First Quote Added
April 10, 2026
Latest Quote Added
"On January 7, 1952, the city purchased for $138,785.57 the privately owned and bankrupt California Stree Cable Railroad and with it acquired that company's three cable car lines. Within five years, this event would forever change the cable operations. The Muni ran five cable car lines."
"... 905 The was started by as a tidy investment that could also, if he wished, transport him to his door. After a luxury apartment with an inner court replaced his palace. It was converted at great expense to a luxury hotel, but somehow the low-ceiling court does not convey a sense of grandeur."
"The predecessor of California Street Cable Company commenced operation in 1878 with a line on between and s, and twenty-five cars seating approximately eighteen passengers each."
"How indistinguishable from country was rock at Sun Records? Less than three years after Elvis Presley’s initial success, Sam Phillips had signed the other three members of his “Million Dollar Quartet” – Carl Perkins, Johnny Cash and Jerry Lee Lewis. All three men were sonically similar to Presley and had tremendous success as country stars for decades without veering too far away from their original sound. Roy Orbison, another of Phillips’ rockabilly acts, got his start singing country hits in his high school band, the Wink Westerners."
"Peavey amplifiers are respected for their durability and affordability, offering reliable performance across different musical genres. They've been a longstanding choice for musicians seeking quality gear without breaking the bank, and as a result, they are among the most popular choices by educational institutions the world over. One thing that appears to be lacking with Peavey amps is a definitive aesthetic across its range, and its logo looks a little dated, suggesting that the brand, as a whole, could use an overhaul. [...] While Peavey amplifiers are undoubtedly well-made and sound good, there's no denying that they are niche, and there's a limited range. [...] but it does offer some of the best value models among the big-name manufacturers."
"With real-world functionality like native software, digital connectivity, DAW compatibility, and stompbox-style effect units, Line 6 leaves no stone unturned in its quest to satisfy its large user base. While some brands could be accused of resting on their laurels on the back of their heritage and reputation, Line 6 continues to be a trailblazer that helped kickstart the amp modeling revolution."
"Peavey Bandit amps have long been famous for their reliability, with many owners reporting them lasting decades thanks to their outstanding build quality."
"[Line 6's] products have to be heard to be believed, and as anyone who has dialed up the "Cliffs of Dover," "Bohemian Rhapsody," or "Money for Nothing" patches will attest, Line 6 turns mimicry into an art form."
"Mesa/Boogies do tend to be rather bewildering in both their variety and complexity - and are often misunderstood."
"[Line 6's] amplifiers allow musicians to easily emulate various tones and effects, making them among the most versatile options for guitarists, as it's equivalent to owning a whole array of classic amps and effects in a single compact unit."
"One early proponent of [Randall] Smith's work [in manufacturing guitar amplifiers] was counterculture legend Carlos Santana, a relationship that endures to this day. Anyone who has heard [Carlos] Santana's singing sustains and harmonically-rich driven tone will be familiar with the sound of a Mesa/Boogie amplifier. However, these are far from a one-trick pony. They are renowned for their exceptional build quality and rich sounds that cover a broad sonic spectrum. That helped to set a new standard in the world of high-gain amplification, originally saturated by British brands."
"You can't miss with a Fulltone pedal, especially if it's the OCD. There's also a new improved version now, called OCD V2 which provides players not only with better sound quality but also with a better dynamic response. The only downside here is the use of Comic Sans font, which is a deal breaker for some."
"Like several names among the boutique crowd, Dave Friedman established his reputation by modifying and hot-rodding amps, particularly Marshalls, and had several prominent clients (Steve Stevens and Edward Van Halen among them) before establishing his own line of ground-up amp designs. As you might expect, Friedman’s offerings therefore follow a generally Marshall-inspired theme, often incorporating as standard equipment the modifications that he added to original amps for more than 25 years."
"Being in an indie band back then, you weren’t allowed to have dreams of being huge. None of the major labels [had] touched anything that’s remotely left of field since the punk movement. It was all Huey Lewis. That changed with Sonic Youth and then Nirvana signing to Geffen. Alternative became this huge business, and now Arcade Fire or Vampire Weekend can be [number one]."
