actors-from-wisconsin

"I'm baffled by the way all three buildings came down. My first reaction was that buildings don't fall down like that."

"Millennium Pipeline-the company behind the compressor-found itself up against not just a bunch of angry, local farmers but also a whole lot of angry New York City hipsters, celebrity chefs, and movie stars like Mark Ruffalo, calling not just for an end to fracking but for the state to shift to 100 percent renewables."

"We come together to mourn the lives lost to the same racist system that devalues Black lives and devalued the lives of Anthony and JoJo."

"I don't want to turn back the hands of time to when women shuttled across state lines in the thick of night to resolve an unwanted pregnancy, in a cheap hotel room."

"The true value of somebody in this town is very hard to determine. It's all smoke and mirrors."

"Rick and Morty is definitely the most freeing, most fun thing I’ve ever worked on. It’s had the biggest impact. I love everything I make—and hate it, I guess—but I have a very special relationship with Rick and Morty, and getting a 70-episode pickup means that I can actually really focus on it, and loving it won’t be taking away from anything else. I can let Rick and Morty take away from everything."

"If you like Dexter, you'll love Daryl, my new show about a baby rapist - with a HEART OF GOLD?! HUH?! Like Showtime, but freeeeeee!"

"I love food! I wake up in the morning and one of the first things on my mind is food, what are we going to eat for lunch? … In Italy… I like the sense of family that you have, the long summertime lunches with uncles who give you advice, the ' at the end of meals… Family means to help each other through difficult times, give each other a hand, as in a community. … I admire vegans… I like to eat fish once in while, but I don’t eat meat anymore because animal farms are one of the main causes of the destruction of the planet."

"I try not to live in the past, and I try not to think too much about the future. Call me a hippie. What can I say? Be here now, baby."

"I don't give advice. Everybody's gotta find their own way. Just, uh, enjoy."

"I-I don't know, uh... I mean, I have a hard time thinking beyond tomorrow."

"This was in Milwaukee when I was eleven years old. I went to see my sister give a dramatic reading. She'd been taking drama lessons. I walked into the hall, and there was a little stage at the other end, and maybe 150 people, parents mostly, or children like myself. The lights went down slowly, very slowly. Then it was dark. Spotlights hit the stage, and there was my sister, standing there in the middle of the stage, and... everyone was listening to her. Everyone. At that moment I thought, that must be the most beautiful thing in the world, to be able to arrange things so that people have to listen to you. So, that's why I became an actor. Well, anyway, my analyst says it's better than running naked in Central Park..."

"I trust you, I love you."

"[On Young Frankenstein] I started writing two pages about what I would like to see it become [...] I would like it to be a happy ending. My agent called me…he said, "I wanted to do a film with you and Marty Feldman and Peter Boyle." So I wrote a couple more pages with the Transylvania ending, and she said "This is great, we should get Mel Brooks to direct." And he wouldn't direct something he didn't conceptualize. The phone rings, it was Mel, and he says "what are you getting me into?" I said, nothing that you don’t want to get into."

"[On Willy Wonka & the Chocolate Factory] I thought the script was very good, but something was missing. I wanted to come out with a cane, come down slowly, have it stick into one of the bricks, get up, fall over, roll around, and they all laugh and applaud. The director asked, ‘what do you want to do that for?’ I said from that time on, no one will know if I’m lying or telling the truth."

"The real movie stars were Humphrey Bogart, Lauren Bacall, Spencer Tracy, Montgomery Clift. How could I put myself in the same category as Clark Gable? Tom Cruise is a great movie star. Do I consider myself a movie star? I consider myself a guy with a good job, an interesting job."

"Know your lines and don't bump into the furniture."

"It could be that today's conservative movement remains in thrall to the same narrative that has defined its attitude toward film and the arts for decades. Inspired by feelings of exclusion after Hollywood and the popular culture turned leftward in the '60s and '70s, this narrative has defined the film industry as an irredeemably liberal institution toward which conservatives can only act in opposition—never engagement. Ironically, this narrative ignores the actual history of Hollywood, in which conservatives had a strong presence from the industry's founding in the early 20th century up through the '40s, '50s and into the mid-'60s]. The conservative Hollywood community at that time included such leading directors as Howard Hawks, Frank Capra, and Cecil B. DeMille, and major stars like John Wayne, Clark Gable, and Charlton Heston. These talents often worked side by side with notable Hollywood liberals like directors Billy Wilder, William Wyler, and John Huston, and stars like Humphrey Bogart, Lauren Bacall, and Spencer Tracy. The richness of classic Hollywood cinema is widely regarded as a testament to the ability of these two communities to work together, regardless of political differences. As the younger, more left-leaning "New Hollywood" generation swept into the industry in the late '60s and '70s, this older group of Hollywood conservatives faded away, never to be replaced. Except for a brief period in the '80s when the Reagan Presidency led to a conservative reengagement with film—with popular stars like Clint Eastwood, Sylvester Stallone, and Arnold Schwarzenegger making macho, patriotic action films—conservatives appeared to abandon popular culture altogether. In the wake of this retreat, conservative failure to engage with Hollywood now appears to have been recast by today's East Coast conservative establishment into a generalized opposition toward film and popular culture itself. In the early '90s, conservative film critic Michael Medved codified this oppositional feeling toward Hollywood in his best-selling book Hollywood vs. America."

"A strange man. Undoubtedly a great actor. But so wracked by personal problems. My apartment in looks down on the old Fox lake, which is now paved over with condominiums. And when I look down I think of Spence. He came on to me. He came on to every girl. And when he drank, look out! He went on a bender on this one that lasted for days. His wife was distraught, so I went out on a tour of Hollywood's seedy bars and I found him. Fox dried him out, but a few years later he was dropped because his alcoholism. I was up for the co-lead in A Man's Castle [1933], but chose and she really fell for Spence. I saw right through him, which could be the reason Spence asked that I not be chosen. [...] Met him decades later and he just nodded and walked on. Was he embarrassed I might have remembered his drunken antics? Or did he just not remember?"

"just as a racist remark by Jackie Mason does not reveal the inherent racism of all Jews, let us not assume that an anti-Semitic remark by Leonard Jeffries, or by ten Leonard Jeffries, reveals the heart of the African American community. We need to recognize the destructive role played by the media in fanning the flames of the "Black-Jewish Conflict.""

"Eighty percent of married men cheat in America. The rest cheat in Europe."