First Quote Added
April 10, 2026
Latest Quote Added
"Bodies like wrecking balls fuck, fuck with dynamite."
"You can hear one note of a Kate Bush song, or one note of her voice even, and know immediately what it is. And that is the biggest feat of any artist, especially when you consider, you know, all the roads that she's gone down."
"For that to have come out of someone's brain, period, is a remarkable feat. For that to have come out of someone's brain, at 17 years old — this incredible song, incredible song … there aren't that many amazing pop songs that have two or three key changes in them —‚ and I'm not talking about some modulations, I'm talking: "Okay, now we're in the key of Q." It's like WHAT?! But it's so brilliant, it's so memorable. I always karaoke that song — if I drink enough."
"I read an interview with her one time, where she was asked, something along the lines of "Why do you write from the perspective of a lot of characters?" And she said very simply and eloquently "because they're more interesting than I am.""
"I'm convinced that, as great as that record sounds, if you had anyone else sing it, you know, anyone else try to kind of weave and make it do that thing where it burns like wildfire and it comes alive, no one else could do it. It's incredible the way she kind of brings this cold arctic atmosphere, It's just like fire, you know? It's like all aaarh coming out of her mouth. … and now I'm listening to the song in my head. "Do you know what I really need? Do you know what I really need? I need lalalala yea yo yea yo your love.""
"I still remember going to the CD store and buying The Sensual World when I was 16, and the cover — there was a rose in front of her mouth, that has bloomed, she's got big wide eyes, and I remember, you know, putting it on the shitty car stereo on the way home, you know — and my life was forever changed."
"You don’t ever get the sense that she's making music to pander to anyone. I think you always get her absolute best attempt at her true vision whenever you get a Kate Bush record."
"The first time I saw her perform — she must’ve been 15, maybe 14 — she got up in a club in Dallas, sat in with her guitar teacher’s band, played "The Wind Cries Mary" and just blew everybody away. ... At that time she was very shy and diminutive, except when you listened to her guitar playing. ... She’s physically a very intense player. She takes a kind of ferocious approach to the technique of the guitar, a real high energy."
"Her stage name was inspired by the hospital where Dylan Thomas spent his last hours. “It’s the place where poetry comes to die,” she said, joking. “That’s me.""
"What me worry? I never do I'm always amused and amusing you"
"What me worry? I never do. Life is one charming ruse for us lucky few.Have I fooled you, dear? The time is coming near when I'll give you my hand and I'll say, "It's been grand, but... I'm out of here I'm out of here""
"The first thing I did when I picked up any instrument, when I was five years old, was write a song. It's kind of funny; I thought about it, statements that it's a "solo effort" — it's kind of like, "Oh, well I've been doing this since I was five." I was kind of doing this before I did anything else."
"I was recording with The Polyphonic Spree, recording The Fragile Army, and we were holed up in January in Minnesota at our studio. They called Mike in to play, and we just hit it off, in a really, really special way. Actually, the night after meeting and having a conversation with him, I sat down and I wrote "All My Stars Aligned". And I just kind of had an idea, "Wouldn't it be amazing if Mike Garson played? So the guy who played solo in Aladdin Sane, wouldn't it be amazing if this guy played this song?" And I wrote it, based on a conversation we had, but I didn't want to ask him, because I felt shy, and nervous, and everything. It was a few months later, actually, we kind of got in touch, and, 'Oh, what are you doing?', and I sent him a couple songs that I was working on. I sent him "Your Lips Are Red" and I sent him "All My Stars Aligned", just to show, you know, 'wink-wink, hint-hint, this is what I'm doing.' And he wrote me back, the things that we'd said, and asked to play on the record. So I was, 'Well, okay, if you insist…' That worked out pretty miraculously."
"I enjoyed, and I tried to soak up and learn everything as fast as I could from doing any kind of music. It's good to have a gig. If you're a musician, it's good to be working. I love doing all of it, but Marry Me is my baby, St. Vincent is my child."
"In a really great way, you simultaneously try to take up as little and as much space as possible."
"Some songs I wrote that night, and some songs took nine months to arrange, get how I positioned them. Some songs I wrote parts of when I was twelve, thirteen, fourteen, fifteen… Just putting it together, just finding the right place for it. So it's really been a long time coming. ... I'm actually really restless, in the sense that I'd rather be always making something new. I'm really excited about making a second record. I've got a lot of things up my sleeve, I guess."
