First Quote Added
April 10, 2026
Latest Quote Added
"[To Rita after getting a bottle of wine] Everytime I fucking turn around!"
"Rachel Shelley as Claire Rivers"
"[Dictating to prompt] She had always known it was there, barely perceptible. A shadow behind her. But now... it was... as if the darkness... had swallowed her up. She became part of it now. Part of the... dark... [sighs staring at wall hologram of her transcribed speech and scrunches face tightly] it's rubbish! Erase session. [Wall hologram complies]"
"[To Rita] You saved my life."
"[To Rita] Can you meet me in the study?"
"Your blood alcohol level is dangerously high."
"Annie Cusselle as Young Claire"
"[Repeated line] I can sense that you are distressed, Claire. Perhaps you should lie down."
"[Website greeting] This is your invitation to the retreat, where your new chapter awaits you. So don't delay. Accept your invitation to receive your customized brochure. Welcome to the beginning of you."
"[Rita confiscates wine bottle from her and pours it out] No, what are you doing?!"
"Heida Reed as Rita"
"[Repeated line] Hello Claire. My name is Rita. I will be your assistant for the next 30 days. I am here to make your stay here as comfortable as possible and assist you in the completion of your work."
"You are reaching dangerously high levels of alcohol poisoning. [Confiscates wine bottle and pours it down drain]"
"[Dumps bowl on floor to young Claire] Stop putting that poison in my food!"
"[To Claire over stealing cigarettes] Do you think I can't count?"
"Wayne Brady as Henry"
"Rebecca-Clare Evans as Helen Rivers"
"Shower... on? [Shower head turns on]"
"[Answering machine] Alice, it's friend as well as your agent. I know something's gone very wrong, but you have to find a way to deal with whatever this is. Get some help. Speak to a therapist, go to one of those retreat places. The publishers are spitting. You've got one month. Now ring me."
"[To Rita] It is completed!"
"[Answering machine] Hi, Claire, it's Alice again, urgently awaiting your call. I can't keep fobbing off the publishers."
"Bhasker Patel as Dr. Varma"
"[Repeated line] I apologize Claire. Let me clean that up for you."
"Your father was so sure you'd come out a boy. He wanted to give you his name. Sinclair. But when you came out, he... he was so disappointed. I told him we could still give you his name. Just drop the "sin" off, but you can never take away a sin. Ain't no hiding that. [Starts caressing Claire's chin] I'm the one that had to look at that pretty... pretty face... until I couldn't see no more. I'm the one that gets punished."
"[Repeated line] I am fully equipped to handle all types of medical emergencies."
"Nothing breeds violence like scarcity."
"I know it doesn't seem fair, but neither does growing old, and you don't hear me complaining."
"You ruined every suck-my-silky-ass thing! We had grace! We had style! We had conversation! Not this... [mimics text message sound] Art, films, books were all better! Originality mattered! You gave us Face-Zucker-suck and Cock-me-climatey-Wiki-piss-and-shit!"
"They made you believe their world was all you deserved, but some part of you knew that was a lie. Some part of you knew what was real."
"This is not over yet! Our sequel franchise spinoff!"
"What the Merv is trying to say, is that their situation is a little bit like mine. To have their lives back, yours has to end."
"Throughout the film, it’s made clear that Neo is still recovering his skills... He’s a bit rusty... and doesn’t possess all the abilities he once had: namely, flying. Watching Neo and Trinity leap off the roof, there’s a distinct feeling of hope for those of us watching... .And yet... he begins to flail, falter, and fall. Thankfully, Trinity is there to save the day... Neo cannot be “the One” without Trinity. She’s as much a crucial part of his ability to control the Matrix as him “freeing his mind.” They are intrinsically tied together, bound beyond fate, to the point where they are unable to function without the other... The ending to Resurrections is the realization of what’s always been true, Trinity and Neo TOGETHER makes the power of the One possible. Neo couldn’t do the things he did without Trinity and her love. Trinity believed so thoroughly in Neo, even when he himself didn’t, she never noticed her own role in the manifestation of these unique abilities. The Matrix Resurrections‘ focus on the love between these two, and how they continually fight for/save each other, offers these moments in the previous films a new frame of reference. Now audiences (and obsessed movie nerds like myself) can look back and see the evidence built into the previous films. In this light, the final moments of the film, make perfect sense, and feels like the most logical conclusion to their love story."
