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April 10, 2026
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"She left me because of my many faults; I left her because I couldnât talk movies with her."
"Lots of resistance. People really didnât like it. âWhat is she doing here? This is not her job, she should stay being an actress.â But I just wanted to see if I could do it, thatâs all. And I wrote novels. And did singing â two albums, or did I say that already?"
"I like the earlier [Jean-Luc Godard films] better. The earlier ones are human, the later ones abstract. Like Cubist paintings â not so fun. One day in Los Angeles, I went to a museum and paid $25 and what did I see? White cubes! Whatâs going on? I go back to the ticket booth and said: âI want my money back. I donât want to look at white cubes.â"
"Serge savait ce qu'il voulait, perfectionniste, on a beaucoup rÊpÊtÊ, on se parlait même en verlan. Je me suis rarement autant amusÊe avec un homme, nous Êtions très complices."
"J'imaginais que j'allais voyager avec des gitans et que j'allais chanter dans la rue. Un peu comme Piaf. Je connaissais toutes les chansons des chanteuses rĂŠalistes, Damia, Berthe Sylva, FrĂŠhel. Je me rappelle aussi que je voulais me marier avec Louis Armstrong"
"Si j'ĂŠcris mon histoire, c'est telle que je l'ai vĂŠcue. Je dis toujours la vĂŠritĂŠ. Je ne vais ni enjoliver ni noircir le tableau."
"I came to the showroom to show pictures, and [Coco Chanel] said, âOkay, weâll make a test to see if you can do it.â I was a little girlâabout 17-and-a-halfâand so I went into the makeup room and I did my makeup, and my hair, and the eyes to get them a little bit bolder. This woman came in with a big hat, she was 66 or 65 or something like that, but very beautiful! Kind of militaire. She said, âWhat is your name little girl?â I was talking to the makeup lady, and said, âMy name is Hanne Karin Bayer.â She said, âHanne Karin Bayer? And you want to be an actress? Youâve got to call yourself Anna Karina.â And I said, âOh that sounds good, thank you, Madame.â Afterwards everybody told me it was Coco Chanel. Two weeks later I got my photo on the cover of Elle magazine and I really got work. That was a big honor at the time, and they called me âAnna Karina,â but they spelled it the wrong way in the beginning, with a âC,â the Italian way."
"We did not see ourselves as remaking cinema at the time, at least not in my view. Myself and the other actors were not part of the industry; we werenât inside the star system. We were running around, shooting in the streets, hiding behind trees to do our makeup. It was a very simple way of working."
"As soon as we were happy, he tried to get at us by another means, another path. He provoked a new ordeal. One could have thought that it bored him, happiness."
"I really wanted to be a Jew, and then I found out that I was really a Nazi, because, you know, my family was German, which also gave me some pleasure. What can I say? I understand Hitler, but I think he did some wrong things, yes, absolutely. But I can see him sitting in his bunker in the end. He's not what you would call a good guy, but I understand much about him, and I sympathize with him a little bit. But come on, I'm not for the Second World War, and I'm not against Jews, no, not even Susanne Bier. I am of course very much for Jews. No, not too much, because Israel is a pain in the ass. But still, how can I get out of this sentence?"
"I liked movies so much that they became an obsession. I am still trying to kick the habit."
"A debut movie is something that you envision for many, many years. If you really want to make a movie, you constantly think about this first movie, so when you make it, you want to have everything in it."
"We're in this strange age where we can't say âI love you,â at least not sincerely. ⌠It's something where, if you simplify it, the whole point of trying to capture it would sort of make it dead. The fragmented thing can create a situation where the holes between the pieces of the puzzle can be filled with meaning, and thereby you get a greater sense of complexity or feeling."
"By making this chair five times as expensive, three times heavier, half as comfortable, and only a fraction as beautiful, an architect can make a good name for himself."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.