people-from-amol

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April 10, 2026

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"“A breach was, however, at last effected in the walls of the city in AD 712 by the warlike machines of Kateibah; and some of the most daring of its defenders having fallen by the skill of his archers, the besieged demanded a cessation of arms to the following day, when they promised to capitulate. The request was acceded to by Kateibah; and a treaty was the next day accordingly concluded between him and the prince of Samarkand, by which the latter engaged for the annual payment of ten millions of dirhems, and a supply of three thousand slaves; of whom it was particularly stipulated, that none should either be in a state of infancy, or ineffective from old age and debility. He further contracted that the ministers of his religion should be expelled from their temples and their idols destroyed and burnt; that Kateibah should be allowed to establish a mosque in the place of the principal temple, in which, to discharge the duties of his faith… To all this, Ghurek, with whatever reluctance, was compelled to subscribe, and he proceeded accordingly to prepare for the reception of Kateibah; who at the period agreed upon, entered Samarkand with a retinue of four hundred persons, selected from his own relatives, and the principal commanders of his army. He was met by Ghurek, with a respect bordering on adoration, and conducted to the gate of the principal temple, which he immediately entered; and after performing two rekkauts of the ritual of his faith, directed the images of pagan worship to be brought before him, for the purpose of being committed to the flames. From this some of the Turks or Tartars of Samarkand, endeavouring to dissuade him, by a declaration, that among the images, there was one, which if any person ventured to consume, that person should certainly perish; Kateibah informed them, that he should not shrink from the experiment, and accordingly set fire to the whole collection with his own hands; it was soon consumed to ashes, and fifty thousand meskals of gold and silver, collected from the nails which has been used in the workmanship of the images.”"

- Al-Tabari

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