people-from-venice

"Dem Polyklet das Maß, und Phidias das Eisen gab."

"The serenity of our faces and the happiness of our hearts are the greatest testimony to the appearance of majesty. For there you have the most reliable witnesses of our sentiments. For that which is harbored in the heart shines forth as though through a window, and that which you cannot hear because of this speaker’s lack of eloquence can be perceived through comments from the populace and from the eyes of everyone here just as joy is palpable in the looks of those who are rejoicing. Thus it is that, since everyone is over. come with incredible joy, and you with your joyous gaze have brought kudos and felicity, all men think that this illustrious day should not only be marked, as they say with a white stone, but everyone thinks the day should be commemorated each year with solemn honors. For no matter how ignorant one may be by nature, is there anyone who would not embrace the memory of the queen of the Sarmatians? Who would not marvel at the greatness of her august and holy presence? Who would not worship and revere her as though she were a goddess?In order to respond to so many distinguished and renowned women, which I can do, I shall say that the saying "the fickle herd can feed on heavenly air" certainly can never be, since, while the divine beauty of your mind and body has slipped away from my heart and mind, the memory of your name will remain so deeply ingrained in everyone’s mind that no age will ever obliterate it.But to say something myself to celebrate the greatness of your fame, which has traveled to the ends of the earth while I have remained silent, I would gladly spend all the days of my life. Nor is there anything that could please me more or that I could hope for more than that, not because I think your name would be embellished by my work and industry, but so that in glorifying you I might hope that my life too might be consigned to immortality."

"Above all he was noted for his Christian charity and his unbounded liberality. All the money he could raise he bestowed upon the poor, while he himself led a life of simplicity and poverty. He was greatly respected both in Italy and elsewhere by the dignitaries of both Church and State."

"He applied himself especially to history and political science, and was at the end of the fifteenth century what Macchiavelli, though in a different way, was at the beginning."

"The Successor of Peter does not have the problem of making known "which side he is on", because the Vicar of Christ, like his Lord, is always with the innocent who suffer as Jesus suffered on the cross. Every word he says, every attempt he makes, is aimed at saving human lives, at not yielding to the logic of evil, at fighting evil with good."

"Faced with secularization and the difficulties Christians are confronted with today in transmitting their faith, we might be tempted to close up, trying to create perfect communities that withdraw from the world to preserve their small, or very small, flock, waiting for the storm to pass, looking with nostalgia to a past that no longer exists. On the other hand, another real risk today is that of hyperactivity: we might be tempted to invest all our energies in missionary strategies, thinking that proclamation, witness, and even conversion are not fruits of the Spirit we should give space to, but the result of our skills and protagonism. As a consequence – and, unfortunately, this happens more and more often in our digital age – the risk is that the evangelizer and his ruses rather than the Gospel and its Protagonist become the focus evangelization. Indeed, we need to leave space to the Protagonist: this is the real meaning of conversion as a metanoia, a change of mentality in light of the Gospel."

"The funny side is repressed inside myself somehow, but it was always there. I think it's from my mother's side, she was always funny and making jokes, so I didn't suffer at all! When I get together with Bud, something just clicks and we are funny."

"[...] I think that there is no body in nature that lets entirely and unhinderedly flow the electrical fluid, but we should settle for the materials that lose less of it."

"Upon Shiva Ji’s arrival at Dihli the king caused him to appear in his presence, and instead of giving him the promised position, which was to be the highest in his audience-hall, he caused him to be assigned the lowest place in the first circle of nobles within the golden railing. Shiva Ji was much hurt at this deed of Aurangzeb’s, which did not conform to the promises received…Let Aurangzeb remember [said Shivaji] that the officers in His Majesty’s presence, with the exception of Namdar Khan, who was a good officer, were the rest of them so many old women, whom he had overcome in the field with the greatest ease. Thus not one of them deserved the position he held. Then in anger he came out…"

"“In this realm of India, although King Aurangzeb destroyed numerous temples, there does not thereby fail to be many left at different places, both in his empire and in the territories subject to the tributary Princes. All of them are thronged with worshippers; even those that are destroyed are still venerated by the Hindus and visited for the offering of alms."

"Many women were procured through the offices of matrons who “by promises and deceit...have carried them off into what- ever places the king or prince requires. When it happens that he does not wish to keep them (permanently) the king sends them back with some great present.“"

"[Manucci says that just before the emperor died, he (Aurangzeb) said:] “I die happy for at least the world will be able to say that I have employed every effort to destroy the enemies of the Muhammedan faith.”"

"A few days after my arrival Shiva Ji gave himself up and came into our camp…This was the opening which afforded me occasion many times to converse with Shiva Ji, since I possessed, like any one in the camp, the Persian and Hindustani languages…. Rajah Jai Singh…made arrangements to send Shiva Ji to court well guarded; and he wrote to his heir, Ram Singh, to take precautions against the king’s murdering Shiva Ji. For he had pledged his word, confirmed by oath, to protect him. Better would it be for his house to be extirpated than to permit Aurangzeb, under cover of his words, to organize treachery."

