Superman

"Q: Were you influenced by the Edgar Rice Burroughs John Carter of Mars stories?"

"QUESTION: Where do you start as an actor when trying to create a voice for Superman?"

"QUESTION: Are there any specific characteristics you believe are essential to the voice?"

"Q: What do you think has made Superman so popular for over 40 years?"

"Shuster: I was mild-mannered, wore glasses, was very shy with women."

"Siegel: You see, Clark Kent grew not only out of my private life, but also out of Joe's. As a high school student, I thought that some day I might become a reporter, and I had crushes on several attractive girls who either didn't know I existed or didn't care I existed. As a matter of fact, some of them looked like they hoped I didn't exist. It occurred to me: What if I was real terrific? What if I had something special going for me, like jumping over buildings or throwing cars around or something like that? Then maybe they would notice me. That night when all the thoughts were coming to me, the concept came to me that Superman could have a dual identity, and that in one of his identities he could be meek and mild, as I was, and wear glasses, the way I do. The heroine, who I figured would be a girl reporter, would think he was some sort of a worm; yet she would be crazy about this Superman character who could do all sorts of fabulous things. In fact, she was real wild about him, and a big inside joke was that the fellow she was crazy about was also the fellow whom she loathed. By coincidence, Joe was a carbon copy (of me)."

"Siegel: I figured that the character would be so advanced that he would be invulnerable in other ways than physically. Secretly, I kind of enjoyed the thought that women, who just didn't care at all about somebody like Clark Kent, would go ape over somebody like Superman. I enjoyed the fact that he wasn't that affected by all their admiration. When you come down to it, some of the greatest lovers of all time simply aren't that crazy about women: It's the women who are crazy about them. Clark Gable was hard to get, and so were some of the other romantic heroes."

"Up, up, and away!"

"If I go crazy then will you still Call me Superman If I’m alive and well, will you be There a-holding my hand I’ll keep you by my side With my superhuman might Kryptonite."

"Well I know what I've been told You've to break free to break the mold But I can't do this all on my own No, I can't do this all on my own I know, that I'm no Superman."

"I didn't bother getting into it with Tarantino about the Superman thing, because it's not really true," chuckles Carradine. "It's not unique. The idea that Superman's analysis, whatever you want to call it, his image of the human race is Clark Kent, weak, a coward, fumbling, wearing glasses, uncertain of himself, not able to get a girl, all those kinds of things. That's his idea about us and that's the point that Tarantino was trying to make. But the idea of Superman being unique in that he was born Superman, which is another point that Tarantino's trying to make, that that's what these people [Bill, etc.] are, these people are born warriors and they can't help it, but there's also the Silver Surfer, right? And there's Sub-Mariner..."

"None of us really have a choice. The warrior does not have a choice. It's pre-destined, you can't help it. Superman didn't... well, he did have a choice. You know, he could have been a bad guy. And the other thing about Superman that I don't think Quentin pointed out and that isn't part of this movie and maybe isn't part of Quentin, is that even though Superman sees us as weak jellyfish, he loves us. And he wants to take care of us. That's really the big essence of Superman. I prefer Batman. I like the meanness of him, the darkness of him."

"I think Superman's a loner. Without a doubt. I think he recognizes that he has this responsibility, because of the power that he has, and that he has to bear it by himself. And to make sure that he is using it for good and not for evil. He has to keep in check his human emotions, though he's not really a human – because those are the things about living on Earth that can get us in trouble. Greed, power, love -- all those things that take us off the tracks."

"I think Superman likes Batman. In his own private way, he gets a kick out of the fact that he can count on Batman being cynical and pessimistic, and that he sort of relies on that probably in the way you rely on certain friends or family members to do certain things that you shake your head and go, “Oh, jeez.”"

"Villains are really what give comic stories their flavor. Honestly, I think Superman would be quite dull without a really great villain. Batman, maybe not so much, because he's such a twisted character himself. He's struggling with a lot of inner demons. But Superman is the kind of guy who's impossible to hate, because he's a guy's guy, and he's straightforward. He can be a little sarcastic and he has a wryness about him. But he doesn't have a lot of dark corners. So I think that contrasting him with someone like Darkseid, who's a real badass villain, absolutely makes the script more interesting."

