First Quote Added
April 10, 2026
Latest Quote Added
"Why not just tell people I'm an alien from Mars. Tell them I eat live chickens and do a voodoo dance at midnight. They'll believe anything you say, because you're a reporter. But if I, Michael Jackson, were to say, "I'm an alien from Mars and I eat live chickens and do a voodoo dance at midnight," people would say, "Oh, man, that Michael Jackson is nuts. He's cracked up. You can't believe a damn word that comes out of his mouth.""
"I am not prejudiced, it's just time for the first Black King now."
"Like the old Indian proverb says, do not judge a man until you've walked 2 moons in his moccasins. Most people don't know me, that is why they write such things in which most is not true. I cry very very often because it hurts and I worry about the children, all my children all over the world, I live for them. If a man could say nothing against a character but what he could prove, history could not be written. Animals strike not from malice but because they want to live, it is the same with those who criticize, they desire our blood not our pain. But still I must achieve I must seek truth in all things. I must endure for the power I was sent forth, for the world for the children. But have mercy, for I've been bleeding a long time now. MJ."
"Consciousness expresses itself through creation. This world we live in is the dance of the Creator. Dancers come and go in the twinkling of an eye but the dance lives on. On many an occasion when I am dancing, I have felt touched by something sacred. In those moments, I felt my spirit soar and become one with everything that exists. I become the stars and the moon. I become the lover and the beloved. I become the victor and the vanquished. I become the master and the slave. I become the singer and the song. I become the knower and the known. I keep on dancing and then, it is the eternal dance of creation. The Creator and the creation merge into one wholeness of joy. I keep on dancing — until there is only … the dance."
"I feel fortunate for being that instrument through which music flows. I'm just the source through which it comes. I can't take credit for it because it's God's work. He's just using me as the messenger."
"If you enter this world knowing you are loved and you leave this world knowing the same, then everything that happens in between can be dealt with."
"Do not judge a person, Do not pass a judgement on anyone unless you've talked to them one-on-one. I don't care what the story is... OK, number one. There, as I know of, there is no such thing as skin bleaching... I have a skin disorder that destroys the pigmentation of the skin, it's something that I cannot help, OK? But, when people make up stories that I don't want to be who I am, it hurts me. It's a problem for me, I can't control it. .. Yeah, I think James Brown is a genius you know, when he's with the Famous Flames, unbelievable. I used to watch him on television and I used to get angry at the cameraman because whenever he would really start to dance they would be on a close-up so I couldn't see his feet. I'd shout "show him show him," so I could watch and learn."
"Michael Jackson: There's a time for this, and this you should not do. You should not go out and say, 'Oh he's Jacko'. I'm not a "Jacko". I'm "Jackson". Walters: How do you feel when people call you... Jackson: Yeah, "Wacko Jacko". Where'd that come from? Some English tabloid. I have a heart and I have feelings, I feel that, when you do that to me. It's not nice. Don't do it. I'm not a wacko."
"I have no problem with them imitating [me]. It's a compliment. Everybody has to start out looking up to someone. For me it was James Brown, Sammy Davis Jr., Jackie Wilson, Fred Astaire, Gene Kelly."
"I have begun to see that even my father's harshness was a kind of love. An imperfect love, to be sure, but love nonetheless. He pushed me because he loved me, because he wanted no man to ever look down at his offspring. Now with time, rather than bitterness I feel blessing.… My initial fury has slowly given way to forgiveness."
"The record companies really do conspire against the artists. They steal. They cheat. They do whatever they can, especially the black artists.… Sony's Tommy Mottola is the president of the record division. He is mean. He is a racist, and he's very, very, very devilish."
"I know my race. I just look in the mirror. I know I'm black."
"...so much joy to the world...and the system, meaning the record companies, totally took advantage of me. This is very important, what we're fighting for, because I'm tired, I'm really REALLY tired of manipulation. I'm tired of the how the press is manipulating everything that's been happening to this situation. They do not tell the truth, they lie. They manipulate, they manipulate our history books. The history books are not true: it's a lie. The history books are lying. You need to know that, you must know that. All the forms of popular music: from jazz to hip-hop to be-bop to .. to SOUL. To um, uh, dances, from the cake-walk. to the jitter-bug, to the Charleston, to uh, breakdancing. All of these are forms of black dancing."
