20th-century-japanese-novelists

"Every human being has something violent inside, but most of us try to hide it. In the same way, we try to ignore the dangers that lurk in everyday experience, to skirt them and pass by. But, at the same time, we’re all fascinated by these “unseen” things, and that fascination becomes a motivating force in my work…"

"Contemporary Japanese society appears to be safe and comfortable, but I wanted to write about the shapeless violence and danger that lurk beneath the surface. Somehow I hit on agricultural chemicals in grapefruit as a symbol. Turning them into jam seemed to make them even more sinister. I suppose I could have used any fruit, but grapefruit has a cheerful, sunny image and I thought the irony would heighten the effect."

"…People try to hide it from others or try to cover it up…But in the world of literature, you can reveal that nature, and it’s OK to do so."

"…But now that my son has grown, I feel like I was at my happiest when I was writing while raising my child…Now that I can write as much as I want 24 hours a day, it’s not as if I produce any greater work now than I did in the past."

"Love is the kind of thing that's already happening by the time you notice it, that's how it works, and no matter how old you get, that doesn't change. Except that you can break it up into two entirely distinct types—love where there's an end in sight and love where there isn't. People in love understand that better than anyone. When there's no end in sight, it means you're headed for something huge."

"Each one of us continues to carry the heart of each self we've ever been, at every stage along the way, and a chaos of everything good and rotten. And we have to carry this weight all alone, through each day that we live. We try to be as nice as we can to the people we love, but we alone support the weight of ourselves."

"As I grow older, much older, I will experience many things, and I will hit rock bottom again and again. Again and again I will suffer; again and again I will get back on my feet. I will not be defeated. I won't let my spirit be destroyed."

"Truly happy memories always live on, shining. Over time, one by one, they come back to life."

"No matter where you are, you're always a bit on your own, always an outsider."

"People aren't overcome by situations or outside forces; defeat invades from within."

"Whenever anyone criticized me I felt certain that I had been living under the most dreadful misapprehension. I always accepted the attack in silence, though inwardly so terrified as almost to be out of my mind."

"She lay down beside me, Towards dawn she pronounced for the first time the word “death.” She too seemed to be weary beyond endurance of the task of being a human being; and when I reflected on my dread of the world and its bothersomeness, on money, the movement, women, my studies, it seemed impossible that I could go on living. I consented easily to her proposal."

"I simply don’t understand. I have not the remotest clue what the nature or extent of my neighbor’s woes can be. Practical troubles, griefs that can be assuaged if only there is enough to eat— these may be the most intense of all burning hells, horrible enough to blast to smithereens my ten misfortunes, but that is precisely what I don’t understand: if my neighbors manage to survive without killing themselves, without going mad, maintaining an interest in political parties, not yielding to despair, resolutely pursuing the fight for existence, can their griefs really be genuine? Am I wrong in thinking that these people have become such complete egoists and are so convinced of the normality of their way of life that they have never once doubted themselves?"

"To tell the truth, when I first came to the city, I was afraid to board a streetcar because of the conductor; I was afraid to enter the Kabuki Theater for fear of the usherettes standing along the sides of the red-carpeted staircase at the main entrance; I was afraid to go into a restaurant because I was intimidated by the waiters furtively hovering behind me waiting for my plate to be emptied. Most of all I dreaded paying a bill-my awkwardness when I handed over the money after buying something did not arise from my stinginess, but from excessive tension, excessive embarrassment, excessive uneasiness and apprehension. My eyes would swim in my head, and the whole world grow dark before me, so that I felt half out of my mind."

"It is true, I suppose, that nobody finds it exactly pleasant to be criticized or shouted at, but I see in the face of the human being raging at me a wild animal in its true colors, one more horrible than any lion, crocodile or dragon. People normally seem to be hiding this true nature, but an occasion will arise (as when an ox sedately ensconced in a grassy meadow suddenly lashes out with its tail to kill the horsefly on its flank) when anger makes them reveal in a flash human nature in all its horror. Seeing this happen has always induced in me a fear great enough to make my hair stand on end, and at the thought that this nature might be one of the prerequisites for survival as a human being, I have come close to despairing of myself."

