photographers-from-canada

"He marched in scowling, and regarded my camera as he might regard the German enemy. His expression suited me perfectly, if I could capture it, but the cigar thrust between his teeth seemed somehow incompatible with such a solemn and formal occasion. Instinctively I removed the cigar. At this the Churchillian scowl deepened, the head was thrust forward belligerently, and the hand placed on the hip in an attitude of anger. So he stands in my portrait in what has always seemed to me the image of England in those years, defiant and unconquerable."

"Among the tasks that life as a photographer had set me, a portrait of Albert Einstein had always seemed a 'must'—not only because this greatest refugee of our century has been accounted by all the world (except his homeland) as the outstanding scientist since Newton, but because his face, in all its rough grandeur, invited and challenged the camera."

"The silence seemed to me more instructive than words. A sense of power clung to him like a garment, and it required no utterance. The square-cut and deeply graven face, the huge body, and, above all, the sombre granitic look indicated a singleness of purpose, a dedication to some inward and unshakable decision."

"Well, you can certainly make a roaring lion stand still to be photographed."

"In Europe's Middle ages, the great cathedrals, including the one of Chartres, rose from the ground upwards to the sky, supported not so much by stone as by the powerful religious symbolism that drove the Christian church. In India, the craftsmen did not build, but removed the earth and stone to discover space in the service of a different religious symbolism, not one identified with any religious monolith, but instead, one to which different religious groups owed allegiance."

"You'd have to be brain dead to live in India and not be affected by Hinduism. It's not like Christianity in America, where you feel it only on Sunday mornings … if you go to church at all. Hinduism is an on-going daily procedure. You live it, you breathe it. … Hinduism has a playful aspect which I've not experienced in any other religion. Its not so righteous or sober as is Christianity, nor is it puritanical. That's one of the reasons I enjoy India. I wake up in the morning, and I'm very content."

"My journey to become a polar specialist, photographing, specializing in the polar regions, began when I was four years old, when my family moved from southern Canada to Northern Baffin Island, up by Greenland. There we lived with the Inuit in the tiny Inuit community of 200 Inuit people, where [we] were one of three non-Inuit families. And in this community, we didn't have a television; we didn't have computers, obviously, radio. We didn't even have a telephone. All of my time was spent outside with the Inuit, playing. The snow and the ice were my sandbox, and the Inuit were my teachers. And that's where I became truly obsessed with this polar realm. And I knew someday that I was going to do something that had to do with trying to share news about it and protect it."

"Our water planet is not just rivers, lakes and oceans, but it's this vast network of groundwater that knits us all together. It's a shared resource from which we all drink. And when we can understand our human connections with our groundwater and all of our water resources on this planet, then we'll be working on the problem that's probably the most important issue of this century."

"…I have to be in this frame of mind where I’m feeling pity for myself, and feeling pity for the world. Once I’ve attained the summit of this, then I have to sit down and write…"

"…The responsibility, the burden, is much heavier for us. If we don’t exercise our collective imagination—and not just documentation —we’ll always be at a certain disadvantage. I think what literature could provide us with is showing other possibilities. What I fear most is homogeneity."

"…When I recall the war, I recall it in images, not verbally or by text. That’s what really comes to me: fragmented images, much like photographs…"

"…I suspect that I can attribute my style to Arabic poetry…I permit myself to be overtly poetical in my writing. Maybe because I grew up in a culture that values poetry more than anything…But having said that, not all the writing is lyrical. It fluctuates to social realism sometimes, to different influences."

"Señora Perez, I would like to thank you. I would like to sing to you, to sing a song of love; for I have watched you with my eyes wide open. I have watched you with learning eyes. You are a mother, and your arms are open wide for your children, for your people. Mrs. Perez, you are working hard."

"You know my eyes are not very strong. So every day to make them stronger I force myself to look at the sun. I find it very hard. But do you know what I find harder? That is to look into the blue of your eyes."

"Trudeau flew in from Tobago, the sister island of Trinidad, where he has been holidaying with his wife since Tuesday. Shortly after his luncheon engagement, Trudeau took a return plane to Tobago to rejoin his wife, Margaret. The Canadian high commission said it was in not in a position to say when the prime minister and his wife would leave Tobago."

"Fidel made it clear in his opening remarks that the parents were important but not nearly as important as the baby. In some pictures Fidel had a big patch of wet saliva on his uniform because he had come over early to cuddle the baby. A very warm and charming man — I enjoyed him. I am very proud that Canada helped facilitate this; we have long, trusted ties. . . . This is good news and I celebrate with the Cuban people. It was very kind of him, he was very proud of what he was doing with their children in establishing them as strong citizens. What a fabulous place. The people are filled with life and music and happy in spite of very difficult times. Some of them work four jobs to support their families. They are wonderful people and I think this is an opportunity for them to really evolve as they need to."

