20th-century-male-writers

"One feels not so much alone when, from a distant witness, supporting evidence comes to buttress one's own testimony. And the voice I now bid you hear is sounding in Lamming's In the Castle of My Skin."

"The architecture of our future is not only unfinished; the scaffolding has hardly gone up."

"The West Indian's education was imported in much the same way that flour and butter are imported from Canada. Since the cultural negotiation was strictly between England and the natives, and England had acquired, somehow, the divine right to organise the native's reading, it is to be expected that England's export of literature would be English. Deliberately and exclusively English. And the further back in time England went for these treasures, the safer was the English commodity. So the examinations, which would determine that Trinidadian's future in the Civil Service, imposed Shakespeare and Wordsworth, and Jane Austen and George Eliot and the whole tabernacle of dead names, now come alive at the world's greatest summit of literary expression."

"Rain, rain, rain . . . my mother put her head through the window to let the neighbour know that I was nine, and they flattered me with the consolation that my birthday had brought showers of blessing. The morning laden with cloud soon passed into noon, and the noon neutral and silent into the sodden grimness of an evening that waded through water. That evening I kept an eye on the crevices of our wasted roof where the colour of the shingles had turned to mourning black, and waited for the weather to rehearse my wishes. But the evening settled on the slush of the roads that dissolved in parts into pools of clay, and I wept for the watery waste of my ninth important day. Yet I was wrong, my mother protested: it was irreverent to disapprove the will of the Lord or reject the consolation that my birthday had brought showers of blessing. It was my ninth celebration of the gift of life, my ninth celebration of the consistent lack of an occasion for celebration..."

"George Lamming is one of the most important writers in the African diaspora, and one whose work has touched illuminatingly on significant aspects of colonialism, postcolonialism, and other matters vitally important to our comprehension of the worlds in which we live."

"in 1953, George Lamming's In the Castle of My Skin appeared and everything was transformed. Here breathing to me from every pore of line and page, was the Barbados I have lived. The words, the rhythms, the cadences, the scenes, the people, their predicament. They all came back. They all were possible. And all the more beautiful for having been published and praised by London, mother of metropolises."

"the most powerful and far-ranging of the West Indian school, George Lamming"

"I won't lie, when you are into theatre ... first, people like to assume that a professional actor is only the one that's on TV, but that's a lie, because there are professional actors making a living in theatre. For me, personally, when I graduated with my diploma, I didn't want to do TV (jobs)."

"When people like or love you for your work, they can even see you behind a mask!"

"In terms of his life as a character, it's been hard. In terms of me as an actor, it's been a great journey to have to play such a complex character and to have to challenge myself to gelling to the emotion, to the life and to the imaginary lifestyle that he has. It's been a learning curve for me and I am still trying to understand where I can go further in terms of my career."

"When you're into theatre and you are lucky enough to gigs in theatre, we tend to think that TV actors are coconuts. So I didn't want to do TV because I thought I was gonna be one of those 'cheesy' actors ... However, as time went by, I grew and became a man with responsibilities and the luxury to choose? Well, that was demolished and I had to audition for TV,"

"I think there's no difference in acting for TV and for theatre, that was just me ... As long as you are telling the truth and you are true to the script and to the character. You can get away with anything as long as you tell the truth."

"The Italian nation rose, as did all the others in Europe, about the close of the Middle Ages; but its birth was different. Italy was not the creation of kings and warriors; she was the creature of a poet, Dante. The foreigners who identify Italy with Dante are essentially right. His character and work had a decisive influence which grew in the centuries, until they became paramount to the leading class of the Italian people. It is hardly an exaggeration to hold that he was to Italy what Moses may have been to Israel."