"I never point a finger. If we reach people's brains and hearts and we try to come up with ideas, we can help them go in a direction which will solve a lot of the problems we've created. And you know, then again, whether it's in government or industries, these people have families and they care. They want to do the right thing, but we need to help. And thanks to science and new technologies, we can make that happen."

"Too often people think education is boring. Well, it’s not boring! And particularly, if you have people who can communicate with you and also, sometimes, information that experts can provide you. That’s why I always go with biologists or people who can educate me. I want to be educated all the time."

"Everybody needs to understand when you drink a glass of water you’re drinking the ocean. There’s only one water system. If you go up in the Alps or wherever on top of the mountains to go skiing, you’re skiing on the ocean. That water system is life for every plant, every animal, and we need to manage it like a business. We need to make sure it’s not polluted and we need to stop using the ocean ultimately as a universal sewer."

"Jean-Michel Cousteau said he thinks whales are like a living, breathing planet–each one. I love that he said that. I’d thought he’d be a great photographer and a good guy, but he’s also very poetic in how he sees the world"

"I began to think about its double nature: on the one hand you have an organ in your body and on the other you have a symbol of love. From that time I started to pursue the image of a heart crossing the night from one body to another. It is a simple narrative structure but it’s open to a lot of things. I had the intuition that this book could give form to my intimate experience of death."

"So the novel is a race, and I can see the finish line from the first sentence: it’s an intuition that magnetizes the entire text. The closer I get to the goal, the faster I want to go. There’s even a sense of urgency, of hurrying, as though I was out of breath and had to, at all costs, finish before I ran out of strength. So I find that my endings are often too quick, not unfolded enough, not majestic enough…"

"I love when a crucial novel leaves a trace in my memory. In this, its ending plays a significant part—creating a wake effect that is never erased."

"I am the sort of writer who needs another form to tell me who I am and what has happened to me…I think all my novels are self-portraits, but there’s no one character who resolves me, or catalyses me, or is me."