"All of them (temples at Hardwar and Ayodhya) are thronged with worshippers, even those that are destroyed are still venerated by the Hindus and visited by the offering of alms."

"Manucci writes, “I assert that in the Mughal Kingdom, the nobles and above all the King, live with such ostentation that the most sumptuous of European Courts cannot compare in richness and magnificence with the lustre beheld in the Indian Court.” Similar was the impression made on Pelsaert’s mind.“"

"Not resting content with the above orders [prohibiting alcohol, drugs, long beards, etc.], Aurangzeb. . .ordered the same official [the muhtasib14 ] to stop music. If in any house or elsewhere he heard the sound of singing and instruments, he should forthwith hasten there and arrest as many as he could, breaking the instruments. Thus was caused a great destruction of musical instruments. Finding themselves in this difficulty, their large earnings likely to cease, without there being any other mode of seeking a livelihood, the musicians took counsel together and tried to appease the king in the following way: About one thousand of them assembled on a Friday when Aurangzeb was going to the mosque. They came out with over twenty highly-ornamented biers, as is the custom of the country, crying aloud with great grief and many signs of feeling, as if they were escorting to the grave some distinguished defunct. From afar Aurangzeb saw this multitude and heard their great weeping and lamentation, and, wondering, sent to know the cause of so much sorrow. The musicians redoubled their outcry and their tears, fancying the king would take compassion upon them. Lamenting, they replied with sobs that the king’s orders had killed Music, therefore they were bearing her to the grave. Report was made to the king, who quite calmly remarked that they should pray for the soul of Music, and see that she was thoroughly well buried. In spite of this, the nobles did not cease to listen to songs in secret. This strictness was enforced in the principal cities."

"All the above names are Hindu, and ordinarily these …are Hindus by race, who had been carried off in infancy from various villages or the houses of different rebel Hindu princes. In spite of their Hindu names, they are however, Mahomedans."

"All Muhammadans are fond of women, who are their principal relaxation and almost their only pleasure."

"It seems from Manucci’s account that Aurangzeb had also re-imposed pilgrim tax on the Hindus, which had been abolished by Emperor Akbar in 1563 A.D. Discussing the main sources of revenue of Aurangzeb, he writes, ‚He also draws large sums from the bathings which the Hindus perform at various points of the empire.‛"

"According to Manucci, income from Jizya was ‚considerable‛ but ‚not fixed being sometimes more and sometimes less‛. He says ‚This variation is caused by deaths and by travellers moving from one place to another. If carrying with them a receipt for what they have paid, the latter are allowed to pass free. If they chance to lose their paper (i.e. receipt of having paid Jizya), or it be stolen, they are made to pay again either in the same or in another province‛. The officials, he adds further, ‚embezzle their collections most terribly, to such an extent that the King gets more often than not less than half‛.37"

"He (Aurangzeb) also ordered every viceroy and governor to destroy all the temples within his jurisdiction. Among others was destroyed the great temple of Mathura which was of such a height that its gilded pinnacle could be seen from Agra, eighteen leagues away‛."

"“The chief temples destroyed by King Aurangzeb within his kingdom were the following: Maisa (? Mayapur), Matura (Mathura), Caxis (Kashi), Hajudia (Ajudhya), and an infinite number of others ; but, not to tire the reader, I do not append their names.”"

"This city (Banaras) is small, but very ancient, and venerated by the Hindus by reason of a temple there possessing a very ancient idol. Some years after my visit Aurangzeb sent orders for its destruction when he undertook the knocking down of all temples. …..‛"

"Ram Singh, fully carrying out his father’s instructions, and sufficiently acquainted with Aurangzeb’s character, had spent money without stint to obtain reports of any orders issued by the king, either in favour or against Shiva Ji. He thus heard of the royal order [to kill Shivaji]. Without any delay Shiva Ji was informed, and he sent out the large covered baskets of sweetmeats as usual. Then, concealing himself in one, he arranged to be carried away, he and his son, to a place of security…Thus it was carried out. At seven O’clock in the evening, having succeeded in getting away without anyone suspecting, Shiva Ji made use of the preparations made in the villages and woods, as arranged by Ram Singh, and escaped without detention into his own country… Aurangzeb was much put out by this event, and raising his hand to his head as if plunged in thought, he sent out orders throughout the realm for Shiva Ji to be traced. But Shiva Ji was already far on his road, traversing in one night what would take anyone else three days and three nights. In this way it was impossible to catch him, his way being through jungle and mountains, places through which it is very difficult to pass."

"The most sumptuous of European courts cannot compare in richness and magnificence with the lustre beheld in Indian courts."