"The role of ARP in the development of synthesis is of great importance, as it provided a very different colour palette to that being created by Moog. Some aficionados actually went further, commenting that the ARP oscillators were far more stable at holding pitch. Harsh words, but forgotten pretty quickly in the same year, when Moog released the synthesizer that would go on to become the most revered and coveted machine of them all; The Minimoog."
"Any amp company that puts out models with names like Ecstasy, Uberschall, and Shiva is wearing its high-gain heart on its sleeve, and Bogner goes all-in and then some where heavy rocking is concerned. [...] From the start, the company was known for stacking up searing gain stages to suit the needs of shred maniacs and heavy rockers, and the above-named amps fit the bill to a "T.""
"With a little over a century in the guitar business, it will come as no surprise that Gibson has been responsible for some of the most influential guitars ever produced. From the seductively beautiful Gibson Les Paul to the indulgent semi-hollow king, the ES-335, as well as the J-45, SG, Flying V, Explorer and Firebird, Gibson has cultivated a legacy that will easily stand for another 100 years."
"Gibson acoustic guitars offer a strong and robust mid-range that is perfect if you are playing in a band and need your acoustic to be heard over loud drums, pianos or enthusiastic vocals."
"Players have been chasing "that Gretsch sound" for decades, and frankly, they'll be pursuing it for many more to come. The high-end piercing sparkle, bellowing mid-range, and rich, warm lows culminate in a tone that has more than stood the test of time. [...] These large-bodied, Bigsby-clad guitars will instantly transport you back to a simpler time with their charming good looks, fantastic playability, and retro-inspired tones. Gretsch has become a staple of both country and rockabilly, with their stylish hollowbody guitars laying down the foundations on which the rest of the music is built."
"While most see Guild as a traditional brand, they were innovators in their time. Guild was the first to manufacture a dreadnought with a cutaway. The famed D-40C gave players access to notes that were simply out of reach before, and well, the rest is history. Guild guitars are beloved for their full-bodied, well-balanced tone that perfectly compliments a vocal – so singer-songwriter, take note."
"It duckwalked across countless stages in the hands of Chuck Berry, produced some of the most iconic riffs in the Guns N’ Roses catalog and hung dangerously low on Joan Jett’s hips for decades. And while Gibson’s future is up in the air following the company’s filing for bankruptcy protection earlier this week, there is no erasing the the 124-year-old guitar maker’s titanic place in rock history."
"Fender is arguably the most well-known guitar manufacturer of all time. Without Leo Fender's influence on the wonderful world of guitars, amplifiers and basses, the landscape of music would look very different – it certainly wouldn't be as colorful. Having been responsible for the first mass-produced solid-body electric guitar with their legendary Broadcaster, Fender has cemented itself as one of the most important music brands to ever exist. Known for their bright and shimmery tone – and equally eye-catching finishes – the versatile sound of guitars such as the Stratocaster, Telecaster, Jazzmaster and Jaguar is perfect for everything from blues and indie to alternative rock, punk, jazz, and just about anything else. So, if you're looking for an adaptable guitar that's steeped in history, then look no further than Fender."
"In the late 1970s, Jackson was there to help usher in a new breed of guitar player – the glammed-up hair metal virtuoso. Priding themselves on high-performance instruments that would allow players to achieve new heights on the instrument, Jackson quickly established themselves as a force to be reckoned with in the shred guitar game. By the middle of the '80s, the once small Southern California guitar repair shop was now at the forefront of the pointy headstock, gassed-up super guitar movement – and today, their instruments are just as popular as ever with modern metalheads such as Misha Mansoor, Mark Heylmun, Chris Broderick and Rob Caggiano all having signature models."
"Fender amplifiers are legendary and celebrated for their clean tones and versatility. They have defined the sound of blues, rock, and country music, making them a staple for musicians worldwide. Popular models include the original tweed units such as the Blues Junior, Hot Rod Deluxe, and Bassman, followed later by black-clad units such as the Twin Reverb and Princeton. Fender has always been a little more reserved than its hard rock counterparts, and it is best known for its combo amplifiers, which align with the brand's image for producing practical, workhorse instruments that put performance first."
