Shrikant Talageri

Shrikant Talageri, born in 1958, was educated in Mumbai where he lives and works. He has devoted several years, and much to study, to the theory of an Aryan invasion of India, and interpreted the Vedas with the help of the internal chronology of Rig vedic Rishes within Rig Veda with the help of genealogical records Anukramanis.

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April 10, 2026

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April 10, 2026

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""Muslims and Christians are not 'foreigners' in India. Muslim and Christian fundamentalists may identify wholly with their foreign brethren, and some Muslims may even gloat at the idea that they are the descendants of Islamic heroes who 'conquered and ruled' a land teeming with kāfirs, but the fact remains that they are all Indians as much as the Hindus (including the 'Aryans'). At a certain point of time, their ancestors were the more helpless among the Hindus who were forcibly converted to Islam. […] in historic times there were invasions of India by Persians, Greeks, Scythians, Kushans and Huns. Many of the invaders stayed in India and got integrated into the population. Today some anthropologist may manage to dig out material and claim that some community or other constitutes the descendants of one or the other of those invaders. But who would treat such a claim, even if it were proved beyond doubt, as the basis for branding that community as a 'foreign' community? […] every single foreign community entering India, right from ancient times, has been completely absorbed into the Indian identity […] and according to the Aryan invasion theory itself, this happened in the case of the 'Aryans' as well […] Hindu nationalism has nothing to do with the childish, petty and ridiculous idea of dividing Indians into 'outsiders' and 'insiders' on the basis of whether or not their ancestors, actually or supposedly, came from outside." (TALAGERI 1993:46-47)."

- Shrikant Talageri

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"“The earliest form of Indo-European speech (proto-proto-Indo-European) was spoken in the interior of India, and in late prehistoric times, it spread out as far north and west as Kashmir and Afghanistan” (TALAGERI 1993:229). It developed into different dialects or languages, of which the outermost ones (i.e. the dialects of the Druhyu and Anu) “spread out of India into Europe, West Asia and Chinese Turkestan […] The modern Indo-Aryan languages are not descendants of the Rigvedic dialects [i.e. the Pūru dialects], but of other dialects which were contemporaneous with the Rigvedic dialects [i.e. the dialects of the Ikṣvāku, Yadu, Turvasu, etc.], but which belonged to a different section of Indo-European speech (the Inner Indo-European section) […] The Vedic dialects remained the vehicles of the Vedic literature that followed the Rigvcda; but soon the ‘Classical Sanskrit’ language was artificially created by the ancient Indian grammarians (Panini was preceded by hundreds of other linguists and grammarians, many of whom are named by him in his Ashtadhyayi) in order to achieve a refined via-medium between the Vedic language and the Inner Indo-European dialects (which had developed conjointly with the Dravidian languages over the course of millenniums, and were therefore structurally different from Vedic, and also had their own roots and words). Later, the ‘Prakrits’ (which were also not fully natural forms of speech, but which successively approximated, to a greater and greater degree, the Inner dialects) came into vogue. Finally, the Inner dialects came into their own in the form of the ‘New Indo-Aryan’ languages, as heavily Sanskritised as the Dravidian languages. During the course of the millenniums, up to the present day, the various ‘Indo-Aryan’ […] dialects and languages influenced each other in innumerable ways, too complicated to be analysed here” (TALAGERI 1993:230)."

- Shrikant Talageri

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""The first stage, the primary stage, is represented by the familiar "Hindu-Muslim-Isai" syndrome. According to this, the Arabic-West-Asian culture of Islam, the Palestinian-European culture of Christianity, and the Indian culture of Hinduism, represent the three components of our "composite" Indian culture. (The introduction of the "Sikh" as a fourth angle to this triangle, was a side-development, intended to firmly separate Sikhs from other Hindus, and bring them closer to Muslims. That this part of the conspiracy has been a roaring success needs no elaboration here)…. The "Amar-Akbar-Anthony" brand of film propaganda has always been an indispensable feature of our Film industry. It has served to highlight this "composite" culture, by presenting stereotypes of blatantly West-Asianized Muslims and blatantly Europeanized Christians, insisting all the time on the "Indianness" of these stereotypes…. In this second stage, the "Amar" aspect of the "composite" culture is slowly diluted and downgraded, and the "Akbar" aspect is glorified and upgraded; hence, the propaganda must, necessarily, be more subtle than the "Amar-Akbar-Anthony" brand of propaganda. When two persons meet, in a Hindi film, and one is a Hindu and the other a Muslim, they do not greet one another with namaste or Ram Ram: nor does one say namaste and the other assalam 'aleykum (nor in fact, do they refrain altogether from formal greetings); both greet each other with adab arz hai or assalam 'aleykum. When a Hindu, in a Hindi film, is faced with some great affliction, he starts doing the rounds, turn by turn, of a temple, a mosque, and a church, but a Muslim or Christian is never shown finding it necessary to approach other shrines. These are just two of many examples—each subtle by itself, perhaps not even consciously noticed in spite of their repeated occurrence—which, in the cumulative effect, serve to create the intended psychological environment. The entertainment media have played no mean role in carrying on this brand of propaganda. The calculated glorification of Urdu, of Lucknow tehzib, of the Mughals, of gazals and qawwalis, etc., and the subtle ridicule of Sanskritized Hindi, has been a basic feature of the Hindi film industry… The third stage is the final stage. This is the highest and most refined stage of all. At this stage, every aspect of India's mainstream culture, which existed in India prior to the arrival of Islamic culture from West Asia, represents "communalism". Thus, it is perfectly secular for Indian politicians to don fez caps, visit mosques, perform namāz to clicking cameras, etc. But it is "communal", for them to visit temples, or bow down before Hindu holy men, or to wave ārtīs or break coconuts while inaugurating a function, since the customs of visiting temples, bowing before holy men, waving ārtīs, and breaking coconuts, all existed in India before the arrival of Islam from West Asia. This last, and ultimate stage of "secularism" and "national integration based on a composite culture", can be fully comprehended only by the ideologically most advanced sections of Indians — the Leftists."

- Shrikant Talageri

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"“(Hindutva organizations) should spearhead the revival, rejuvenation and resurgence of Hinduism, which includes not only religious, spiritual and cultural practices springing from Vedic or Sanskritic sources, but from all other Indian sources independently of these: the practices of the Andaman islanders and the (pre-Christian) Nagas are as Hindu in the territorial sense, and Sanatana in the spiritual sense, as classical Sanskritic Hinduism. And this ideology should cover not only religious and spiritual practices and concepts, but every single aspect of India’s matchlessly priceless cultural heritage: climate and topography; flora and fauna; races and languages; music, dance and drama; arts and handicrafts; culinary arts; games and physical systems; architecture; costumes and apparels; literature and science …. A true Hindutvavadi should feel a pang of pain, and a desire to take positive action, not only when he hears that the percentage of Hindus in the Indian population is falling due to a coordination of various factors, or that Hindus are being discriminated against in almost every respect, but also when he hears that the Andamanese races and languages are becoming extinct; that vast tracts of forests, millions of years old, are being wiped out forever; that ancient and mediaeval Hindu architectural monuments are being vandalised, looted or fatally neglected; that priceless ancient documents are being destroyed or left to rot and decay; that innumerable forms of arts and handicrafts, architectural styles, plant and animal species, musical forms and musical instruments, etc. are becoming extinct; that our sacred rivers and environment are being irreversibly polluted and destroyed…”"

- Shrikant Talageri

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