"When any hungry wretch takes it into his head to ruin the kingdom, he goes to the king and says to him: 'Sire; if your majesty will give me the permission to raise money and a certain number of armed men, I will pay so many millions. The king then asks how it is intended to raise the money. It is by nothing else than the seizure of everybody in the kingdom, men and women, and by dint of torture compelling them to pay what is demanded. Such financiers are hateful and avaricious men. The king generally consents to their unjust proposals, as he thereby satisfies his own greed; he accords the asked-for permission, and demands security bonds."

"Aurangzeb did this for two reasons: first, because by this time his treasures had begun to shrink owing to expenditure on his campaigns ; secondly, to force the Hindus to become Mahomedans. Many who were unable to pay turned Mahomedans, to obtain relief from the insults of the collectors."

"It would seem as if the only thing Shahjahan cared for was the search for women to serve his pleasure ... for this end he established a fair at his court. No one was allowed to enter except women of all ranks that is to say, great and small, rich and poor, but all handsome."

"Many Hindus who were unable to pay turned Muhammadan, to obtain relief from the insults of the collectors......Aurangzib rejoices that by such exactions these Hindus will be forced into embracing the Muhammadan faith. (Storia, 11. 234, iv. 117., cited in J Sarkar, History of Aurangzib III)"

"[Aurangzeb] was of the opinion that he had found in this tax an excellent means of succeeding in converting them, besides thereby replenishing his treasuries greatly..."

"When Shah Abbas of Persia, it is said, asked Aurangzeb’s ambassador to read aloud the words stamped on the coin on which was written ‚Sikkah zad dar JahÁn chÚn badr-i-munÍr, ShÁh Aurangzeb– i– ‘Alamgir (struck coin in the world like sun and moon, Aurangzeb, the conqueror of the world), he said that more appropriate words on the coin should be, ‚Sikkah zad ba-qurs-ipanÍr, Aurangzeb, barÁdar-kush-i-pidar gÍr‛ (struck coin upon a round of cheese, Aurangzeb, slayer of brothers, father seizer)."

"In that Renaissance (Cellini, Tintoretto, Titian..) there was an explosion of unique truthfulness, a love of painting and form.. ..Then come the Jesuits and everything is formal; everything has to be taught and learned. It required a revolution for nature to be rediscovered; for Delacroix to paint his beach at Etratat, Corot his roman rubble, Courbet his forest scenes and his waves. And how miserable slow that revolution was, how many stages it had to go through!.. ..These artists had not yet discovered that nature has more to do with depth than with surfaces. I can tell you, you can do things to the surface.. ..but by going deep you automatically go to the truth. You feel a healthy need to be truthful. You’d rather strip your canvas right down than invent or imagine a detail. You want to know."

"Great art, for those who insist upon this rather philistine concept (as if un-great art were unworthy of even their most casual and ill-informed attention), makes us stand back and admire. It rushes upon us pell-mell like the work of Rubens or Tintoretto or Delacroix, or towers above us. There is of course another aesthetic: the art of a Vermeer or a Braque seeks not to amaze and appal but to invite the observer to come closer, to close with the painting, peer into it, become intimate with it. Such art reinforces human dignity."

"Titian, Tintoretto, and Paul Veronese absolutely enchanted me, for they took away all sense of subject. ... It was the poetry of color which I felt, procreative in its nature, giving birth to a thousand things which the eye cannot see, and distinct from their cause."

"Non ho scritto neppure la metà delle cose che ho visto."

"Io parlo parlo ... ma chi m'ascolta ritiene solo le parole che aspetta. ... Chi comanda al racconto non è la voce: è l'orecchio."

"When Marco Polo traveled to the East and reported what he had seen, mixing truth with falsehood but in any event telling something of the truth, the men of the West refused to believe him. In the late Medieval Ages his account of his travels was viewed as a book of fables... It was as if occidentals were unable to believe in the reality of the marvels of the Orient."

"Il matrimonio bisogna che sia un vero castigo, poichè fa diventar savi anche i matti."

"Si fermano anche i lupi quando hanno afferrato la preda."

"In questo mondo, quante cose sonc e non sembrano! e quante poi sembrano e non sono!"

"Un viaggiatore prudente non disprezza mai il suo paese."

"Il mondo è un bel libro, ma poco serve a chi non lo sa leggere."

"Muore per metà chi lascia un' immagine di se stesso nei figli."

"Bello è il rossore, ma è incommodo qualche volta."

"Chi ben commincia è alia meta dell' opra."

"Chi parla troppo non può parlar sempre bene."

"Chi non esce dal suo paese, vive pieno di pregiudizi."

"Non mancano pretesti quando si vuole."

"The age-long history of thinking on gravitation, too, was erased from the collective consciousness, and that force somehow became the serendipitous child of Newton's genius. The new attitude is well illustrated by the anecdote of the apple, a legend spread by Voltaire, one of the most active and vehement erasers of the past. … The need to build the myth of an ex nihilo creation of modern science gave rise to much impassioned rhetoric."

"The oft-heard comment that Leonardo [da Vinci]'s genius managed to transcend the culture of his time is amply justified. But his was not a science-fiction voyage into the future as much as a plunge into the past."