"You know, I feel badly that I did not realize how important Superman was to a lot of people. I had a really good time doing it. I didn’t take it as seriously as I perhaps should have because—I mean, I thought I was doing something for kids, right? I didn’t realize that there was this whole Comic-Con thing going on, that people really took that seriously."

"Superman has a lot of power and he doesn’t have to be showy, rather he carries that confidence quietly. He knows what he can do. I certainly am not capable of pulling that off in my own life. But knowing that, I can fake that attitude to help me out now and then."

"Superman has always defended vulnerable communities and he’s always been political, says Joseph Darowski, a professor at Brigham Young University. Darowski is also a comic historian and the editor of “The Ages of Superman: Essays on the Man of Steel in Changing Times.” “It’s an inevitable part of the comic book industry that politics is going to seep in,” Darowski says. “There’s always some reflection of what’s going on on the world stage.” In the 1940s, Superman tried to stop World War II. He’s taken on corrupt politicians and got political during the Cold War, too. “As America gets engaged in the space race, suddenly Superman’s enemies are coming from the stars more frequently,” Darowski says. “Kryptonite and other forms of radiation creeps into the stories after the dropping of the atomic bomb. During the Cold War and the nuclear arms race, Kryptonite becomes much more commonly used in Super-man stories, and villains who get their power through radiation also become much more common. These geopolitical events end up being adapted in fantastic ways into the Superman comics.”"

"If I had to differentiate between [Batman and Superman], I'd say Superman is sort of about hope. You've got this guy who's an alien and not truly human, but he personifies all the best qualities of humanity. He's sort of an example of what it would be nice to be like. We would all like to be like Superman. We would all like to have power, compassion, the ability to settle problems in a good way, and maybe [be able to] wink to ourselves about how nobody else besides us knows we really have this secret power and we keep it ourselves. There's not a lot of angst with Superman. If there is, it's more like, "I wish I could tell Lois who I really was." Batman is how you'd like to be if you [could] break someone's neck: "I'm pissed off, and I want to go out and do something about it." Superman waits for trouble to happen, and then he goes off and stops the problem. Batman's looking for trouble; he doesn't really start it, but he's out there looking. And if he sees something going on, he just jumps into the middle of it."

"He (Reeve) was put on this Earth for... a lot of reasons. He wasn't just here to be an actor. He was Superman."

"[Jews needed] a hero who could protect us against an almost invincible force. So [Siegel and Shuster] created an invincible hero."

"You see all these super hero movies, and super heroes have a moral code that they live by and it seemed like in Kick-Ass, that wasn’t the case. It was survival on the streets and still try to fight crime. I think that’s a more realistic version of what vigilantes would be. I don’t think we’ll see a Superman ever flying in the sky or anything like that, and if that does happen, I don’t think the outcome that we watch in the movies is gonna be the outcome in real life. I think we’d send the army after this person, and the navy, and the air force, and the marines, after this person."

"Christopher Reeve is Superman, right here, right now... Reeve shows us the power, the possibilities and the results of a fierce and persistent commitment to growth and development. With God's help, Reeve is Superman because: 1. He survived the horse riding accident and challenged himself physically during countless months of painful physical therapy. 2. Because he remained committed to his role as a loving husband and doting father 3. Because he kept hope alive in the face of injury and paralysis that can destroy all hope-in the face of having to depend on his wife and many others to feed, wash, change, move and carry him to the doctor. 4. Because he came to the conclusion that God still had something for him to do... Christopher Reeve turned his focus away from his paralysis and began figuring out how he could live afresh. Reeve decided that a lot of people might like to hear his story. Instead of limiting the communication of his story to letters, books and videos subject to edit, Reeve chose the lecture circuit. That meant showing up in public, allowing the public to gawk at his incapacity, talking about his condition and sharing lessons learned. Thus, Christopher Reeve has become Superman for real."

"Jerry Siegel, an intellectually and physically circumcised chap who has his headquarters in New York. . . The inventive Israelite named this pleasant guy with an overdeveloped body and underdeveloped mind “Superman..”"

"I was enamored with Superman because I thought, being Canadian and from Toronto, that the original series was based around Toronto. I remember as a kid being told that. That the Daily Planet was the Star Newspaper and the whole idea was based around that kind of small cosmopolitan city so that caught my attention."

