First Quote Added
April 10, 2026
Latest Quote Added
"I fucked the keyboardist, the keyboard was too cold and lifeless."
"Seitdem ich Guitar Rig 3 benutze, fühlt sich mein Haar viel voller an!"
"Willst du bis der Tod euch scheidet sie lieben auch in schlechten Tagen?"
"Du hast mich gefragt, und ich hab' nichts gesagt."
"Die Tränen greiser Kinderschar"
"Ich zieh sie auf ein weises Haar"
"Werf in die Luft die nasse Kette"
"Und wünsch mir, dass ich eine Mutter hätte"
"In meiner Kehle steckt ein Schlauch"
"Hab keinen Nabel auf dem Bauch"
"Niemand gab mir einen Namen"
"Gezeugt in Hast und ohne Samen"
"In ihren Lungen wohnt ein Aal"
"Auf meiner Stirn ein Muttermal"
"Entferne es mit Messers Kuss"
"Auch wenn ich daran sterben muss"
"Sie stehen eng umschlungen"
"Ein Fleischgemisch so reich an Tagen"
"Sie tragt dem Abend in der Brust"
"Und weiss dass sie verleben muss"
"Wir bilden einen lieben Reigen"
"Die Freiheit spielt auf allen Geigen"
"Musik kommt aus dem Weissen Haus"
"Und vor Paris steht Micky Maus"
"Und wer nicht tanzen will am Schluss"
"Weiß noch nicht dass er tanzen muss"
"We are all living in America, Amerika ist wunderbar"
"We're all living in America / Coca-Cola, Wonderbra"
"In both form and imagery, Rammstein's lyrics have a distinct history in German poetry. The source is the neue sachlickeit—new concreteness—of the 1920s, of which Georg Trakl is the best-known exponent. These poets aimed to represent reality in concrete images, and their reality, as it happened, revolved around a preoccupation with blood and smashed faces. The influence of poets like Trakl is particularly obvious in the band’s fascination with gore and despair. Rammstein's lyrics also have something in common with the notorious Morgue cycle of Gottfried Benn, the Berlin venereal disease specialist who pledged his allegiance to the Nazi Party until it ex-pelled him for perversion. Their imagery is suggestive as well of postwar German expressionist paintings, in particular those of Otto Dix, who having spent four years in the trenches had a fine pictorial feel for what things looked like after an exchange of artillery. Songs by Rammstein with sado-masochistic sexual themes, such as Mein Teil ("My Part")—a homage to the German cannibal Armin Miewes, who in 2002 shared a final meal with his willing victim of the man’s severed, flambéed organ—would not have been out of place in Julius Streicher's Der Stürmer, a newspaper even many Nazis found excessive in its pornographic obsessions and sensationalism."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.