First Quote Added
April 10, 2026
Latest Quote Added
"My poems don't start from ideas, but from bits of language, maybe a turn of phrase that's like a tune that plays over and over in my mind. A poem can often be like a game in my head where I want to think about something I don't fully understand. Recently a child said to me, 'I'm not me. I'm someone else. I'm very strong. I'm Richie McCaw.' It's easy when you're four years old to play this sort of game. Writing is one way that as an adult I can take on a different persona. Some of these poems may suggest I live in rest home and that I have won the Katherine Mansfield Fellowship and lived in Menton. I did once spend a happy weekend in Paris, but I've never been to Menton and I have never won the Katherine Mansfield Fellowship. That doesn't stop me wondering what it would be like to be selected for a magnificent prize and live in a remote city. I also wonder what it may be like one day to live in a rest home.'"
"I don’t have a favourite genre. I try to ready widely."
"There’s almost always a book of poems that I’m reading and I keep it by my bed or in my handbag if the book is skinny enough. At present I am still reading Essential New Zealand Poems and I am also reading Horse with Hat by Marty Smith. I’ve also read some of Milton’s poetry, particular a verse drama called Samson Agonistes that for some reason I never got round to reading when I studied Milton as a university student. (Paula — these books aren’t children’s books in case you think they are."
"I’m reading a novel too – it’s called Concluding by Henry Green. It first came out when I was 6 years old but of course I didn’t know anything about him then. He was talked about a bit when I was at university but was never in any of the English papers I did."
"If you want to write in a particular genre it’s likely you’ll read that genre. At the same time I sometimes find that the books that really get me writing are a surprise. It’s not necessarily books of modern poetry that make me want to write poems."
"I don’t often feel inspired. I try to keep writing and sometimes something unexpected happens and I find I’m writing more easily and confidently than usual. It’s wonderful when that happens."
"Things that make me want to write vary."
"What I read is often helpful. Sometimes first lines of very good writers make me want to write my own poem almost as a response to theirs. Janet Frame and Anne Carson have done that for me."
"Sometimes being under a particular pressure makes me write easily. Which seems strange. Pressure might be a time constraint, like to write something in 20 minutes. Or it might be a set of ‘rules’, like ‘Write a poem that consists entirely of untrue statements’. I think the hardest thing to do is probably to be told to take as long as you need to write the best poem you possibly can about whatever you think is important. If there are constraints you can always blame them if your poem isn’t as terrific as you would have liked it to be."
"Walking helps me to write. I’m pretty sure Fiona Farrell has written about how how walking helps her to write."
"Yes, I almost always do this."
"I mentioned earlier that I always have a notebook. Usually this is where I draft poems and then maybe weeks later I read back over this notebook. Some things I’ve written look a bit feeble but often there’s something I can use and develop further."
"After a gap of time, I can often look at a poem a bit more objectively and see what needs doing to it. I would hardly ever send a poem I’ve just written away to a literary magazine because I am so likely to see things I want to change if I look at it after a few weeks"
"Yes, I suppose sometimes I do feel the opposite from inspired and can’t think how to begin or continue anything."
"Sometimes I find that to think of it as being like having a bit of a headache is useful. Okay, it’s there, and I can either retire to bed feeling sorry for myself or just go on doing what I do as best I can. But if I decide I am suffering from Writer’s Block and stop writing then there is no chance of my writing well."
"Michael Harlow once said at a workshop that if you write a word another flies to it. That’s mostly true for me. So if I can find a word or a phrase from anywhere and write it down then there is a chance some writing will happen. It may not be very good, but at least its writing."
"If I was feeling flat about my writing, I used to return to a book called Writing Down the Bones by Natalie Goldberg and it helped me to forgive myself for often writing rubbishy, dull stuff. (And it also has some really good suggestions, about daily writing practice that I found useful.)"
"I don’t think I can answer this very well. There’s no single thing that is particularly hard for me."
"I have learned to accept that alternating between thinking I have just written a Truly Terrific Poem and thinking that I am an Embarrassing Disaster of a Writer who will never manage an even halfway decent poem doesn’t help me at all. I’m gradually realising that nothing I write will change the world and knock its little cotton socks off, but also I’ve come to realise that there’s no need to be ashamed of what I write."
"Just keeping going, I guess, is hard. There are lots of other wonderful things to do. How do you balance these different aspects of your life? I’m busy, as most people are busy. I don’t write as much as I would like to write. I also need to work on regularly finishing poems and sending them away to literary magazines."
"Sometimes writing can seem a bit lonely. But having a group of people you trust and with whom you can share your writing helps."
"Nobody has to be a writer. But when it’s going well it’s good fun and satisfying."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.