First Quote Added
April 10, 2026
Latest Quote Added
"As an Argentine artist I had to leave my country during the time that many of my artist friends were being “disappeared.” I travelled to Spain and spent my formative years studying and working with leading directors in Madrid. I have been faced with censorship and threats not only in my own country but actually with a play I produced here in DC early in our history that criticized the military dictatorship that was in power in Argentina in the late 1960s…I am just glad that I did not have to become a martyr and that I am able to produce work that helps raise social consciousness about war an oppressive regimes all over the world, and about the need to preserve memory so that we don’t repeat history’s devastating events."
"…This play is not only about memory, but also a shout for freedom and a testimony to the inhumanity of war anywhere and at any time. Many of our artists and audience members have lived through the horrors of the war in El Salvador, the dirty little war in Argentina, and the long Chilean dictatorship, so this play speaks to them personally."
"I am constantly recharged by the different artists I work with, by the new challenges we face, and by listening to my inner voice. My trip to the ocean every year gives me great peace, and now that I am a grandfather for the first time, I am thrilled and inspired every day that I see my granddaughter because I have great hope for the future generation."
"I've always given everything for every team I've played for so that the ordinary fans, the people in the stadium, could identify with me. I owe a lot to the fans of Roma, Fiorentina and Argentina. They were the reason I played, my inspiration. I always worked hard to improve my game, to prove to myself that I could be one of the best for as long as possible. To be honest, I couldn’t care less what the others think."
"When I was playing football I never enjoyed it that much, I was never happy … if I scored two goals, I wanted a third, I always wanted more. Now it’s all over I can look back with satisfaction, but I never felt that way when I was playing."
"[..] I was watching him in training for the first couple of days and he was one of the worst trainers I'd ever seen [...] His technique was lousy, his shots were going wide – but then he scored ten goals in the first five or six games and I realised what a player he was. (Brian Laudrup, his ex-Fiorentina teammate, 2006)."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.