actors-from-california

"It’s one of the doctrines of the Bible that atheists love to point out as one of the reasons why they could never believe in the God of the Bible. It’s the God who creates the eternal barbecue for sinners."

"To explain away hell leads to the explaining away of the gospel. This is not good from Kirk Cameron."

"I'm a fucking unicorn. And fuck anybody who say I'm not."

"She could ride my face, I don't want nothin' in return Her body count and who she fuck ain't never my concern."

"Hahahahahahahaha How The Fuck Is Cyber Bullying Real Hahahaha Nigga Just Walk Away From The Screen Like Nigga Close Your Eyes Haha"

"Golden rubbers in these denim pockets (denim pockets) On my waist there's a black Glock (black Glock) New girl moved on the block (on the block) She been plottin' on my brown cock (brown cock) Last night I slept over hers (over hers) During sex, I overheard (I overheard)"

"I'm a fucking walking paradox, no, I'm not Threesomes with a fucking triceratops."

"I'm Tyler, I think I be your son Sorry, I called you the wrong name, see, my brain's splitting Dad isn't your name, see faggot's a little more fitting."

"They say I've calmed down since the last album Well, lick my dick, how does that sound? Um."

"Sometimes you gotta close a door to open a window."

"Hey guys, It's me Tyler here with Esmeralda. I adopted her from Mexico. She doesn't know english yet. I donated to charity too, I'm really a good guy."

"Until recently I didn't know what Instagram was. It's not that I don't feel like I'm part of my generation I'm way better than when I was No I didn't know."

"It was film that was the key inspiration, but from games the most fun I personally had, aside from pure racing and arcade-style games, was the great early side-scrollers like Prince of Persia, Out of This World and Flashback. I loved those games, but most importantly those games made me feel like I was controlling a lifeform more than a piece of art in some challenge contest."

"On a very practical level, we were striving for a deeper and more engaging sense of story and emotional character development for games. We brought character development, production design, animation, and effects from the film industry. We wanted to feel like you were playing not just a challenge, but someone’s fate – someone that you had to be responsible for. On a more philosophical level, I wanted to take the most pop of pop culture, and convert it into meaningful modern day myths that would have great appeal to a wider audience. We also believed that people could find more empowering messages through gaming. So we targeted the anti-hero as our main character. Abe wasn’t the muscle-bound superhero that you wanted to be – he was the rather pathetic chump that you actually are. It was about rendering the journey out of the more powerless beings that we see ourselves as and at the place we most typically are, which is at the bottom of the global corporate food chain."

"I think the game served a lot of people who wanted to see deeper and more developed characters in games that had more real world relevance to them. I believed, and still do, that the audience wants richer entertainment than they are currently getting. I also hear a lot of people in the business claim the game inspired them to want to start making games. But I have to say the most intangible rewards were the heart-breaking and inspiring fan mails from people whose lives the game so deeply affected. It’s uncanny the impact the game had on some people, but it was why I personally wanted to make the games."

"A couple key ingredients. One was studying fan cultures. Trying to figure out what builds strong followings for people. Why people feel more attached to one film versus another– or one property versus another. When you analyze that, one property usually has more depth. It usually has a more resonating meaning. A deep universe, well fleshed out feels like you know it better than your reading, or your viewer knows it. They feel like they’re uncovering something that a creative team is really ahead of them on in terms of the believability of the universe. There are so many factors. What makes people want tattoos of a motor cycle brand or a rock band? What brings people to feel so passionate about properties that they’re willing to make life long commitments to something that they didn’t even create? I was fascinated by that and came away with a lot of takeaways. The other factor was, I always had a different outlook on life. Maybe because my dad was in the nuclear submarines as I was growing up throughout the cold war. Or serious global issues. My favorite fishing places, in Vermont, had died as a result of acid rain. These were the most gorgeous lakes and there was no fishing in them anymore. They looked clear; they were absolutely beautiful, but all the fish were dead. I was realizing there were cold plants in the midwest; and they were also mentioning cold plants merging in China. This was in the 1980s. I was seeing this big impact on the environment. At the same time the media was basically silent and people were ignorant of what was going on in the world in an environmental level. In my own circles, people just weren’t aware of these things. If you talked about things like the meat raising practices of fast food companies burning the lungs of the planet in South America for cheaper grazing lands and cheaper meat, people thought you were a conspiracy theorist. They were really uneducated. Even educated people had no idea what was going on on the planet. That was very stressing for a kid spending a lot of time in the woods connecting with nature. I found that really disturbing. I wasn’t looking at it as a business venture. I was coming at it as, “what if stories are richer? What if we could get connected through characters that are more like we are?” I was feeling pretty helpless in a world that makes decisions and screws up our abilities independent of our control; independent of our vote. Since that time we’ve seen the rise of the 99 percent. At that time people were saying capitalism is great. That was disturbing. So as an artist, people reinterpret what they’re seeing in the world. What makes that message resonate is A. there’s substance to it. B. it’s told beautifully. C. it has respect for the audience. My point is, when you see these things in the world, I felt more and more people were feeling more isolated. And I felt more and more people were headed for the third world. If you look at the 2008 financial crisis in the United States; what happened to the middle class and how it’s now basically poverty class. It’s all around us, and it’s pervasive, and it’s got a lot of momentum. In the ’80s people were still riding high. Global Warming– Al Gore hadn’t made his film yet. It took something like that to get people to start paying attention. If I agree to what many other climate scientists are saying is a whole other issue. What I think we can agree on is that human impact on the Earth has been substantial. When I started making Oddworld, that’s what made my heart heavy when I went to sleep every night. When I’d travel the world and see different places that’s what would break my heart, the continued impact of the environment and what that probably meant for our future. But who wants to see a documentary game?"

