"No human vanity can be more pitiable than that of seeking to give an eternity of preservation to particles of dust, which were put into order and symmetry only for the fleeting purposes of this life."

"Irish humour, properly speaking, is, one may venture to say, more imaginative than any other. And it is probably less ill-natured than that of any other nation, though the Irish have a special aptness in the saying of things that wound, and the most illiterate of Irish peasants can put more scorn into a retort than the most highly educated of another race. There is sometimes a half-pathetic strain in the best Irish humorous writers, and just as in their saddest moments the people are inclined to joke, so in many writings where pathos predominates, the native humour gleams. If true Irish humour is not easily defined with precision, it is at least easily recognisable, there is so much buoyancy and movement in it, and usually so much expansion of heart."

"Only those who are in the closest intimacy with sacred objects venture to treat them familiarly, and the Irish peasant often speaks in an offhand manner of that which is dearest to him. Few nations could have produced such a harvest of humour under such depressing and unfavourable influences as Ireland has experienced. And it may be asserted with truth that many countries with far more reason for uninterrupted good-humour, with much less cause for sadness, would be hard put to it to show an equally valuable contribution to the world's lighter literature."

"I don't want to become the kind of writer who's putting out a book every two years. Money is not my primary concern. I've been broke before and I'll do it again."

"I think if you've got something to say and you can say it with less, that's the way to go."

"I meet people who tell me things like, ‘I read your book in two days’. Please don’t do that. These things take me years to write. Slow down. Everything you read, slow down. Reading is our great act of resistance in this age of speed and carelessness."

"I was kind of solitary. I'd spend a lot of time on my own, reading books. I didn't integrate very well."

"Tolstoy's War and Peace is overblown – do yourself a favour and read his Death of Ivan Ilych."

"The ‘novel’ is a publishing convention that deforms the story. If more attention were given to form there would be fewer novels and better stories. There's no reason a publisher can’t put out a story that's a hundred or even seventy pages long. But a publisher will look at a story like that as defective novel, ineligible for shortlists. It should be in a collection. Or pumped full of air, turned into a novel… It's a pity. You see some good writers behaving like performing monkeys."

"The real writers are tenacious creatures, and they found a way long before there were writers workshops and creative writing courses in the universities. In the absence of formal frameworks, personal initiatives and informal frameworks become more important."

"I write to discover something, not so much to set down what I already know. I see ignorance and confusion all around me. I see these things in myself. I'm subject of all kinds of fears and conflicting desires. But one of those desires, the sanest one, is to see through the confusion."

"I called the boss a ‘fucker’ one day – not to his face, but it got back to him – so that was the end."

"I used to write in the Rathmines public library. I was on the dole and living in a bedsit down the road. It was too cold to write at home. I had one of those meters that you had to put 50p into. So I'd go down the library every morning and after lunch to scribble stuff in longhand in the study room there."