"Everyone’s like, ‘He’s so powerful, I can’t relate to him.’ Are you kidding me? He’s the most relatable character ever. He grew up on a farm, he doesn’t have a lot of friends, feels isolated, he can’t tell everybody what his secrets are. He’s a great character. He feels overlooked — who hasn’t felt overlooked, or wanted to connect with people? All social media is, is people wanting to connect with other people. That’s all it is. Because people long to connect with other people. And Superman is the embodiment of that. He’s more relevant now than ever."

"When Superman came out it galvanized the entire industry. It’s just part of the American scene. Superman is going to live forever. They’ll be reading Superman in the next century when you and I are gone. I felt in that respect I was doing the same thing. I wanted to be known. I wasn’t going to sell a comic that was going to die quickly."

"A very young person can come up with an idea— well, Superman is the classic example, see? All these businessmen are at the top of the pyramid, but the entire pyramid is resting on two little stones, and the pyramid denies the existence of these stones because it’s so big. It’s loaded with officials, but the little stones are the ones that are holding it up because that’s where the support is coming from, and I was in the same position."

"Superman has, despite the fact that he is a super-being, emotions just like everyone else. He's not a robot. If I were a super-being, I'd just be a human being with super-powers, which is the way I see Superman. He's a human being with super-powers and he can be lonely; he has emotions, he can be in love, he can hate people. He hates evil."

"Superman is invincible, and Superman is the first super-being to come into literary life. There he is alone. That's the way I see him. If I were a Superman among two billion people, despite the fact that I was a super-being, I'd feel pretty insecure. For instance, say I was a white hunter in Africa and I were to walk into a cannibal village. Despite the fact that I had a gun and they didn't, despite the fact that I had ammunition and they didn't, I'd feel pretty insecure, despite the fact that I could probably shoot my way out. Superman is alone in our world."

"Superman obeys the Talmudic injunction to do good for its own sake and heal the world where he can."

"Superman is arguably the most powerful person on the planet, but how long can he sit at his desk with someone breathing down his neck and treating him like the least important person in the world?"

"Rather than Clark be this clownish suit that Superman puts on, we're going to really see Clark come into his own in the next few years as far as being a guy who takes to the Internet and to the airwaves and starts speaking an unvarnished truth."

"[S]cholarship frequently appears to pay little attention to the tendency and credibility of sec-ondary sources that confirm their hypothesis. This is nowhere clearer or more troubling than in the instances where Nazi propaganda is cited by popular and academic writers as “recognition” of Superman’s “Jewish roots” and as “highlighting” his creators’ Jewish heritage (Weinstein 25–26; Tye 66; “Surnames”). Less dramatically, popular “Judeocentric” (Fingeroth 25) books are problematic only to the extent that they are uncritically used in academic work. The works of writers like Rabbi Simcha Weinstein, Danny Fingeroth, and Arie Kaplan are not tested for schol-arly rigor or quality and, most importantly, do not aspire to academic rigor. When these generic differences are ignored and they are cited as authoritative sources (e. g. Malcolm 159n18; Royal 1n2), parochial cultural myths can be disseminated into comics scholarship. With repetition, they can become naturalized, possibly muddling the historical record and making new insights into historical connections between comics and identity increasingly inaccessible."

"I am a fan of anybody who can make a living in his underwear."

"The 2 wishes behind Superman are certainly the soundest of all; they are, in fact, our national aspirations at the moment--to develop unbeatable national might, and to use this great power, when we get it, to protect innocent, peace-loving people from destructive, ruthless evil. You don’t think for a minute that it is wrong to imagine the fulfillment of those two aspirations for the United States of America do you? Then why do should it be wrong or harmful for children to imagine the same things for themselves, personally when they read ‘Superman’?"

"A man who can see across the planet and wring diamonds from its anthracite."

"Mark Waid had him as a vegetarian, he sort of ratified it and then people were really angry because they used to say in the 70s his favourite food was beef bourguignon. But I kind of think of course he would be a vegetarian, I mean he would find it hard not to be. He's a super kid who grew up with animals and I'm sure he'd empathise with them pretty early on and just not be. ` Mark Waid had him as a vegetarian, he sort of ratified it and then people were really angry because they used to say in the 70s his favourite food was beef bourguignon. But I kind of think of course he would be a vegetarian, I mean he would find it hard not to be. He's a super kid who grew up with animals and I'm sure he'd empathise with them pretty early on and just not be."

