First Quote Added
April 10, 2026
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"Lifeās been quite a journey. My career has been slow, yet steady. I like it that way. I never wished for overnight success. Neither did I want to rush through my career and suffer a burn-out."
"I was never interested in studies. And honestly, I never felt I had it in me to make good music. I guess, the environment in which I grew up ā dad neck-deep in music, my sister Bavatharini on the piano all the time and brother Karthik Raja constantly hooked on the latest music technology ā just stirred me to take the first step. āThuluvatho Ilamaiā and āPoovellam Kaettupaarā proved to be turning points."
"I see every director as a different brand. That way, itās easy for me to compartmentalise my work. So I can easily switch from one film to the other and refresh myself when I hit a mental block. I donāt want my music to sound like a pastiche of other works. So I stop listening to my songs once the audio for a film is released. When I unwind, itās usually with jazz."
"Dad used to say itās [live recording] the backbone for any musical endeavour. And Iāve realised that with time. So most often, my re-recordings are live. Technology does enhance music, but the warmth of a live orchestra is incomparable. Fans wrote to me after āOru Devadaiā¦ā (āVaamananā) saying the score had a divine quality. Thatās because it was done live. Besides, Iām also conscious of the employment problem that technology-driven music creates."
"My mindās buzzing with scripts. I want to do something really different. A long-term goal is to open an orphanage for kids. Iāve envisioned something of huge proportions. But first let me make the money for it."
"Dad is a man of few words. He rarely discusses my compositions. But I hear him humming my numbers to my nephew. The recent one is a hit from the Telugu flick āOyā. A musical genius in the family is both a huge advantage and a disadvantage. Iāve absorbed so much from my father. But, at the same time, fans keep writing to me saying they expect more from me ā because of my lineage!"
"Karthik Raja is immensely talented. Itās unfortunate he hasnāt got the right break. Be it technology, manuscript or knowledge of genres, he is thorough. Iām sure he will make it ASAP."
"Iāve no regrets in my personal and professional life. Being a spiritual person, I believe whatever happens, happens for the good. I simply follow what dad says, āWith music, you can reach out and spread happiness.ā"
"Iām camera shy. But I had to do a portfolio for my world tour. So Karthik of Dreamcast and I worked in tandem and conceptualised the shoot. I wanted a rock star look. Possibly, with just a bit of the face showing. Since the show is full of surprises, I wanted the promo photos too to kindle curiosity."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.