Kashi Vishwanath Temple

Kashi Vishwanath Temple is one of the most famous Hindu temples dedicated to Lord Shiva. It is located in Varanasi, Uttar Pradesh, India. The temple stands on the western bank of the holy river Ganges, and is one of the twelve Jyotirlingas, the holiest of Shiva temples. The main deity is known by the name Vishvanatha or Vishveshvara meaning Ruler of The Universe. Varanasi city is also called Kashi, and hence the temple is popularly called Kashi Vishwanath Temple. The temple has been referred to

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April 10, 2026

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April 10, 2026

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"The name of this temple (which is the most venerated in Benares) is Bisseshwar or Visseshwar. Crossing the little court, which was very splashy from the quantity of libations poured out, we ascended a very narrow staircase, up which no stout person could go, to what might be called the leads of the temple. Here were three quadrilateral domes close together, which are being gilded from money left by Ranjit Sing. Immense sums were sent with a portion of his ashes to various temples, and amongst others to this one. The temple is very small in comparison to European places of worship. On descending, we were led along a curious passage full of images and altars like the first (the whole having much the appearance of the entry to a museum of antiquities), - to a well in which, when the former temple was desecrated by the Muhammadans under Aurangzeb, the god took refuge. It is surrounded by a railing, and offerings of flowers, water, and rice are continually thrown down to propitiate the helpless divinity. The odour of sanctity of Hindu Mythology is not more agreeable to the olfactory nerves than that of the Romish begging fraternities – so we quickly left the spot. The Brahmans seem in no way different in dress from their countrymen, except that all of those in the temple had their heads and beards partially shaved. Most of them wore red mantles. The remains of the former temple were very fine. On its ruins Aurangzeb built a mosque, which we proceeded to visit, and coming from the idol temple, I felt a relief, and even an emotion of sympathy with the simple building we entered, where, at least, there was nothing outward and visible to dishonour the Most High. The only thing which it contained was a raised place for the mullah to preach from."

- Kashi Vishwanath Temple

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"This place is generally peopled with Hindoos of 3 sorts, viz., Khattrees [Khatris], Brahmanes [Brahmins], and Banians [Banias] and resorted unto from far, drawn hither by their superstitious reverence to the river Ganges (which runs by it), As also to divers [sic] Pagodes, Dewraes [duera, temple] or churches. The chiefest is called Cassibessuua [Bisheshar] being of Mahadeu [Mahadev, Shiva]; I went into it, where in the middle, on a place elevated, is a stone in form like a Hatters block plain and unwrought … on which they that resort pour water of the river, flowers, rice, butter, which here (by reason of the heat) is most commonly liquid, whilst the Bramane reads or says something which the vulgar understands not. Over it hangs a canopy of silk and about it several lamps lighted. The meaning of that plain blunt form, as I was told by a plain blunt fellow, was that it represented the head of Mahadeus virile member. If so, some mystery may be conceived why little children are by their mothers brought to this saint to be cured. Perhaps conservation as well as generation is thereby implied. Other Dewraes they have with images which they much reverence, as of Gunesh with an elephant’s trunk instead of a nose, of Chutterbudge [Chaturbhuj] with 6 faces, 6 arms and hands. Also in most of their Dewraes, in the most private and chiefest place of all, is the image of a woman sitting cross-legged, adorned with jewels. This much reverenced from Agra Westward, but Mahadew for the most part here away. Also most commonly before the going in of their Dewraes, they have the image of a calf or young bullock [Nandi, the bull vehicle of Shiva]. Here in their great Pagodes were many like rooms apart, with their several images, of which there were many that lay up and down in sundry places, of a reasonable form, and the best cut that I have yet seen in India. Others that I have therefore met with all were for the most part misshapen."

- Kashi Vishwanath Temple

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"The temple of Bisheshwar [sic] is situated in the midst of a quadrangle, covered in with a roof, above which the tower of the temple is seen. At each corner is a dome, and at the south-east corner, a temple sacred to Shiva. When observed in the distance, from the elevation of the roof, the building presents three distinct divisions. The first is the spire of a temple of Mahadeva, whose base is in the quadrangle below; the second is a large gilded dome; and the third is the gilded tower of the temple of Bisheshwar [sic] itself. These three objects are all in a row, in the centre of the quadrangle, filling up most of the space from one side to the other. The carving upon them is not particularly striking; but the dome and tower glittering in the sun look like vast masses of burnished gold … the expense of gilding them was borne by the late Maharaja Runjeet Sinh [sic] of Lahore. The tower, dome and spire terminate, severally, in a sharp point. Attached to the first is a high pole bearing a small flag and tipped with a trident. The temple of Bisheshwar, including the tower is fifty-one feet in height … outside the enclosure, to the north is a large collection of deities, raised upon a platform, called by the natives ‘the court of Mahadeva’ … these are evidently not of modern manufacture … the probability is, that they were taken from the ruins of the old temple of Bishshwar, which stood to the north-west of the present structure, and was demolished by the Emperor Aurangzeb … extensive remains of this ancient temple are still visible. They form a large portion of the western wall of the Mohammedan Mosque, which was built up in its site by this bigoted oppressor of the Hindus. Judging from the proportions of these ruins, it is manifest that the former temple of Bisheshwar must have been both loftier and more capacious than the existing structure; and the courtyard is four or five times more spacious than the entire area occupied by the modern temple … the mosque though not small, is by no means an imposing object. It is plain and uninteresting, and displays scarcely any carving or ornament. Within and without, its walls are besmeared with a dirty whitewash with a little colouring matter."

- Kashi Vishwanath Temple

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