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"If we turn to historians of the more ordinary type, the most notable name is that of Clarendon. His work suggests a comparison with Thucydides, in that he was himself a prominent actor in the events that he describes; and there are, especially in his character-sketches, passages that will bear comparison with the great Athenian master. As with Thucydides, too, banishment from his native country gave him an opportunity for calm and detached contemplation of the events through which he had lived. But there the comparison ends. The inner spirit of the two men is entirely different. Neither his double exile nor advancing years brought philosophic calm or intellectual fairness to Clarendon. He writes now as a partisan of the monarchy, now of the Church, now of his own administration, and the later books are mainly autobiographical. But none the less Clarendon's work is epoch-making in the development of English historical writing. Here the nation's story is told by a man of practical knowledge, in language well suited to the subject, and in a tone of honest conviction. For a century and a half it fixed the ideas of Englishmen with regard to the prominent actors in the great Puritan revolution. Its prestige was destroyed, as by a sledge-hammer, by the publication of Carlyle's Cromwell; but the book remains one of the foremost of English historical classics."

- Edward Hyde, 1st Earl of Clarendon

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"Clarendon was a great historian. His profound social insight, tempered by acute penetration in analysing individual character; his lack of illusions, his scepticism, tempered by recognition of the fact of human progress even if he disliked the means which brought it about: all this fitted him to understand the conflicts of his age better than any contemporary, and most later, historians. But above all it is his style that we remember: that style which again reflects the idealised feudal society of his youth. It lacks the conversational urgency and directness, the utilitarian values, of the Parliamentarian pamphlets (especially the Levellers' and Diggers') whose forthright appeal to the man in the street prepared for the prose of Bunyan and Defoe. Clarendon's prose is thoroughly conservative – stately, leisured, opulent, hospitable, with a tang of allusive humour possible because the only readers he envisages are cultured gentlemen certain of their superiority to the common herd. Like the man himself, Clarendon's style is the old world, the world of Sir Thomas Browne and Hooker, looking back to the Middle Ages: the future, in prose as in politics, lay with the ex-Parliamentarian civil servants Samuel Pepys and Andrew Marvell, and with the ex-Cromwellian soldier John Bunyan."

- Edward Hyde, 1st Earl of Clarendon

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