First Quote Added
April 10, 2026
Latest Quote Added
"Comics utilize images, angles, and feelings that are hard to create in the real world. I think it’s hard to reproduce the overall atmosphere of a comic into a movie, because a film must use real actors and actresses that are not perfectly matched with my original work."
"I think pen-drawn art has its own charm. The brightness of the picture produced by the contrast between black lines and the white of the paper, and the atmosphere created from the drawn lines… I think they cannot be expressed by live-action so easily."
"A lot of modern movies take the approach of shocking the audience with things like jump scares. I grew up with the old-timey Hammer and Universal horror movies which focus more on creating a scary mood, so I prefer movies that gradually scare the audience with eerie atmosphere. Jump scares can certainly make people scared in the moment, but it's sort of a fleeting fear. I suppose it's all a matter of taste."
"I think in horror the eyes are really important. How you draw them can totally change how scary a story is. I think the scariest part of the body is probably people’s eyes."
"I think a lot about why people want to read horror or look at horror and what is the value of seeing something scary, why do we want to write something scary? I do think about that, and my thinking is that life is kind of uncertain. The future is uncertain; we don’t know what is going to happen. Maybe something bad is waiting for us, like, we don’t know, and there’s that uncertainty and that anxiety that comes from that. So if we see something scary, if we look at these scary things, then maybe we can prepare mentally for that. Maybe it’s some kind of readying our minds for possible future terrors."
"In terms of a short story, I'd like a more horrific/bad ending. In terms of longer stories, fans usually get emotionally attached to characters when reading long form. If I know that's the case, I want to end it on a good note, so people don't end up hating it. For me personally, I prefer short stories and ending it in a horrifying way because I'm also good at it."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.