"Well, I don't think of myself as a feminist at all. As soon as we start labeling and categorizing ourselves and others, that's going to shut down the world."

"I just want a straight-up truth,.I don’t need a lot of compliments on what’s working, I probably know that it’s working."

"If you can’t separate yourself and learn from what either worked or didn’t work you probably shouldn’t be acting in the first place, It’s a tool to learn."

"It’s a judgment about the character, and no, you can’t come into the character judging them as you’re playing them. That’s the film-maker’s job to choose the tone in which the character is seen."

"It’s a difficult thing for a woman to say, because I would really like more working women in all kinds of jobs, being a working woman myself."

"The nuns that I grew up around in New York City, they were those activist nuns. They were the nuns who were shot in El Salvador, you know? They were the women who had chosen their own path and put their lives on the line in the only way they were allowed."

"It doesn’t happen to me. I don’t even get asked out on dates. I’m a single woman and not by choice. It’s not the first interview I’ve mentioned it in. The dog might help."

"I was an extremely fortunate young woman as an actor. I got a job at The Public Theater and I also landed a job on a soap opera."

"Sex addiction can be an inability to really connect with people. It can show up in all kinds of places and it can be masked by drug and alcohol addictions. I feel very proud to be apart of Unlovable and open up this conversation."

"I think I made a huge mistake, the mistake was that I began to expect," said Leo. "The mistake I made was to expect all those big, important fellas to call me up."

"We are all born with a talent and the sweetest part of life comes to us when we allow ourselves to recognize what is that talent. Sometimes our mind, or friends, or parents tell us something, but it’s inside of us where this talent lies, only we can really know."

"I think being a female actor makes it more difficult in exactly the ways that any female on the planet finds the difficulty of our gender. There’s a huge misunderstanding about who we are and how we operate, a lot because of the way women are depicted in film and television."

"Television can be a very frustrating job for almost anybody working in television, because you’re shooting episodically, and you don’t know one scene from the next, and maybe they change around."

"I might have an empathy for the great art of mothering, that understands we can be imperfect and yet be doing our best as a mother. And I'm not afraid to show that, I guess."

"When you’re making a film, you come up with so much material and so much of that material ends up going unused. So, I think transmedia gives you a chance to use that extra material. You know, with Blair Witch we did a whole documentary using at least 50% of unused footage from the first movie. So as a filmmaker, it’s a great opportunity to dive into your story more and gives you a chance to explore any unused ideas. You know, it opens things up and keeps things fresh. Especially because when you write a film, shoot a film, and edit a film, you’re stuck in that world and narrative for so long and I think transmedia gives you a great opportunity to step outside of that for a moment and work on something else without abandoning the project entirely."

"I scare easily! I think that’s part of the reason I can make horror movies, I can relate to just being scared."

"Filmmaking is hard work, and there are plenty of times when you're just exhausted, and you haven't slept in a while, and you're just watching, and you're looking at something, and you're thinking, "Man, this is not going to work, this is going to be the stupidest thing.""

"As an artist, as much as some say they don’t care what the audience thinks, I think that’s bullshit. The bottom line as artists, we want people to respond to our work, we want to move people emotionally. That’s the whole purpose in life!"

"There’s something about our nature that feels a connection to some otherworldly connection in our lives."

"Good ideas can go bad because they’re made for the wrong reasons. The mission isn’t the right mission. Even though all the players may be noble players, the mission itself is fundamentally flawed."

"We really look for a story first and scares second. I think that ultimately makes the scares more effective. Most people look for the scares first and build the story around it, but that’s something that I’ve been lucky enough to learn while working with these great directors who have spent their lives making these kind of movies. So that’s what we look for: is there great drama? And then we go from there."

"I’m a big believer in creating parameters for creativity. I think parameters make people more creative. So that starts with my budgets. I only do low budget movies, and I think that makes the movies better. I think that the movies that we do are better because our budgets are lower, and it forces people to think within a box."

"If a director wants to give me a job, I sometimes ask them to screen-test me. Then they can't sort of blame me if they're not getting what they wanted later on. It's like, "You fucking hired me; you saw what you were getting.""

"A lot of nonsense is spoken about morality. The world is full of people who have had affairs and most marriages, if you look at the statistics, break down, and does that make people evil? It's they've made bad decisions. It diminishes the situation to say someone is 'morally bankrupt' because they've had an affair."

""You say 'ore´gano', we say 'orega´no'. You say 'tom a to' we say 'toma´to'. You say '[]erb' and we say herb because there's a fucking h at the beginning."

"Because it doesn't happen like this, where we're having an interview and it sort of turns into a conversation--and a quite gratifying one, because it's all about me."