"The Gulf disaster is worse than a terrible oil leak. It’s the product of a failed energy policy that looked at profits before people and environment."

"Sound and accurate journalism defends our democracy. It's one of the most effective weapons at our disposal to contain the power-hungry. I've always said that All the President's Men is a violent movie. No shots are fired, but words are used as if they were weapons."

"I think he hates me a little, because after all, this year, the year of his professional "boom", there has been more talk about him by virtue of our flirtation than for his performances as an actor! (Barbra Streisand)"

"Redford is a very good collaborator, a kind of alter ego for me: he was that young prince who was blond in appearance, but who had a much darker interior. It was clearly a metaphor for America. And most of the stories we've done together have become love movies, romantic movies. In my opinion, he was the ideal prototype of this kind of event. We never got tired of working together. We've always been somewhat demanding of each other, trying to get the most out of each of us, and we didn't waste time knowing what would work or not. It was a great advantage: we knew each other perfectly. (Sydney Pollack)"

"There was a time during a period of national crisis when politicians from both sides of the aisle put partisan politics aside to uncover the truth. There was a time when Democrats and Republicans united to navigate a peaceful ending to a corrupt and criminal presidency. There was a time when members of Congress placed defending our democracy above party interests for the greater good."

"I've always appreciated diversity. I believe that American culture is founded on diversity and for this reason it is still alive and inspiring. I grew up in what you might call an unfortunate part of Los Angeles, where there wasn't much to do but experience the differences, go to different places, and hear different stories."

"There's one particular moment in the movie that I wanted to look at, at least maybe take a picture of, or a video of, I get pointed out, kind of embarrassing. First of all, nobody's getting my iPhone. I'm not getting punk'd like that, I'm in the movie and they're harassing me."

"Due to the pending allegations, I will only state I do not know the person who was arrested, but I will pray for him. This incident is an eye-opening situation to increase and add more security to all Comic-Cons around the world."

"My husband was Jason David Frank, who tragically lost his life to suicide just last week while Jason was a well-known name to some, we lived a very normal life with ups and downs, just like anyone else"

"My experience being on set, since I was a kid, is having a shorthand with a lot of the crew that have been around throughout my movie career. And I had a clear vision for the story that I wanted to tell, because I’ve been marinating on it and developing it for such a long time. It was the most challenging thing that I’ve ever done, by far. Daily, I was pushing myself to new limits, learning how to communicate and get what’s in your head out, and have other people pick up on that passion and enthusiasm, so that they want to execute your vision to the best of their ability. That’s not an easy task to do."

"I’ve been blessed to work with a lot of incredible directors, and having a lot of guidance and mentors and people that I look up to, who inspired me to be on that storytelling level. I’ve been quietly watching and putting together these folders of things that I wanna try, for quite some time now. I was just waiting for the right opportunity to step up and get behind the camera."

"Growing up on set, in the industry, over 20 years, and starting out doing background work and extra work and just seeing the sets evolve and seeing everybody’s job and seeing how a real production took place, I finally got to this place in my career where I wanted to tell a story and not just be in front of the camera to execute somebody else’s vision."

"I think for me it's just that I was lucky enough to have a lot of work. I'm a firm believer in that what's for you is what's for you, and coming out of that situation — not to give it, you know, any energy and kind of move from that — is you know, it was an experience for me to grow and learn."

"A great agent doesn’t have to be a great organizer, but a great agent could advocate for relationships with organizers. What we are doing today will make our values heard and our voices heard. We’ve got to keep agitating things. We can’t be complacent. We can’t let this moment just pass us by, we have to continue to put our foot on their necks."

"I’m playing to be autonomous. That’s liberation, because you’re really controlling your own destiny, and it gives you the freedom to make an impact where you see fit. It’s like, ‘All right, I can do what I need to do, when I need to do it, and there’s no asking."

