First Quote Added
April 10, 2026
Latest Quote Added
"At approximately 3:30 Sunday afternoon, November 13, 1960, I became the wife of famed entertainer Sammy Davis Jr. It was the final act in a chain of events which, I have been assured by some, will cost me my career, friends, security and a great deal of future happiness. Why, I have been asked, would I risk all that for this one man? The answer, to me, is very simple. I love him. And the only reason given me why I shouldn't marry him is because of the racial difference, which seems to be a problem here in America but not in my native Sweden. Actually, the whole of Europe looks at it through different eyes than America."
"It’s the passion that keeps me in this industry, no amount of money could make me do what I do if I didn’t have passion."
"A kiss is a lovely trick designed by nature to stop speech when words become superfluous."
"I've never sought success in order to get fame and money; it's the talent and the passion that count in success."
"I have no regrets. I wouldn't have lived my life the way I did if I was going to worry about what people were going to say."
"What is happiness? It depends on two assets, which fortunately I have. They are good health and a short memory."
"For me, Ingrid is a wonderful mother and Roberto, a wonderful father. You should see them with their children. There was nothing intellectual about it. They were like animals with their young, so tactile and sensual. The joy of touching the baby's skin! They were always rolling around on the floor with the twins and the little boy. Once, I remember watching Ingrid doing that, and I thought to myself, "This is just like a mother dog with her puppies.""
"Before anything else, she is an actress. I believe that any great artist is an artist first. For example, my father was an artist before he was a husband and a father. Yes, I must say it. Ingrid is that way, too. But she also has many admirable qualities as a woman. She is so honest that she will always prefer a scandal to a lie. If she's at a party and people are talking about a writer who is unknown to her, she'll come out flatly and say, "I haven't read him." But at the same time, she understands more than many people who pretend to be knowledgeable. While she admits her limitations, she has great instinct and understanding."
"I think my life has been wonderful. I have done what I felt like. I was given courage and I was given adventure and that has carried me along. And then also a sense of humor and a little bit of common sense. It has been a very rich life."
"It's not whether you really cry. It's whether the audience thinks you are crying."
"You're the purple light of a summer night in Spain. You're the National Gallery; you're Garbo's Salary; you're cellophane!"
"She is the most miraculous blend of personality and sheer dramatic talent that the screen has ever known and her presence in The Painted Veil immediately makes it one of the season's cinema events."
"I never said, "I want to be alone." I only said, "I want to be let alone! There is all the difference."
"Except physically, we know little more about Garbo than we know about Shakespeare."
"I think an artist who abandons his art is the saddest thing in the world, sadder than death. There must have been something about Garbo's film career that profoundly revolted her."
"What, when drunk, one sees in other women, one sees in Garbo sober."
"I am bewildered by the thousands of strange people who write me letters. They do not know me. Why do they do that?"
"I t'ank I go home."
"The mystery surrounding Garbo was as thick as a London fog."
"Garbo still belongs to that moment in cinema when capturing the human face still plunged audiences into the deepest ecstasy, when one literally lost oneself in a human image as one would in a philtre, when the face represented a kind of absolute state of the flesh, which could be neither reached nor renounced."
"Today this young woman —The Garbo as she is known — is the most glamorous figure in the whole world; there is no one with a more magnetic, romantic or exotic personality, there never has been a film star with so wide an appeal... Greta Garbo is Queen of Hollywood, her salary is fabulous, her word law. She has pointed features in a round face, her mouth is wide and knife-like. Her teeth are large and square and like evenly matched pearls; her eyes are pale, with lashes so long that when she lowers her lids they strike her cheeks; her complexion is of an unearthly whiteness and so delicate that she looks to have one layer of skin less than other people, and the suspicion of a frown is sooner perceptible."
"Every man's harmless fantasy mistress. By being worshiped by the entire world she gave you the feeling that if your imagination had to sin, it can at least congratulate itself on its impeccable taste."
"Her instinct, her mastery over the machine, was pure witchcraft. I cannot analyze this woman's acting. I only know that no one else so effectively worked in front of a camera."
"Garbo is lonely. She always has been and she always will be. She lives in the core of a vast aching aloneness. She is a great artist, but it is both her supreme glory and her supreme tragedy that art is to her the only reality. The figures of living men and women, the events of everyday existence, move about her, shadowy, unsubstantial. It is only when she breathes the breath of life into a part, clothes with her own flesh and blood the concept of a playwright, that she herself is fully awake, fully alive."
"We knew each other. We talked. We passed each other going to the set of our own films. We were doing our jobs. We had great mutual respect."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.