"A truly modern classic, the BigSky reverb brings heavenly-sounding reverb down to earth and places it firmly at the feet of guitarists. Underneath the bonnet the BigSky boasts a whopping 12 studio-quality reverb machines ranging from the traditional Hall, Room, Spring, and Plate to more progressive modes such as Chorale, Shimmer, and Nonlinear."
"Taylor is a forward-thinking company that produces some of the finest six-strings available today. Recognized as a flat-top trailblazer with strong and passionate views on sustainability, Taylor offers modern players a contemporary guitar that feels and sounds just as good as it looks. Taylor is beloved for their crisp, contemporary tone. These guitars deliver a singing upper mid-range that can cut through even the densest of mixes."
"Most known for their rich and retro tone [...] Martin is one of the most famous and long-lasting family-owned brands in American history and easily one of the most influential forces in the guitar industry. The acoustic guitar giant has a legacy that stretches back close to 200 years and is responsible for shaping how everyone else builds and designs acoustic guitars. From popularizing X-bracing to inventing the iconic dreadnought shape, Martin is one of the most important guitar brands to ever exist."
"If there is a guitar brand that is best known for its exquisite build quality and stunning custom finishes, it's PRS. [...] Paul Reed Smith has [become] a pioneer of modern manufacturing techniques, creating guitars that perfectly balance form and function."
"As much as [Led Zeppelin's] hard hitting beats and powerful guitar riffs embodied the era when rock and roll hit its peak, Jimmy Page in his leather pants embedded with dragons holding up his double neck Gibson and belting out the solo to the epic "Stairway to Heaven" is an image to put to the music. As iconic as the double neck is his Gibson Les Paul, which he used to mesmerize audiences from Earls Court in London to Madison Square Garden in New York in tunes like "Whole Lotta Love" and "Kashmir"."
"The superiority of the PRS lies in the fact that each guitar is produced with the highest-quality maple, and every little detail is considered during the production of their electric guitars. The second puzzle piece is its design features, significantly adding to its playability. We’re talking about the 24-fret design, which allows for more expressive playing, as well as the locking tuners and tremolo system, which the brand actually patented. The result is a fantastic guitar that can hold anything from clean to overdriven sounds, from warm to aggressive leads."
"Music Man is one of the legendary instrument brands that helped shape the future of electric guitar and bass. Today many players count on Music Man to express themselves. Everyone from St. Vincent to John Petrucci, Steve Lukather and Albert Lee aren't seen too far away from their beloved Music Man signature models."
"There is a plethora of guitarists whose names evoke images of them with their Gibsons."
"Gibson guitars need no introduction. They’re the royalty of the electric guitar realm and for a good reason."
"They won’t hire somebody unless they’re into metal. They take pride in what they do and genuinely love metal."
"This may come as a surprise to young music fans, but there once was a time when there was no such thing as record labels specializing in heavy metal -- not until the early 1980s, anyway, at which point a handful of enterprising independents started rearing their iron fists into the air, including Los Angeles’ proudly named Metal Blade. But one of the things that set Metal Blade apart, even then, is that it was one of the first labels launched for metalheads, BY metalheads -- a young man named Brian Slagel, to be more specific, after taking it upon himself to promote some of his favorite bands on the first of many Metal Massacre compilation albums."
"Gillette is a brand that everyone respects and I'm looking forward to being part of its business for several years. I get many offers for commercial associations, but I only ever consider the ones that I feel are right. I have always tried to associate myself with the best brands, as my existing relationships with Adidas and Pepsi show."
"Being a champion is much more than holding a trophy or receiving a medal – a champion stands up for what is right and encourages others to do the same. I am a Gillette Champion because I want to encourage others to be the best they can be, not only during a game, but also in life."
"The Holy Rodent Empire"
"Remember that CNN, Time Warner, Disney, NBC, Fox News, and the rest are part of the same ideological system, serve the same clientele, and are owned by the same relatively tiny group of people whose interest is to keep things as they are. Memory is an inhibition, a possible threat to their hegemony, just as it is very dangerous for a critic to keep making connections between supposedly un- or nonpolitical institutions like the Supreme Court and the Constitution, and on the other hand, base commercial interests."