"I certainly owe a lot of awesomeness to blogs, to people who have been blogging about a show, or blogging about a single, or blogging about something. It's just amazing to me that it seems to be a nice equalizer. People don't necessarily need the clout of a big "record company machine" to put their face on a billboard. It seems more organic and honest in a lot of ways, for fans of music to be critics I suppose."
"I'm a debut artist, I'm not established — nobody would write about it if they didn't like it. So I'm waiting for the next album for the backlash."
"Here's an awesome tour story: I was playing these two shows last fall in Europe, we played at Reykjavík, and the three or four days we were in Reykjavík happened to be the one and only Sugarcubes reunion show… So it was like, tour of a lifetime."
"I'm not your mother's favorite dog I'm not the carpet you walk on I'm not one small atomic bomb I'm not any any any anything at all."
"Now, now ... You don't mean that say you're sorry You don't mean that ... I'll make you sorry"
"I'm not the pawn to your king I'm not your world on a string I'm not anyone you'll beat I'm not anything"
"While Jesus is saving, I'm spending all my days in backgrounds and landscapes with the languages of saints. While people are spinning like toys on Christmas day, I'm inside a still life with the other absentee."
"While people will cheer on the spectacle we've made I'm sitting and sculpting menageries of saints."
"Come, my love, the stage is waiting, Be the one to save my saving grace."
"While Jesus is saving, I'm spending all my grace, on rosy-red pallor of lights on center stage. While people have cheered on the awful mess we've made, through storms of red roses we've exited the stage"
"Your lips are red My face is red from reading your red lips"
"Your skin's so fair its not fair"
"Marry me, John, I'll be so good to you — You won't realize I'm gone, You won't realize I'm gone."
"Many people wanna make money, make love, make friends, make peace with death — But most mainly want to win the game they came to win they want to come out ahead. But you, you're a rock, with a heart like a socket I can plug into at will. And will you guess when I come around next. I hope your open sign is blinking still."
"As for me I would have to agree, I'm as fickle as a paper doll being kicked by the wind — when I touch down again I'll be in someone elses arms"
"I read the signs, I got all my stars aligned, My amulets, my charms, I set all my false alarms, So I'll be someone Who won't be forgotten."
"I do a dance to make the rain come, Smile to keep the sky from falling down, down, down, down. Collect the love that I've been given Build a nest for us to sleep in here You know it's real."
"There are no signs, There are no stars aligned, No amulets no charms, To bring you back to my arms. There's just this human heart. That's built with this human fault. What was your question? Love is the answer."
"It's time. You are light. I guess you are afraid of what everyone is made of — Time and Light."
"All your praying moments amount to just one breath. Please keep your victory But give me little death."
"I'm crawling through landmines Just to know where you are."
"Romeo, where'd you go? It's been years and still no sign, But I'm keeping hope alive.Juliet, how you been? You look like death like you sure could use some rest from this place human racing and the faces of people who pound at your door They always want more — they want more."
"Tell the truth now Your heart is a strange little orange to peel What's the deal?"
"Little lamb, what's your plan? Greener pastures in the sky? It's a shame you want to die know why Just to find you've been blinded to the greenest of pastures they're right here on Earth For what it's worth you're not the first to break my heart."
"Lover, I don’t play to win but for the thrill until I’m spent. Paint the black hole blacker. Paint the black hole blacker"
"What do I share? What do I keep from all the strangers Who sleep where I sleep?"
"Good souls have born better sons, Better souls born worse ones. Paint the black hole blacker..."
"The drug issue is hard to separate from a class issue, an education issue, a wonky foreign policy issue, and a race issue. What I do know is, be it caffeine, alcohol, cocaine, or adrenaline, let's face it: people like to get high. From Starbucks to Budweiser to your own brain, everybody's a pusher these days. If I could substitute another drug to be consumed in the country as much as alcohol is, it would be helium from children's birthday party balloons. Try not laughing when someone sounds like a chipmunk!"
"I'm a wife in watercolors I can wash away what seventeen cold showers couldn't wash away."
"Honey what reveals you is what you hide away."
"Let's pour wine in coffee cups and drive around the neighborhood And shine the headlights on houses until all the news is good."
"Tomorrow's some kind of Strangerland where all the news is good."
"What would the neighbors think? Oh no! If they only knew."
"Tomorrow's some kind of Stranger I'm not supposed to see."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.