"Trudeau and his wife left here Monday by chartered plane on a quick sidetrip to an unidentified nearby island. They arrived here Thursday on a brief "second honeymoon,""

"sexiest man I’ve ever met"

"Life for a photographer cannot be a matter of indifference and it is important to see what is invisible to others."

"I have been frequently accused of deliberately twisting subject matter to my point of view. Above all, I know that life for a photographer cannot be a matter of indifference. Opinion often consists of a kind of criticism. But criticism can come out of love. It is important to see what is invisible to others — perhaps the look of hope or the look of sadness. Also, it is always the instantaneous reaction to oneself that produces a photograph. My photographs are not planned or composed in advance, and I do not anticipate that the onlooker will share my viewpoint. However, I feel that if my photograph leaves an image on his mind, something has been accomplished."

"Black and white are the colors of photography. To me, they symbolize the alternatives of hope and despair to which mankind is forever subjected. Most of my photographs are of people; they are seen simply, as through the eyes of the man in the street. There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough—there has to be vision and the two together can make a good photograph. It is difficult to describe this thin line where matter ends and mind begins."

"People are my favourite subject because there are no two alike, so my work never becomes routine."

"I have invented nothing. I have simply documented a magical alchemy that I want to share."

"Until now Gregory Colbert has been that rare artist who goes out of his way not to be noticed. He was represented by no gallery, he held no exhibitions for a decade, and he gave no interviews. He was in a sense a secret artist, though the secret was shared by a small group of wealthy private collectors who, through acquisitions and sheer enthusiasm, helped to finance his work. He needed this help. In his quest to photograph the mystical relationship between humans and animals, he made 27 lengthy trips to distant corners of the world over nine years. He was usually accompanied by a support team, supplies and equipment. He even rented oceangoing vessels for months on end. In brief, it was both costly and complicated to produce images of great simplicity."

"Colbert’s work feels timeless and sacred. It resonates with a luminous, essential wisdom speaking through the ages. . . . Colbert’s work operates in a parallel universe to ours, an earnest, refreshing, post-ironic world where pure wonder and awe still reside."

"He has realised a vision with an eloquent message, delivered without commentary or caption: if we didn't know before what we are obliterating, we do now."

"We need to renegotiate our contract with nature. Ecology is a unifying force that can diminish intolerance and expand our empathy towards others—both human and animal."

"Nous avons besoin de renégocier notre contrat avec la nature. L'écologie est une force d'union qui peut diminuer l'intolerance et augmenter notre empathie envers les autres—avec les humains comme avec les animaux."

"In exploring the shared language and poetic sensibilities of all animals, I am working toward rediscovering the common ground that once existed when people lived in harmony with animals. The images depict a world that is without beginning or end, here or there, past or present. I hope that the overall effect is an experience of wonder and contemplation, serenity and hope."

"In the next 25 years, the human race will have to decide whether or not to preserve the bestiary of Nature’s living masterpieces. Ashes and Snow is not meant to tell people to do some things and not to do other things. It’s meant to inspire. I hope it’s not a requiem."

"If you look at Paleolithic cave paintings, you see how people were depicted inside nature, not outside it. It was a kind of dream time. That’s what I’m exploring."

"The stars you see at night are the unblinking eyes of sleeping elephants, who sleep with one eye open to best keep watch over us."

"The whales do not sing because they have an answer. They sing because they have a song."

"I spent all my time at school in the library. Bad teachers can teach you to learn on your own."

"The more I look around and listen I realize that I'm not alone. We are all facing choices that define us. No choice. However messy is without importance in the overall picture of our lives. We all at our own age have to claim something, even if it's only our own confusion. I am in the middle of growing up and into myself."

"May Sarton said, "the deeper you go, the more universal you become." It's a reminder to me that those things I try to convince myself I don't need to admit are usually those things I need the most to say. Speaking the truth, in its most poignant details, is liberating and gives those around us the freedom to be real."

"What we don't let out traps us. We think, "No one else feels this way, I must be crazy." So we don't say anything. And we become enveloped by a deep loneliness, not knowing where our feelings come from or what to do with them. "Why do I feel this way? Last week, I was on top of the world and now my feelings don't make sense." Voicing it, getting it out and letting it other people hear it, helps to dissipate it. The fears and self-criticisms begin to leak. And we begin to heal."

"I think God leaves me alone to let me find my own strength because no one else can give it to me. Sometimes it is very lonely. But I know the lonely times teach me the most. I must let go in order to let anything in. No one can love me, for me. Take a big walk protected in the trees. I miss the time before today."

"Honor your humanness and all of your feelings - the messy ones, the growing pains, the ache - because we can't have the dark without the light."