Hermann von Helmholtz

"And we know what Helmholtz, the highest authority in Europe on the subject, has said about the human eye; that if an optician had sold him an instrument so carelessly made, he would have thought himself fully justified in returning it."

"The formation of scales and of the web of harmony is a product of artistic invention, and is in no way given by the natural structure or by the natural behaviour of our hearing, as used to be generally maintained hitherto."

"As you are aware, no perceptions obtained by the senses are merely sensations impressed on our nervous systems. A peculiar intellectual activity is required to pass from a nervous sensation to the conception of an external object, which the sensation has aroused. The sensations of our nerves of sense are mere symbols indicating certain external objects, and it is usually only after considerable practice that we acquire the power of drawing correct conclusions from our sensations respecting the corresponding objects."

"Now it is a universal law of the perceptions obtained through the senses that we pay only so much attention to the sensations actually experienced as is sufficient for us to recognise external objects. In this respect we are very one-sided and inconsiderate partisans of practical utility; far more so indeed than we suspect. All sensations which have no direct reference to external objects, we are accustomed, as a matter of course, entirely to ignore, and we do not become aware of them till we make a scientific investigation of the action of the senses, or have our attention directed by illness to the phenomena of our own bodies. Thus we often find patients, when suffering under a slight inflammation of the eyes, become for the first time aware of those beads and fibres known as mouches volantes swimming about within the vitreous humour of the eye, and then they often hypochondriacally imagine all sorts of coming evils, because they fancy that these appearances are new, whereas they have generally existed all their lives."

"Every great deed of which history tells us, every mighty passion which art can represent, every picture of manners, of civic arrangements, of the culture of peoples of distant lands or of remote times, seizes and interests us, even if there is no exact scientific connection among them. We continually find points of contact and comparison in our own conceptions and feelings; we get to know the hidden capacities and desires of the mind, which in the ordinary peaceful course of civilised life remain unawakened. It is not to be denied that, in the natural sciences, this kind of interest is wanting. Each individual fact, taken by itself, can indeed arouse our curiosity or our astonishment, or be useful to us in its practical applications. But intellectual satisfaction we obtain only from a connection of the whole, just from its conformity with law."

"There is a kind, I might almost say, of artistic satisfaction, when we are able to survey the enormous wealth of Nature as a regularly ordered whole — a kosmos, an image of the logical thought of our own mind."

"The last decades of scientific development have led us to the recognition of a new universal law of all natural phenomena, which, from its extraordinarily extended range, and from the connection which it constitutes between natural phenomena of all kinds, even of the remotest times and the most distant places, is especially fitted to give us an idea of what I have described as the character of the natural sciences, which I have chosen as the subject of this lecture."

"The quantity of force which can be brought into action in the whole of Nature is unchangeable, and can neither be increased nor diminished."

"In speaking of the work of machines and of natural forces we must, of course, in this comparison eliminate anything in which activity of intelligence comes into play. The latter is also capable of the hard and intense work of thinking, which tries a man just as muscular exertion does."

"The external work of man is of the most varied kind as regards the force or ease, the form and rapidity, of the motions used on it, and the kind of work produced. But both the arm of the blacksmith who delivers his powerful blows with the heavy hammer, and that of the violinist who produces the most delicate variations in sound, and the hand of the lacemaker who works with threads so fine that they are on the verge of the invisible, all these acquire the force which moves them in the same manner and by the same organs, namely, the muscles of the arm. An arm the muscles of which are lamed is incapable of doing any work; the moving force of the muscle must be at work in it, and these must obey the nerves, which bring to them orders from the brain. That member is then capable of the greatest variety of motions; it can compel the most varied instruments to execute the most diverse tasks."

"According to Sir W. Thomson's theory of Vortex Atoms, the substance of which the molecule consists is a uniformly dense plenum, the properties of which are those of a perfect fluid, the molecule itself being nothing but a certain motion impressed on a portion of this fluid, and this motion is shewn, by a theorem due to Helmholtz, to be as indestructible as we believe a portion of matter to be."

"Jedoch das Gebiet, welches der unbedingten Herrschaft der vollendeten Wissenschaft unterworfen werden kann, ist leider sehr eng, und schon die organische Welt entzieht sich ihm größtenteils"