"You turn on CNN, that’s all they cover. [...] Covid, Covid, pandemic, Covid, Covid. You know why? They're trying to talk people out of voting. People aren't buying it, CNN, you dumb bastards."
"Playing by the rules of Entebbe in the world of CNN and Al Jazeera is a failure for its own sake."
"Why didn't CNN break that story? I was outraged! Haven't they ever seen Dickens's A Christmas Carol? Scrooge felt a lot happier when he saved Tiny Tim and bought the turkey for the poor family, right?"
"I arrived at CNN with a suitcase, with my bicycle and with about 100 dollars."
"When the war finally started, we were ready. On January 16, 1991, CNN anchor Bernard Shaw reported to the world, “The skies over Baghdad have been illuminated . . .” As predicted, Iraqi power and communications systems were destroyed by stealth fighter jets and cruise missiles. Every media company based in Baghdad—except CNN—lost power and transmission capabilities. Only CNN broadcast live to hundreds of millions of people worldwide. All channels turned to us for exclusive coverage; there was no place else. Back then CNN was the only global 24/7 news channel. That live coverage of war—the first time it had been televised worldwide—transformed the media landscape. CNN became required viewing for informed citizens and heads of state, the one truly global news source. That has changed now, with multiple cable networks and news breaking on social media. But without the investment in journalism from visionary owners such as Turner, today’s networks focus more on commentary than newsgathering."
"In a society where there is no freedom of the press, it is difficult for victims to be noticed. Just take the example from yesterday: I had given a telephone interview to CNN. Then, suddenly, CNN was shut down for a couple of minutes. It was the first time I experienced that my television went totally dead. I realized: Oh my God, it’s because of me. This is crazy! Which nation would do that? Maybe Cuba, North Korea, China. But what do they want, what are they so afraid of?"
"Obviously, those suspected of sexual abuse, be they religious leaders or not, should be prosecuted—but not because Netflix says so. ...[The television industry] knows that illicit sex always titillates and sells, and this is even more true for the combination between religion and illicit sex. ...The producers of the TV shows claim that they give voice to victims of sexual abuse by religious leaders. This is legitimate and also important (if the victims are real, of course). However, the pain of the victims is not relieved if the shows stereotype and generalize, and further pain is inflicted on those who want to remain in the religious movements and are personally not guilty of any crime. ...If I learned one thing, it is that in the long run invariably hate speech generates hate crimes, violence, and in the end murder. Netflix and the other networks should remember that hate speech can kill—and television can kill too."
"Writer and director Vivek Agnihotri deserves a lot of credit for having the will to fight for years to be able to make this film. There were reports that he could have made a deal with Netflix if he had agreed to not mention Islamic terrorism, which would be akin to making a movie about the Holocaust that doesn’t mention the Nazis. Good for him and his team for not caving to such a cowardly and ridiculous demand."
"We are pleased to have found the ideal location for the planned construction of our mRNA vaccine manufacturing facility"
"Any customer can have a car painted any color that he wants so long as it is black."
"It was at the microeconomic level, however, that the output war was really won. For the biggest wartime advances in mass production and management were made in vast factories like Ford's mile-long bomber assembly line at Willow Run, Boeing's B-29 plant at Seattle or General Motors' aero-engine factory at Allison. At peak, Boeing Seattle was churning out sixteen B-17S a day and employing 40,000 men and women on round-the-clock shifts. Never had ships been built so rapidly as the Liberty ships, 2,700 of which slid down the slipways during the war years. It was at wartime General Motors that Peter Drucker saw the birth of the modern 'concept of the corporation', with its decentralized system of management. And it was during the war that the American military-industrial complex was born; over half of all prime government contracts went to just thirty-three corporations. Boeing's net wartime profits for the years 1941 to 1945 amounted to $27.6 million; in the preceding five years the company had lost nearly $3 million. General Motors Corporation employed half a million people and supplied one-tenth of all American war production. Ford alone produced more military equipment during the war than Italy. Small wonder some more-cerebral soldiers felt they were risking their necks not in a 'real war . . . but . . . in a regulated business venture', as James Jones put it in The Thin Red Line. It was strange indeed that the recovery of the American economy from the Depression should owe so much to the business of flattening other peoples' cities."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.