First Quote Added
April 10, 2026
Latest Quote Added
"We made a film about the man who created the atomic bomb, and for better or for worse, we’re all living in Oppenheimer’s world. So I would really like to dedicate this to the peacemakers everywhere."
"But to clarify the thing about interviews, I love talking about the movie, I love talking about music and books and art. I'm not a huge fan of talking about myself. And I don't, and I don't think anyone really is, but I fully believe in this movie, and I love promoting it. So I'm very comfortable with all of that. And in terms of, you know, how it changes your life or anything like that, or changes how people perceive you that that hasn't changed for me, you know, my life has been exactly the same as it always was."
"You have to move faster and work faster but I also enjoy that. When you’re confident in the material and hopefully confident in the character then you can just go at a pace."
"I feel like I’m entering a different phase of my life. I don’t mind embracing it. I had a really good time in my 20s and 30s. Now I’m ready for a bit more… decorum, I guess? A bit more moderation? Still enjoying being a young man, but looking over the wall into the other side, you know?"
"There’s a wealth of stuff out there and I will read it all. I am never, ever going to understand quantum mechanics, no matter how hard or how many times people try to explain it to me. There’s 0.0001 per cent of the population on the planet who have the brainpower to understand that."
"I know everyone says this, but you never go into making a film thinking about awards. That's not what we do. It's impossible to make a film that way."
"But, when a film connects with audiences like this particular one has in a way that none of us could have anticipated... it's hugely flattering and hugely humbling and it's lovely to see that."
"I don’t really partake. I don’t go out. I’m just at home mostly, or with my friends, unless I have a film to promote. I don’t like being photographed by people. I find that offensive."
"I was a Chris Nolan fan. That’s how I was when I met him for the first time … So, it feels absurd that I’ve been in six of his films."
"I don’t enjoy the personality side of being an actor. I don’t understand why it’s expected I’ll be scintillating on a talkshow."
"I’m stubborn and lacking in confidence, which is a terrible combination. I don’t want to put anything out that I don’t think is excellent."
"I’m always trying to cut lines in scenes. I like films that pose the big questions, then leave it to the audience"
"You find so much empathy in novels, you know, because there you are putting yourself into somebody else's point of view, and I've always been a big reader. When a movie can connect with someone, and they feel seen or feel heard, or a novel can change somebody's life, or a piece of music-- an album-- can change someone's life. And I've had all that happen to me. And that's the power of good art, I think."
"I think instinct is your most powerful tool that you have as an actor. Nothing must be predetermined. So therefore, you mustn't have a plan about how you're gonna play stuff. And I love that. It's like being buffeted by the wind and being buffeted by emotion."
"I love it when it becomes an immersive experience. I love getting lost in it. In the early days, that was with theater. It felt kind of extraordinary that with just the power of will and a couple of lights and a good script, we were creating this world. And so, it's that's kind of addictive, when it works well."
"The majority of my buddies are not in the business. I also love not working. And I think for me a lot of research as an actor is just fucking living, and, you know, having a normal life doing regular things and just being able to observe, and be, in that sort of lovely flow of humanity. If you can’t do that because you’re going from film festival to movie set to promotions…I mean that’s The Bubble. I’m not saying that makes you any better or less as an actor, but it’s just a world that I couldn’t exist in. I find it would be very limiting on what you can experience as a human being, you know?"
"I come from theater, and I love acting with my body. You get to do that an awful lot in theater, but you don’t get to do it as much in film because film is about the close-up generally. And theater is always by necessity in a wide shot."
"Well, first of all, it's imperative not to judge the character. Because then you've lost as a performer. You have to try and understand [them]. You have to be like a kind of emotional detective. But your job primarily is to define the truth in the character to try and portray them in a truthful way."
"Method is like a euphemism. We all have a method to get to the final result. And whatever that method is, it's personal and unique to each actor. It's become sort of confused, I think, with the Stanislavski approach. But every actor has their own individual method."
"Inevitably, if you play a character for a long time, and I was researching him for six months, then shooting it for however long that was.. And you're playing them 18 hours a day every day. By osmosis, you're exchanging atoms, You become consumed or immersed [by it], that's just the way it is."
"It still makes me angry. The church still controls education in Ireland. And it’s an obscenity to tell innocent children they’re going to go to hell for taking sixpence out of their mother’s purse…[in America] It’s regarded as important not to put money into it, because if you put money into it, you start people thinking, and then they start to question the system and that’s dangerous…I want to go on that journey with my child trying to expand their vision of the world. I’m not going to leave it to them to take over her brain."
"Nothing much will change under Biden because his thing is: let’s return America to what it was. Well, what America was caused Trump. The Democrats rolled out the red carpet."
"When I found out that the Pentagon has a film department, a lot of things made sense to me. America reveals itself to the world through film. We absorb the American dream because they own the means of production... Reagan and Bush essentially appealed to American cinema mythology; the good guys out on their farms in cowboy hats. America is Gary Cooper. The terrorists are the Indians on horseback. Trump appeals as much to our cinematic language as to our politics: he works through the old reliables of fear and lies."
"We now prefer the fantasy…We find comfort in the lies. I was the victim of that for so long. I imbibed everything. It led to a place where I became extremely unhappy. And now I question everything. I believe it’s a responsibility to do it."
"The priest’s breath was sour and hot as he moved towards me…Then there was blackness...I remembered every single moment up to a point…Then it’s concreted over. What’s buried there? Is it something worth exhuming?..Yes. Maybe if I say it, it will lose its power over me."
"There’s a kind of an unspoken acceptance of the idea that sex against girls is kind of the real assault. The violation of women is what you should pay attention to. There’s a shame about men speaking out. A sense that if you were abused, it was your own fault. Men are not supposed to talk about their feelings. Men have to be strong and men don’t cry."
"During my early years as an actor, Bond was never a desire, but when Cassie was playing in For Your Eyes Only, then, of course, it became a joke. I would do my own impersonations of James Bond. Just for fun. Just driving her home from work, or going out, or talking about her experience on it. But even so, it was not an ambition to play James Bond. I had my sights set on other aspects of the work."
"Prayer helped me with the loss of my wife to cancer and with a child who had fallen on tough times. Now prayer helps me to be a father, to be an actor and to be a man, it always helps to have a bit of prayer in your back pocket. At the end of the day, you have to have something and for me that is God, Jesus, my Catholic upbringing, my faith. In a way (my life) all leads back to a little boy in Navan, my home town on the banks of the Boyne. Sometimes, it has been painted in melodramatic tones but it was a fantastic way to be brought up. The Catholicism and the Christian brothers, those are deep-rooted images and the foundation for a person of some acting skill, God has been good to me. My faith has been good to me in the moments of deepest suffering, doubt and fear. It is a constant, the language of prayer... I might not have got my sums right from the Christian Brothers or might not have got the greatest learning of literature from them but I certainly got a strapping amount of faith. But there is one thing that the people of Ireland know how to do and that is to survive. You have to keep your faith and stay optimistic."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.