"The minute I started breaking the all-time record in record sales... I broke Elvis's records, I broke Beatles records... The minute it became the all-time best-selling album in the history of the Guinness Book of World Records... OVERNIGHT they called me a freak. They called me a homosexual. They called me a child molester. They said I bleached my skin. They made everything to turn the public against me. This is all complete, complete conspiracy: you have to know that. You know, it's time for (unintelligible) It's time for a change. Let's not leave this building and forget what has been said. Put it into your heart. Put it into your subconscious mind, and let's do something about it. We have to, we have to. Because it's been a long LONG time coming, and a change has got to come. So let's, let's hold our torches high, and get the RESPECT that we deserve. I love you, I ~love~ you. Please don't put this in your heart today and forget it tomorrow. Or we will not accomplish our purpose. We will not have accomplished our purpose if that happens. This has got to stop."
"Not only were we practicing, we were nervous rehearsing, because he would sit in a chair with a belt in his hand, and if you didn't do it the right way, he would tear you up. Really get you...We were terrified of him. So terrified, I can't tell you. I don't think he realized how scared...scared...I mean SCARED. So scared that I would regurgitate. (with emphasis) Mmm-hmm. (reporter asks Michael what caused the reaction) His presence, just seeing him...And I was so fast, he wouldn't catch me half the time, but when he did, oh my God, it was bad."
"I put a lot of mannequins in my room in the past, and I still have mannequins in my room, because I used to be very lonely, painfully lonely. You have no idea. I used to walk the streets looking for people to talk to. I'm talking about the height of one's career…. I would walk up to them, strangers, and say, "will you be my friend?" They'd go, "my god, Michael Jackson!" and that's not what I wanted."
"I'm just like anyone. I cut and I bleed. And I embarrass easily. I am speechless about the idea of putting music fans in jail for downloading music. It is wrong to illegally download, but the answer cannot be jail. Here in America we create new opportunities out of adversity, not punitive laws, and we should look to new technologies like Apple's new Music Store for solutions. This way, innovation continues to be the hallmark of America. It is the fans that drive the success of the music business."
"Lies run sprints but the truth runs marathons."
"In a world filled with hate, we must still dare to hope. In a world filled with anger, we must still dare to comfort. In a world filled with despair, we must still dare to dream. And in a world filled with distrust, we must still dare to believe."
"I always wanted to do music that influences and inspires each generation. Lets face it, who wants mortality?"
"Ever since I was a little boy, I would study composition. And it was Pyotr Ilyich Tchaikovsky that influenced me the most. If you take an album like Nutcracker Suite, every song is killer, every one. So I said to myself, 'Why can't there be a pop album where every...' — People used to do an album where you'd get one good song, and the rest were like B-sides, they'd call them "album songs" — and I'd say to myself 'Why can't every one be like a hit song? Why can't every song be so great that people would want to buy it if you could release it as a single?. So I always tried to strive for that. That was the purpose for the next album."
"The industry, It's at a crossroad, There's a transformation going on. People are confused, what's going on, how to distribute and sell music. The internet kinda threw everybody for a real loop. 'Cause it's so powerful, kids love it so much. The whole world is at their fingertips, on their lap. Anything they want to know, anyone they want to communicate with, any music, any movies... The thing is it just took everybody for a loop. Right now, all these Starbucks deals and Wal-Mart deals, direct to artists, I don't know if that's the answer. I think the answer is just phenomenal, great music. Just reaching the masses. I think people are still searching. There's not a real music revolution going on right now, either. But when it's there, people will break down a wall to get to it. I mean, 'cause before Thriller, it was the same kind of thing. People were not buying music. It helped to bring everybody back into the stores, so when it happens, it happens."
"What I do when I write is that I'll do a raggedy, rough version just to hear the chorus, just to see how much I like the chorus. If it works for me that way when it's raggedy, then I'll know it will just work... Listen to that, that's at home. Janet, Randy, Me... Janet and I are going "Whoo, Whoo... Whoo, Whoo..." I do that same process with every song. It's the melody, it's the melody that's most important, If the melody can sell me, then I'll go to the next step. The idea is to transcribe from what's in your mentality onto tape. If you take a song like "Billie Jean," Where the bass line is the prominent, dominant piece, the protagonist of the song, the main driving riff that you hear, getting the character of the riff to be just the way you want it to be, that takes a lot of time. Listen, you're hearing four basses on there, doing four different personalities, and that's what gives it character, but it takes a lot of work."