"When Superman was created during the Great Depression, he was the champion of the oppressed and fought on the side of the working man. He was lawless. If you were a wife beater, he’d throw you out the window. If you were a corrupt congressman, he’d swing you from the rooftops until you confessed. I think it appealed to people who were losing their jobs to machines: Suddenly you had Superman wrecking machines and punching robots. But his popularity has declined—nobody wants to be the son of a farmer now. American writers often say they find it difficult to write Superman. They say he’s too powerful; you can’t give him problems. But Superman is a metaphor. For me, Superman has the same problems we do, but on a Paul Bunyan scale. If Superman walks the dog, he walks it around the asteroid belt because it can fly in space. When Superman’s relatives visit, they come from the 31st century and bring some hellish monster conqueror from the future. But it’s still a story about your relatives visiting."

"As an outsider, Superman had a unique view of the forces of good and evil shaping his new world. Although he gained a new identity and built a successful career in America, he isn't cele-brated for being an assimilated refugee; he’s beloved because he used his abilities to improve and protect the society that gave him refuge."

"Superman is more than just an American, but he is no longer Kryptonian either. His identity is shaped both by where he came from and the strong morals and American values instilled in him by his adoptive parents. He inherited his abilities from Krypton ... but it was the Kents who in-spired him to become a hero. Superman was something new and special ... and not just be-cause he had superpowers. Apart from his normal crime-fighting activity, he spoke out against issues including social injustice, corruption, domestic violence and racial inequality. During World War II, he went to Europe to fight the Nazis and fascists. Then he returned the U.S. to take on white supremacists. Superman’s story is the ultimate example of an immigrant who makes his new home better. America's favorite superhero is an immigrant, and that's only fitting because America is a nation made up of people from all over the world—people blending their contributions and creating something new in the process."

"Contrary to the rumours that you've heard, I was not born in a manger. I was actually born on Krypton and sent here by my father, Jor-El, to save the planet Earth."

"When Superman and Batman came to Japan, it was right after the war, right? Together with the G.I.s. In other words, our height and theirs was completely different. We were totally overwhelmed physically, and got this complex about being unable to compete with White people. It was just then that Superman arrived, the White man’s representative, and I thought who the hell does he think he is? And then Lois Lane, the classic American beauty. Even her outfit and her makeup were like a foreign woman’s. Of course today Japanese make themselves up more like foreigners than foreigners do. Ha ha ha."

"Ha ha ha. But at the time, everyone in Superman looked like an alien from another planet. Compared with that, Mickey Mouse was just an animal, and so was easier to use. That’s the side I got consumed with. So just maybe, had I felt more in common with Superman, my drawing style would have been different."

"When I was little, I think that I wanted Superman to be my boyfriend. So this is the next best thing. I get to pretend to be Superman’s girlfriend. Although the older I’ve become, I’ve sort of decided that I would rather be Superman myself. So I’m trying (she snickers). But even my first memory of a super hero was of Superman, because I had a crush on him. Well, it was on Clark Kent, Superman and Christopher Reeve, all rolled into one."

"Superman, a native of the fictional planet of “Krypton,” landed on Earth as an infant and some suggest that he would therefore be eligible for the Deferred Action for Childhood Arrivals program, DACA. President Trump recently announced that he would end the program, though he called on Congress to provide a new path for DACA holders."

"The key word for me on him is "inspiration." He is a leader by inspiration. He sets an example. It's quite important that people realize that I don't see him as a glad-handing show-off, a one-man vigilante force who rights every wrong. Basically, he's a pacifist, a man who comes along and says, 'What can I do to help?' He stands on the sidelines until there is real trouble. He does not want to get involved unless it's absolutely necessary because he thinks people should learn to make their own decisions."

"Superman is nothing more than a popular retelling of the Christ story, or Greek mythology. It's an archetype, watered down and made in vivid colors for twelve-year-old's mentality. It's pop mythology, which extends to the actor, then seeps over to a demand that that actor reflect the needs of the worshipers. The worship doesn't only go on in the temples — it goes on in the streets, and restaurants, in magazines. But, you know, I'm from New Jersey, I'm not from Olympus or Krypton, so back off 'cause I can't take the responsibility."

"What makes Superman a hero is not that he has power, but that he has the wisdom and the maturity to use the power wisely."

"He's a fairy, I do suppose, flying through the air in pantyhose. He may be sexy, or even cute, but he looks like a sucka in a blue and red suit."