"But I think about legacy a lot. What I leave behind is something that I think about a lot."

"To be young, Black and successful — and disruptive — in this industry, there’s a certain navigation to get to the place I need to get to. This is the most open that things have been for somebody who’s in favor right now, and you try to hold that moment and stay in it for as long as you can."

"My ambition has intersected at this moment where I have the experience and knowledge to direct, the opportunity within a franchise to step behind the camera and [the ability] to maximize it by having a production company. It’s my turn to make my impact while I have the energy and strength. I’ve got to tee up the ones that come after, but at the same time hyper-focus on what needs to be done right now. It’s the moment I’ve waited for my entire life. This is it. This can dictate the next 10, 15, 20 years."

"When you walk in my room, you can’t look in one direction without seeing storyboards everywhere. When I’m literally in the depths of the room in the far dark corner, I can play this game. Because if I were to play it out here, I would be looking around, like, ‘What am I doing? I’m playing a video game when I should be doing other things.’"

"For all the success that I’ve had, there’s going to be negative reactions and opinions thrown at me. That just comes with it. When you’re younger, you’re just frustrated, but when you start to realize that this is what it is, you start to understand. I’m never going to make everybody happy. People are always going to have their opinions about me. People can make up something completely false that has no fucking substance or anything, and there’s going to be 100,000 people that are going to believe it and that’s going to be their opinion of me. I can’t do anything about that, and I’ve just got to accept that and keep moving in my purpose. People that know me know my heart. But people that know me for my work . . . they know what I allow them to know. The fact that I’ve been so closed off about a lot of parts of my life was a personal choice. As I’ve gotten older and a little more mature and comfortable in my own skin, I’ve become less concerned about it."

"When I was younger, I don’t know if I could have handled the onslaught of opinions and being picked apart, and also being conscious of what the other person’s going to go through. It takes a special person to deal with that."

"There are roles that I passed on that I knew I didn’t have enough life experience to play. I was like, ‘What can I pull from?’. But I finally found what love was."

"There are a lot of roles and auditions that call for someone my age. The young people are taking over. They are really coming up the acting industry. There are lots of roles out there but you have to have the right people and the right connections to get called for auditions. You sometimes have to be in the right place at the right time. At the same time, you don’t always have to be in “the business” to get a good break. There are outstanding breakthroughs and “unheard of” actors doing great jobs. You don’t need the connections, but it helps."

"The one thing I don’t want to get is typecast. The first two major roles I have so far, I went from being on a baseball team to being in a gang, and then being a drug dealer. The type roles I get are probably because of the style I have, with the braids and cornrolls. The way I present myself is what will determine the roles I get. I’m trying to switch it up, probably go for the casual look. With the braids out, I should have more options. I’m being thrown urban roles right now, but I don’t plan on doing these my whole life. For right now, it’s going pretty good."

"Everything that I’ve been through—everything that I’ve been taught, all the successes that I’ve had, all the failures that I’ve had, all the wisdom that I was given, I’ve learned from people who have done it before me."

"I’m always willing to prove myself. When you come from where I come from, and everybody doesn’t get those opportunities and breaks — that luck, or whatever — you start to question why you’re getting the things that you get. Why am I successful in life? Or why did I go this way, and everybody went that way? That builds up on you after a while."

"When you come from where I come from, and everybody doesn’t get those breaks, that luck, you start to question, ‘Why am I successful in life? Why did I go this way, and everybody went that way?’"

"Interviewed in the mid-1990s, Richard Price, author of the novel Clockers and, with Spike Lee, co-author of the screenplay for its film adaptation, addresses the social basis on which young black people are represented in the film:"

"I wouldn’t say it was on a negative — back in the days, when I was having my little spat with Quik — this is way before we got cool […] Back in my heyday, I was a Crip; he was a Blood. Suge and them was Bloods. That was just the nature of Compton."

"He told me to pull over and a couple of dudes walked up on my car, and he just wanted to tell me as far as the situation that was going down with me and Quik, the affiliations, it wouldn’t be trickled over into my mom’s place of residence."

"People are chameleons, and you adapt to your surroundings. If you're not willing to put the right people around you or stick to the right group of friends or keep the right influences around you, it makes everything more difficult."

"Nicolas Cage is a student who is on a path in cinema to try to keep learning and finding great characters with which to tell stories with."

"If I have my breakfast, then I can think, and that includes spiritual things, or whatever it is I want to do, meditate or read a book or watch a movie, and so I respect the food because that comes first for me. I think the movie shows the power of the experience that we all have with food."

"I think I’m going to continue, not so much to remind people or myself, but continue to play parts that allow me to express some meaning or some understanding of what it means to be a person."