"It's all for love... With the love, L.O.V.E."
"Love lives forever."
"I respect the secrets and magic of nature. That's why it makes me so angry when I see these things that are happening, that every second, I hear, the size of a football field is torn down in the Amazon. I mean, that kind of stuff really bothers me. That's why I write these kinds of songs, you know. It gives some sense of awareness and awakening and hope to people. I love the Planet, I love the trees. I have this thing for trees - the colors and changing of leaves. I love it. I respect those kind of things. I really feel that nature is trying so hard to compensate for man's mismanagement of the planet. Because the planet is sick, like a fever. If we don't fix it now, it's at the point of no return. This is our last chance to fix this problem that we have, where it's like a runway train. And the times has come, This Is It. People are always saying,'They'll take care of it. The government'll--Don't worry, they'll--' 'They' who? It starts with us. It's us. Or else it'll never be done... We have four years to get it right. After that it would be irreversible. Let's take care of the planet."
"I love you. That'll be the ending of this under the words."
"When I was a kid, I was denied not only a childhood, but I was denied love. When I reached out to hug my father, he didn't hug me back. When I was scared on an airplane, he didn't put his arm around me and say, "Michael, don't worry. It's going to be OK." When I was scared to go on stage, he said, "get your ass on that stage." … I will never deny a child love. If it means that I have to be crucified or put in jail for it, then that's just what they're going to have to do."
"Don't be afraid to be different."
"People all over the world Are the same everywhere I go, I give in to this, I give in to that, Every day it bothers me so, Am I in a bad situation? People taking me to the extreme, Am I being used? I just need a clue, I don't know which way to go."
"I don't know what's gonna happen to you, baby, But I do know that I love you, You walk around this town with your head all up in the sky, And I do know that I want you."
"Let's dance, let's shout! Shake your body down to the ground."
"I try to do what's right for me, But no-one sees the way I see, And then I try to please them so, But how far can this pleasing go?"
"Sometimes I cry cause I'm confused, Is this a fact of being used? There is no life for me at all, 'Cause I give myself at beck and call."
"Lovely is the feeling now, Fever, temperature's rising now, Power is the force, the vow, That makes it happen, It asks no questions how."
"So let love take us through the hours, I won't be complainin' 'Cause this is love power."
"Keep on with the force, don't stop Don't stop 'til you get enough."
"She got me workin' day and night, And I've been workin' From sun-up to midnight."
"You say that workin is what a man's supposed to do. But I say you ain't right if I can't give sweet love to you."
"How could you leave, girl? 'Cause love for us was meant to be, Then you must be seein' Some other guy instead of me."
"Get on the floor and dance with me, I love the way you shake your thing especially."
"All the colors of the world should be Loving each other wholeheartedly, Yes, it's alright, Take my message to your brother and tell him twice, Spread the word and try to teach the man Who's hating his brother when hate won't do, When we're all the same, 'Cause the blood inside me is inside of you."
"As we walked into the room There were faces staring, glaring, tearing through me, Someone said, 'Welcome to your doom,' Then they smiled with eyes that looked as if they knew me, This is scaring me."
"I said, you wanna be startin' somethin', You got to be startin' somethin', I said, you wanna be startin' somethin', You got to be startin' somethin', It's too high to get over, It's too low to get under, You're stuck in the middle, And the pain is thunder."
"You're a vegetable, you're a vegetable, Still they hate you, you're a vegetable, You're just a buffet, you're a vegetable, They eat off you, you're a vegetable."
"Mama se, Mama sa, Mama coo sa."
"Night creatures call. The dead start to walk in their masquerade. There's no escapin' the jaws of the alien this time (they're open wide). This is the end of your life. lyrics"
"Beat it, beat it, No-one wants to be defeated, Showin' how funky and strong is your fight, It doesn't matter who's wrong or right. Just beat it."
"You wanna show them that you're really not scared, You're playing with your life, this ain't no truth or dare, They'll kick you then they'll beat you then they'll tell you it's fair, So beat it."
"I wake up from dreams and go, 'Wow, put this down on paper.' The whole thing is strange. You hear the words, everything is right there in front of your face. And you say to yourself, 'I'm sorry, I just didn't write this. It's there already.' That's why I hate to take credit for the songs I've written. I feel that somewhere, someplace, it's been done and I'm just a courier bringing it into the world. I really believe that. I love what I do. I'm happy at what I do. It's escapism."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.