"The agonies I have suffered night after night have made for a hell composed of an infinite diversity of tortures, but—though this is a very strange way to put it— the wound has gradually become dearer to me than my own flesh and blood, and I have thought its pain to be the emotion of the wound as it lived or even its murmur of affection."

"“It’s his father’s fault,” she said unemotionally. “The Yozo we knew was so easy-going and amusing, and if only he hadn’t drunk—no, even though he did drink—he was a good boy, an angel.”"

"I also have the impression that many women have been able, instinctively, to sniff out this loneliness of mine, which I confided to no one, and this in later years was to become one of the causes of my being taken advantage of."

"To fall for," "to be fallen for"—I feel in these words something unspeakably vulgar, farcical, and at the same time extraordinarily complacent. Once these expressions put in an appearance, no matter how solemn the place, the silent cathedrals of melancholy crumble, leaving nothing but an impression of fatuousness. It is curious, but the cathedrals of melancholy are not necessarily demolished if one can replace the vulgar "What a messy business it is to be fallen for" by the more literary "What uneasiness lies in being loved."

"After being hurt by the world so much, they began to see the demons within humans. So without hiding it through trickery, they worked to express it."

"I was cursed by the unhappy peculiarity that the more I feared people the more I was liked, and the more I was liked the more I feared them—a process which eventually compelled me to run away from everybody."

"“I feel so unhappy.” I am sure that this one phrase whispered to me would arouse my sympathy more than the longest, most painstaking account of a woman’s life. It amazes and astonishes me that I have never once heard a woman make this simple statement. This woman did not say, “I feel so unhappy” in so many words, but something like a silent current of misery an inch wide flowed over the surface of her body. When I lay next to her my body was enveloped in her current, which mingled with my own harsher current of gloom like a “withered leaf settling to rest on the stones at the bottom of a pool.” I had freed myself from fear and uneasiness."

"I wonder if I have ever actually been happy. People have told me, really more times than I can remember, ever since I was a small boy, how lucky I was, but I have always felt as if I were suffering in hell. It has seemed to me in fact that those who called me lucky were incomparably more fortunate than I."

"In my case such an expression as 'to be fallen for' or even 'to be loved' is not in the least appropriate; perhaps it describes the situation more accurately to say that I was 'looked after'."

"I have sometimes thought that I have been burdened with a pack of ten misfortunes, any one of which if borne by my neighbor would be enough to make a murderer out of him."

"The weak fear happiness itself. They can harm themselves on cotton wool. Sometimes they are wounded even by happiness."

"I have always shook with fright before human beings. Unable as I was to feel the least particle of confidence in my ability to speak and act like a human being, I kept my solitary agonies locked in my breast. I kept my melancholy and my agitation hidden, careful lest any trace should be left exposed. I feigned an innocent optimism; I gradually perfected myself in the role of the farcical eccentric."

"As long as I can make them laugh, it doesn’t matter how, I’ll be alright. If I succeed in that, the human beings probably won’t mind it too much if I remain outside their lives. The one thing I must avoid is becoming offensive in their eyes: I shall be nothing, the wind, the sky."

"There are some people whose dread of human beings is so morbid that they reach a point where they yearn to see with their own eyes monsters of ever more horrible shapes. And the more nervous they are-the quicker to take fright-the more violent they pray that every storm will be … Painters who have had this mentality, after repeated wounds and intimidations at the hands of the apparitions called human beings, have often come to believe in phantasms-they plainly saw monsters in broad daylight, in the midst of nature. And they did not fob people off with clowning; they did their best to depict these monsters just as they had appeared. Takeichi was right: they had dared to paint pictures of devils."

"People talk of “social outcasts.” The words apparently denote the miserable losers of the world, the vicious ones, but I feel as though I have been a “social outcast” from the moment I was born. If ever I meet someone society has designated as an outcast, I invariably feel affection for him, an emotion which carries me away in melting tenderness."

"“Then what's a synonym for woman?" "Entrails." "You're not very poetic, are you? Well, then, what's the antonym for entrails?" "Milk.”"

"I soon came to understand that drink, tobacco and prostitutes were all great means of dissipating (even for a few moments) my dread for human beings. I came even to feel that if I had to sell every last possession to obtain these means of escape, it would be well worth it."

"I’m going to paint too. I’m going to paint pictures of ghosts and devils and horses out of hell."

