their daughter, Cynthia Pittmann, write the poignant Foreword for the sequel, The Indelible Heart."

"Within the circle of friends, Kasey and Connie have the most stable relationship. My hope is to leave the reader with the sense that this couple has the tools to work through the challenges that long term relationships face."

"As have so many LGBT people, I formed a family of choice throughout the years – people who accepted and nurtured and loved me for who I am. During the writing of The Indelible Heart, I lost three of those people. There wasn’t enough time for me to recover from the grief of one loss before I was faced with another. The once solid ground beneath me was gone. And, at the same time that I was trying to get through my own grief, I was having to take Sharon back to hers. It has made this the most difficult book for me to write."

"I have written 9 books. Each has something that makes it special to me. The first, Legacy of Love, for the obvious reason. Love in the Balance has an emotional connection to my mother, and to a hate crime that was committed near where I live. Mirrors emerged from my teaching experiences, and losing a student on my watch. Losses in my personal life, and an unexpected connection with the daughter of the hate crimes victims, made The Indelible Heart a difficult and unforgettable effort."

"As I said, my next project is a prequel to Under the Witness Tree. I fell in love with Nessie Tinker. Nessie was a 90+ year old black supporting character who challenged me to know more about her and where she came from. I wanted to know what her life would have been like growing up in Georgia in the 1900’s. What were her dreams and hopes, her disappointments? And, what of love, between two young women, one black and one white? This next book is the result of that curiosity and search."

"What is unfortunate is that our community is still embattled, facing ongoing challenges to our rights and security. I would think that as long as those exist, there will be a need and opportunity for me to write stories of how those struggles effect our lives."

"I have a couple of things niggling my mind. One, partly fueled by the importance of the women’s vote in the recent election, is to explore the history of our fight for the vote. Another is the problem of animal neglect and overwhelmed animal shelters. Of course, these issues will have to explored by characters in a storyline that balances love, hope, and social consciousness. I just can’t seem to help it."

"My biggest writing challenge is embracing the freedom that I have now from page and word restrictions. My first few books were published by Naiad Press, and were subject to restrictions. I learned to make every word count, minimalize description, and move quickly from scene to scene, all of which improved my craft. But, now I can expand the scope of my story lines without fear of drastic cuts."

"The character created most closely from my personal experiences is Jean Carson, the teacher in Mirrors. Her struggles were mine, her hopes and fears were mine. She struggled to protect her job, while trying to help a bullied student. I kept my job, but lost a student to suicide."

"Most surprising, I think, was the depth of my sense of injustice. At times it bordered on anger, and it was such a cleansing, therapeutic experience to be able to express and explore that through my characters."

"My next book will be a prequel to Under the Witness Tree. I never say never, but I don’t foresee featuring these three characters again."

"I was 35 when I got into this business and the prospect of becoming a so-called sex symbol at this stage was."

"Where’s the element of danger and funkiness that generated so much excitement?”"

"A failed person who never took responsibility for her own actions, but rather blamed every ill thing that had happened in her life on the fact that she’d once briefly been in this industry."

"I was somewhat taken aback as I was easily ten years older than almost every other woman."

"I was raising a child at the time."

"I said “I don’t understand, why are you playing this."

"I go into the bathroom and while I’m in the bathroom changing and primping, I hear my own voice coming out of the bedroom, and so I march out and sure enough on the TV screen in the master bedroom is a film of mine."

"I thought you’d get a big kick out of this."

"There was a newscaster, a TV journalist in New York."

"We’d met and we had a couple of dates sans sex and there was some chemistry and we were getting along quite well, so finally the big night arrived."

"I miss seeing a hooker or a guy taking a leak in a doorway somewhere."

"I was at his apartment in Manhattan and he broke out some cocaine and we drank some champagne, and we were groping a bit on the couch in the living room and he said “Let’s move this into my bedroom”."