R. Scott Bakker

"The world is a big place and our brain is only three pounds."

"In part, The Prince of Nothing is about the dialogue between these two species of faith, the one that identifies itself with doubt and remains open to the superunknown, the other that identifies itself with certainty and remains blind to the superunknown. It shows how empowered, how manipulable, and how dangerous we become when we think we possess an absolute yardstick."

"Palpable gods. Real magic. A certain, objective moral order. Apocalyptic retribution. The primary difference is that fantasy worlds have dispensed with the belief that comes part and parcel with scriptural worlds. Fantasy allows us to lose ourselves in anthropomorphic worlds without the burden of belief. In this sense, they're scriptural worlds that openly acknowledge themselves as fantastic - which is to say honest scriptural worlds."

"I wanted a literate, socially intricate, and cosmopolitan world - something I could have fun destroying."

"It is no accident that fantasy is preoccupied with our pre-Enlightenment, pre-crisis past. The contemporary world is a nihilistic world, where all signs point to the illusory status of love, beauty, goodness and so on. ... Fantasy is the celebration of what we no longer are: individuals certain of our meaningfulness in a meaningful world. The wish-fulfillment that distinguishes fantasy from other genres is not to be the all-conquering hero, but to live in a meaningful world."

"Johnston's picture of intentionally rising from the cracks and gaps of an intrinsically contradictory reality happens to be the very ontological trope I use to structure the fantasy world of The Second Apocalypse! The ontological formula he hopes will force change on science is the same ontological formula I use to identify my fiction as fantasy fiction. One of my goals in my epic fantasy series is to demonstrate the seamless nature of the fit between Continental philosophical concepts and magical realities, to explore the affinities one finds in theological and new age appropriations of Continental conceptualities. To show the degree to which humanistic discourse belongs to prescientific cultural ecologies, and so examine the inevitability of its obsolescence."

"I write about the death of magic. All of it."

"... science, being science, can only wage total war. No traditional discourse has survived the scientific rationalization of their domain. All of them have been reduced to hokum, expelled from the courts, hounded from policy, from rationality altogether, and relegated to fantasy, which is to say, become commodities sold to balm the superstitious soul."

"Why break hearts or blow minds when you can rot souls?"

"Our ‘epoch of thinking’ teeters upon the abyssal, a future so radical as to make epic fantasy of everything we are presently inclined to label ‘human.’ Whether it acknowledges as much or not, all thought huddles in the shadow of the posthuman–the shadow of its end... It has been, for better or worse, the thematic impetus behind every novel I have written and every paper I have presented."

"The difference between the critic and the apologist in philosophy is the difference between conceiving philosophy as refuge, a post hoc means to rationalize and so recuperate what we cherish or require, and conceiving philosophy as exposure, an ad hoc means to mutate thought and so see our way through what we think we cherish or require. ... To truly expose thought is to be willing to let it die… Or become inhuman."

"To believe in meaning of any sort is to have faith in some version of ‘God.’ Finite or infinite, mortal or immortal, the intentional form is conserved–and as I hope to show, that form is supernatural."

"Consciousness is something hooked across the top of your nose, like glasses, only as thick as the cosmos."

"Give me an arm long enough, and I will reach across the universe and punch myself in the back of the head. Not because I deserve it, but because I can take it."

"If it is only after that we understand what has come before, then we understand nothing. Thus we shall define the soul as follows: that which precedes everything."

"If the world is a game whose rules are written by the God, and sorcerers are those who cheat and cheat, then who has written the rules of sorcery?"

"Every monumental work of the State is measured by cubits. Every cubit is measured by the length of the Aspect-Emperor’s arm. And the Aspect-Emperor’s arm, they say, stands beyond measure. But I say the Aspect-Emperor’s arm is measured by the length of a cubit, and that all cubits are measured by the works of the State. Not even the All stands beyond measure, for it is more than what lies within it, and “more” is a kind of measure. Even the God has His cubits."

"Love is lust made meaningful. Hope is hunger made human."

"I tell you, guilt dwells nowhere but in the eyes of the accuser. This men know even as they deny it, which is why they so often make murder their absolution. The truth of crime lies not with the victim but with the witness."

"To indulge it is to breed it. To punish it is to feed it. Madness knows no bridle but the knife."

"A beggar’s mistake harms no one but the beggar. A king’s mistake, however, harms everyone but the king. Too often, the measure of power lies not in the number who obey your will, but in the number who suffer your stupidity."

"The world is only as deep as we can see. This is why fools think themselves profound. This is why terror is the passion of revelation."

"The bondage we are born into is the bondage we cannot see. Verily, freedom is little more than the ignorance of tyranny. Live long enough, and you will see: Men resent not the whip so much as the hand that wields it."

"Any fool can see the limits of seeing, but not even the wisest know the limits of knowing. Thus is ignorance rendered invisible, and are all Men made fools."