"He could only consider me as the living corpse of a would-be suicide, a person dead to shame, an idiot ghost."

"Society. I felt as though even I were beginning at last to acquire some vague notion of what it meant. It is a struggle between one individual to another, a then-and-there struggle, in which the immediate triumph is everything. ‘Human beings never submit to human beings.’ Even slaves practice their mean retaliations. Human beings cannot conceive of any mean retaliations. Human beings cannot conceive of any means of survival except of a single then-and-there contest. They speak of duty to one’s country and such like things, but the object of their effort is invariably the individual, and, even once the individual’s needs have been met, again the individual comes in. The incomprehensibility of society is the incomprehensibility of the individual. The ocean is not society; it is individuals. This is how I managed to gain a modicum of freedom from my terror of the illusion of the ocean called the world. I learned to behave rather aggressively, without the endless anxious worrying I knew before, responding as it were to the needs of the moment."

"I felt as though the vessel if my suffering had become empty, as if nothing could interest me now. I had lost even the ability to suffer."

"Virtue and vice are concepts invented by human beings, words for morality which human beings arbitrarily devise."

"For someone like myself in whom the ability to trust others is so cracked and broken that I am wretchedly timid and am forever trying to read the expression on people's faces."

"Unhappiness. There are all kinds of unhappy people in the world. I suppose it would be no exaggeration to say that the world is composed entirely of unhappy people. But those people can fight their unhappiness with society fairly and squarely, and society for its part easily understands and sympathizes with such struggles. My unhappiness stemmed entirely from my own vices, and I had no way of fighting anybody."

"Without a flicker of hesitation I injected the morphine into my arm. My insecurity, fretfulness and timidity were swept away completely; I turned into an expansively optimistic and fluent talker. The injection made me forget how weak my body was, and I applied myself energetically to my cartoon."

"I thought, “I want to die. I want to die more than ever before. There’s no chance now of a recovery. No matter what sort of thing I do, no matter what I do, it’s sure to be a failure, just a final coating applied to my shame. That dream of going on bicycles to see a waterfall framed in summer leaves—it was not for the likes of me. All that can happen now is that one foul, humiliating sin will be piled on another, and my sufferings will become only the more acute. I want to die. I must die. Living itself is the source of sin.""

"I don't think It's an exaggeration to say that It was the one and only time in my life that I refused something offered to me. My unhappiness was the unhappiness of a person who could not say no. I had been intimidated by the fear that if I declined something offered me, a yawning crevice would open between the other person's heart and myself which could never be mended through all eternity."

"Now I have neither happiness nor unhappiness. Everything passes. That is the one and only thing that I have thought resembled a truth in the society of human beings where I have dwelled up to now as in a burning hell. Everything passes."

"This year I am twenty-seven. My hair has become much greyer. Most people would take me for over forty."

"I am convinced that human life is filled with many pure, happy, serene examples of insincerity, truly splendid of their kind-of people deceiving one another without (strangely enough) any wounds being inflicted, of people who seem unaware even that they are deceiving one another. But I have no special interest in instances of mutual deception. I myself spent the whole day long deceiving human beings with my clowning. I have not been able to work much up much concern over the morality prescribed in textbooks of ethics under the name as “righteousness.” I find it difficult to understand the kind of human being who lives, or who is sure he can live, purely, happily, serenely while engaged in deceit. Human beings never did teach me that abstruse secret. If I had only known that one thing I should never have had to dread human beings so, nor should I have opposed myself to human life, nor tasted such torments of hell every night."

"Mine has been a life of much shame. I can't even guess myself what it must be to live the life of a human being."

"Is it not true that no two human beings understand anything whatsoever about each other, that those who consider themselves bosom friends may be utterly mistaken about their fellow and, failing to realize this sad truth throughout a lifetime, weep when they read in the newspapers about his death?"

"What, I wondered, did he mean by "society"? The plural of human beings?"

"All I feel are the assaults of apprehension and terror at the thought that I am the only one who is entirely unlike the rest. It is almost impossible for me to converse with other people. What should I talk about, how should I say it? — I don't know."

"Even if released, I would be forever branded on the forehead with the word "madman," or perhaps, "reject". Disqualified as a human being. I had now ceased utterly to be a human being."