"Return to the Source"
"Here, our unexpected alliance ends. You know the difference between us, Tom? Anyone could have been you, whereas I've always been anyone."
"Neil Patrick Harris - The Analyst"
"Jessica Henwick - Bugs"
"Priyanka Chopra Jonas - Sati"
"Carrie-Anne Moss - Trinity"
"Yahya Abdul-Mateen II - Morpheus"
"I saw this in a dream. My dream ended here."
"Jada Pinkett Smith - Niobe"
"Keanu Reeves - Neo"
"Technology paradoxically brought us closer together while also isolating or inculcating us from each other"
"There is a part of me that feels like I've been waiting my whole life for you."
"I still know Kung-fu."
"Jonathan Groff - Smith"
"Smith, too, was "struck by how much humor is in it" — but that doesn't mean Neo will be cracking quips like Tony Stark. "It's throwing down the Matrix gauntlet again; it's super smart, clever, entertaining, suspenseful, and funny," he says. Adds Watchmen and Candyman star Yahya Abdul-Mateen II, 35, who plays Morpheus, a different version of Neo's mentor originated by Laurence Fishburne: "Out of all of the sci-fi things that I've done, Matrix is the one that is the most grounded in reality, ironically. There are all of the high concepts surrounding The Matrix within our story, but really there's so much heart and humanity that's driving this narrative."... Emphasis on heart. "Not that it needed it," says Smith, "but certainly the depth of why this film got made is the sense of it being a love story between Trinity and Neo." It was Lana's deep connection to the characters that resonated with her stars. Reeves remembers the conversation when Lana first told him about her idea for another sequel. "It was one of those phone calls where even though you're at home, you stand up," he says. For her part, Moss saw the new movie as a rare "opportunity to embody" Lana's love. "I've never felt that way before, where I could see that I am an extension of her heart in playing this role," she says."
"To the two actors who know her best, Lana felt like a different director in some ways. Smith remembers that on the original trilogy, she was "more behind the monitor" but "still hands-on." With Resurrections, "she was participating more with the movement of the camera, and more interested in doing than rehearsing. It was less about prep and more about everyone's readiness to find the unexpected in the moment." Smith confesses they "barely rehearsed, if at all." In other ways, working on Resurrections was like reuniting with an old friend. Once Lana called "Action!" Moss says she went right back to where she was with Reeves in the original movie. "Most of my scenes are with Keanu, and it was just a pleasure to sit across from him and do that again," she says, as she and Reeves sit side by side in matching director's chairs. "He has a masterful understanding of action. I've watched him grow in the last 20 years. I'm in awe of it." Reeves shakes his head back and forth as she speaks, silently protesting. "But you've got a flavor," he responds. "It's Trinity! It's Carrie-Anne Moss, Trinity flavor. All the fierceness and mind, focus, commitment is there in the gestures. Untamed and wild and controlled." After all these years, it's still a flavor we can't get enough of."
"Art is a mirror...Most will prefer to gaze at the surface but there will be people like me who enjoy what lies behind the looking glass. I made this movie for them."
"The story picks up 20 years after The Matrix Revolutions. Neo (Reeves) is living an ordinary life... under the name Thomas A. Anderson... as the world’s most celebrated video game designer... However, Thomas suffers from delusions that make it difficult to separate reality from fiction. His therapist... prescribes him blue pills to help contain the illusions.... Thomas meets a woman named Tiffany (Moss) who looks just like Trinity. Neither of them recognizes each other, but they feel that they have an undeniable connection. Morpheus (Yahya Abdul-Mateen II) suddenly appears with a red pill to free Thomas’ mind. Who can he trust and how can he save Trinity?... The first act of The Matrix Resurrections tackles the subject of mental health. Thomas is consistently gaslit, as elements of reality are blamed on his mental state. He strives to become a form of “normal” that society dictates. Neo’s trauma is placed front and center, as he must ultimately make the decision between free will and comfort. The Matrix Resurrections is existentialist to its core. The film repeatedly pokes fun at Hollywood’s control over the seemingly never-ending wave of sequels, prequels, and reboots. It teases at its very own existence and the stress of reinventing what once redefined the medium. Matrix fans have a plethora of theories of what the original is all about, many of which The Matrix Resurrections brings up."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.