Lyubov Popova

"Our new aim is the organisation of the material environment, i.e. of contemporary industrial production, and all active artistic creativity must be directed towards this."

"The role of the 'representational arts' - painting, sculpture, and even architecture.. ..has ended, as it is no longer necessary for the consciousness of our age, and everything art has to offer can simply be classified as a throwback."

"The era that humanity has entered is an era of industrial development and therefore the organisation of artistic elements must be applied to the design of the material elements of everyday life, i.e. to industry or to so-called production. The new industrial production, in which artistic creativity must participate, will differ radically from the traditional aesthetic approach to the object, in that primarily attention will be focused not on the artistic decoration of the object (applied art), but on the artistic organisation of the object in accordance with the principles of creating the most utilitarian object.. ..If any of the different types of fine art (i.e., easel painting, drawing, engraving, sculpture, etc.) can still retain some purpose, they will do so only * 1. while they remain as the laboratory phase in our search for essential new forms * 2. insofar as they serve as supportive projects and schemes for constructions and utilitarian and industrially manufactured objects that have yet to be realised"

"A cotton print is as much a product of artistic culture as a painting, and there is no basis for drawing a dividing line between them. Moreover.. ..the conviction is growing that painting is dying, that it is inseparably linked with the forms of the capitalist system and its cultural ideology, and that textile design has become the focus of creative concern – that the textile print and work on the textile print is the height of artistic work."

"Although she had not joined the Working Group of Constructivists, she had exhibited with Rodchenko and Stepanova in September 1921 at the 5 x 5 = 25 exhibition. In this show she exhibited paintings that she called 'spatial force constructions' and wrote in the catalogue that the paintings exhibited 'are to be regarded only as series of preparatory experiments towards concrete material constructions.'"

"Christina Lodder, in 'Liubov Popova: From Painting to Textile Design', Tate Papers, no.14, Autumn 2010"